PAPER-III FOLK LITERATURE Signature and Name of Invigilator
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J 7 1 1 6

Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 32 Instructions for the Candidates
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This paper consists of seventy five multiple-choice type ofquestions.

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Number of Questions in this Booklet 75


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7.
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8.
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1 P.T.O.

FOLK LITERATURE
PAPER III

Note This paper contains seventy five objective type questions of two marks each. All questions are compulsory.
1. According to Barre Toelken, Folklore and Biology share the same characteristic feature of

Anonymous Multiple Existence


Variation Oracy


2. Indic origin of Diachronic theory was propounded by

Bronislaw Malinowski Archer Taylor


Theodor Benfey Von Sydow


3. In which method ethnographers both experience and observe their own and others' co­participation within the ethnographic encounter

Participant observation Observation of participation


Non-participant observation Impersonalised observation


4. The belief that consolidated the clans and allied them with the larger circle of tribe is named by E.B. Tylor as

Totemism Animism


Henotheism Polytheism


5. Interpretations of 'meaning' are embedded not in the itself but recline in social conditions is the view expressed by the school of thought of

Formalism Marxism


Structuralism Post-structuralism


6. According to A.K. Ramanujan, the Indic Oedipus tale was told from the view point of

Daughter Son


Father Mother


7. During a time period of more than sixty years, the goal of folklore investigation in England has been the study of

Mythology Superstition


Survivals Morphology


8. Which type of research aims at finding a solution for an immediate problem facing a society or an industrial/business organization

Applied Research Descriptive Research


Fundamental Research Empirical Research




»ÖÖêÛú ÃÖÖ×ÆüŸµÖ
¯ÖÏ¿®Ö¯Ö¡Ö III

×®Ö¤ìü¿Ö ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ²Ö¸ìü ™üÖê‹Ûú®Ö Ûêú †®ÖãÃÖÖ¸ü »ÖÖêÛú¾ÖÖŸÖÖÔ †Öî¸ü •Öß¾Ö ×¾Ö-ÖÖ®Ö ´Öë ×ÛúÃÖ »ÖÖõÖ×ÞÖÛú ×¾Ö¿ÖêÂÖŸÖÖ Ûúß ÃÖ´ÖÖ®ÖŸÖÖ Æîü

ÝÖã´Ö®ÖÖ´Öß ²ÖÆãü´ÖãÜÖß ×ãÖןÖ


×¾Ö×¾Ö¬ÖŸÖÖ ´ÖÖî×ÜÖÛúŸÖÖ



2. ÛúÖ»ÖÛÎú×´ÖÛú ×ÃÖ¨üÖÓŸÖ Ûêú ³ÖÖ¸üŸÖßµÖ ´Öæ»Ö ÛúÖ ×¾Ö"ÖÖ¸ü ×ÛúÃÖ®Öê ¯ÖÏן֯ÖÖפüŸÖ ×ÛúµÖÖ

²ÖÎÖê×®ÖûÖÖ¾Ö ´Öê×»Ö®ÖÖê¾ÖÃÛúß †Ö"ÖÔ¸ü ™üÖòµÖ»Ö¸ü


×£ÖµÖÖê›üÖê¸ü ²Öê®Ö±êú ¾ÖÖò®Ö ÃÖÖµÖ›üÖê



3. ®Öé•ÖÖ×ŸÖ ×¾Ö¾Ö¸üÞÖ ×¾Ö-ÖÖ®Öß ×ÛúÃÖ ¯Ö¨ü×ŸÖ ´Öë †¯Ö®Öê †Öî¸ü ¤æüÃÖ¸üÖë Ûúß ÃÖÆü³ÖÖ×ÝÖŸÖÖ ®Öé•ÖÖŸÖßµÖ ×¾Ö¾Ö¸üÞÖ Ûêú ¯Ö׸ü¯ÖÏêõµÖ ´Öë ¤êüÜÖŸÖê †Öî¸ü
†®Öã³Ö¾Ö Ûú¸üŸÖê Æïü

ÃÖÆü³ÖÖÝÖß ¯ÖÏêõÖÞÖ ÃÖÆü³ÖÖÝÖߟÖÖ ÛúÖ †¬µÖµÖ®Ö


ÝÖî¸ü ÃÖÆü³ÖÖÝÖß ¯ÖÏêõÖÞÖ ×®Ö¾ÖðµÖ׌ŸÖÛú ¯ÖÏêõÖÞÖ


4. ×¾Ö׳֮®Ö ÝÖÖê¡ÖÖë ÛúÖê ‹Ûú¡Ö Ûú¸ü ˆ®Æëü •Ö®Ö•ÖÖ×ŸÖ Ûêú ²ÖéÆü¤ü ÃÖ´Öã¤üÖµÖ ÃÖê •ÖÖê›Ìü®Öê ¾ÖÖ»Öê ×¾Ö¿¾ÖÖÃÖ ÛúÖê ‡Ô.²Öß.™üÖòµÖ»Ö¸ü ®Öê ŒµÖÖ ®ÖÖ´Ö ×¤üµÖÖ £ÖÖ

ÝÖÞÖ ×"ÖÅ®Ö ¾ÖÖ¤ü •Öß¾Ö¾ÖÖ¤ü


‹ÛîúÛúÖ׬֤êü¾Ö¾ÖÖ¤ü ²ÖÆãü¤êü¾Ö¾ÖÖ¤ü


5. Ûúß ¾µÖÖܵÖÖ ×ÃÖ±Ôú ˆÃÖÛêú ´Öë ®ÖÆüà, ²Ö×»Ûú ÃÖÖ´ÖÖוÖÛú ¯Ö׸ü×ãÖןֵÖÖë ´Öë ×®Ö×ÆüŸÖ ÆüÖêŸÖß Æîü µÖÆü ×¾Ö"ÖÖ¸ü ×ÛúÃÖ ÃÛæú»Ö ®Öê ¾µÖŒŸÖ ×ÛúµÖÖ Æîü

ºþ¯Ö¾ÖÖ¤ü ´ÖÖŒÃÖÔ¾ÖÖ¤ü


ÃÖÓ¸ü"Ö®ÖÖ¾ÖÖ¤ü ˆ¢Ö¸ü ÃÖÓ¸ü"Ö®ÖÖ¾ÖÖ¤ü



6. ‹.Ûêú. ¸üÖ´ÖÖ®Öã•Ö®Ö Ûêú †®ÖãÃÖÖ¸ü ³ÖÖ¸üŸÖßµÖ ‡×›ü¯ÖÃÖ Ûú£ÖÖ‹Ñ ×ÛúÃÖ Ûêú ¥ü×™üÛúÖêÞÖ ÃÖê ¸ü"Öß ÝÖ‡Ô Æïü

²Öê™üß ²Öê™üÖ


ׯ֟ÖÖ ´ÖÖŸÖÖ



7. »ÖÝÖ³ÖÝÖ ÃÖÖšü ¾ÖÂÖÖí ÃÖê †×¬ÖÛú ÃÖ´ÖµÖ ŸÖÛú ‡ÓÝ»Öï›ü ´Öë »ÖÖêÛú ¾ÖÖŸÖÖÔ†Öë Ûêú †¬µÖµÖ®Ö ÛúÖ ˆ§êü¿µÖ £ÖÖ

×´Ö£ÖÛú †Ó¬Ö×¾Ö¿¾ÖÖÃÖ


²Ö"Öß Æãü‡Ô †Ö²ÖÖ¤üß ºþ¯Ö ¯ÖÏ×ÛÎúµÖÖ



8. ×ÛúÃÖ ¯ÖÏÛúÖ¸ü ÛúÖ †®ÖãÃÖÓ¬ÖÖ®Ö ×ÛúÃÖß ÃÖ´ÖÖ•Ö, ˆªÖêÝÖ µÖÖ ¾µÖÖ¯ÖÖ¸ü Ûúß ŸÖÖŸÛúÖ×»ÖÛú ÃÖ´ÖõÖÖ ÛúÖ ×®Ö¤üÖ®Ö œæÑüœü®Öê Ûêú ×»Ö‹ ×ÛúµÖÖ
•ÖÖŸÖÖ Æîü

¯ÖÏÖµÖÖê×ÝÖÛú †®ÖãÃÖÓ¬ÖÖ®Ö ×¾Ö¾Ö¸üÞÖÖŸ´ÖÛú †®ÖãÃÖÓ¬ÖÖ®Ö


²Öã×®ÖµÖÖ¤üß †®ÖãÃÖÓ¬ÖÖ®Ö ‡ÓצüµÖÖ®Öã³Ö¾ÖÖ×ÁÖŸÖ †®ÖãÃÖÓ¬ÖÖ®Ö


9. In society, the knowledge accumulated in the collective memory becomes the subject matter of

Sociology Folklore


Psychology Political Science


10. The non-verbal features that accompany speech act and help in conveying meaning is termed as

Pathos Parody


Parallelism Para language


11. The study of the use of linguistic signs in actual situations is known as

Pragmatics Syntax


Morphemes Phonemes


12. 'The smallest element in a tale having a power to persist in tradition' is called as

Emic Type


Motif Mytheme


13. In folklore, a mode of presentation in which a folk utilise conventional artistic techniques to stage actions for others is termed as

Documentation Competence


Social context Performance


14. Albert B. Lord to develop the Oral-Formulaic theory, listened to the oral epics from the bards in

Turkey coffeehouses Bulgaria cafes


Yugoslavia function houses Austrian operas


15. C. Levis-Strauss is known for his significant contribution in

Structural Analysis of Folktale Structural Analysis of believe narrative


Structural Analysis of Myth Structural Analysis of ritual


16. The purpose of morphological analysis is to determine the minimal units in a language to identify the

Verb Meaning


Noun Structure


17. Play in which the protagonist is overcome by a combination of social and psychological circumstances is known as

Satirical Farce


Comedy Tragedy


Paper-III 4
9. ×ÛúÃÖß ÃÖ´ÖÖ•Ö »ÖÖêÝÖÖë Ûúß ÃÖÖ´Öæ×ÆüÛú ôÖé×ŸÖ ´Öë ÃÖÓ×"ÖŸÖ ×ÛúÃÖ Ûêú †¬µÖµÖ®Ö ÛúÖ ×¾ÖÂÖµÖ Æîü

ÃÖ´ÖÖ•Ö ¿ÖÖÃ¡Ö »ÖÖêÛú ¾ÖÖŸÖÖÔ


´Ö®ÖÖê×¾Ö-ÖÖ®Ö ¸üÖ•Ö®Öß×ŸÖ ¿ÖÖáÖ


10. ¾ÖŒŸÖéŸÖÖ Ûêú ÃÖ´ÖµÖ †£ÖÔ ÛúÖê ÃÖÓ¯ÖÏê×ÂÖŸÖ Ûú¸ü®Öê Ûêú ×»Ö‹ ¯ÖϵÖãŒŸÖ †-¾ÖÖ×"ÖÛú ³ÖÓ×ÝÖ´ÖÖ ÛúÖê ŒµÖÖ ÛúÆüŸÖê Æïü

¯Öî£ÖÖêÃÖ ¯Öî¸üÖê›üß


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11. ¾ÖÖßÖ×¾ÖÛú ¾µÖ¾ÖÆüÖ¸ü ´Öë ³ÖÖÂÖÖ‡Ô ×"ÖÅ®ÖÖë Ûêú ¯ÖϵÖÖêÝÖ ÛúÖê ŒµÖÖ ÛúÆüŸÖê Æïü

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ºþ×¯Ö´Ö Ã¾Ö×®Ö´Ö


12. ×ÛúÃÖß Ûú£ÖÖ ´Öë ´ÖÖî•Öæ¤ü ¾ÖÆü ÃÖ²ÖÃÖê "ûÖê™üÖ ŸÖ¢¾Ö וÖÃÖ´Öë ¯Ö¸Óü¯Ö¸üÖ ´Öë ²Ö®Öê ¸üÆü®Öê Ûúß ¿Ö׌ŸÖ ÆüÖêŸÖß Æîü, ŒµÖÖ ÛúÆüÖ •ÖÖŸÖÖ Æîü

†ÓŸÖ¾µÖÔ¾ÖãÖÖ ¯ÖϺþ¯Ö


†×³Ö¯ÖÏÖµÖ ÃÖæõ´Ö ×´Ö£ÖÛú


13. »ÖÖêÛú ¾ÖÖŸÖÖÔ ¯ÖÏßÖãŸÖßÛú¸üÞÖ Ûúß ¾ÖÆü ¯Ö¨ü×ŸÖ ×•ÖÃÖ´Öë ÛúÖê‡Ô »ÖÖêÛú †®µÖ Ûêú ×»Ö‹ †×³Ö®ÖµÖ Ûú¸ü®Öê Ûêú ×»Ö‹ ¯Ö¸Óü¯Ö¸üÖÝÖŸÖ Ûú»ÖÖŸ´ÖÛú ŸÖÛú®ÖßÛú ÛúÖ ˆ¯ÖµÖÖêÝÖ Ûú¸üŸÖÖ Æîü, ÛúÖê ŒµÖÖ ÛúÆüÖ •ÖÖŸÖÖ Æîü

¯ÖÏ»ÖêÜÖßÛú¸üÞÖ ÃÖõÖ´ÖŸÖÖ


ÃÖÖ´ÖÖוÖÛú ÃÖÓ¤ü³ÖÔ ¯ÖϤü¿ÖÔ®Ö


14. ¾ÖÖ×"ÖÛú ÃÖæ¡ÖÖŸ´ÖÛú ×ÃÖ¨üÖÓŸÖ ×¾ÖÛú×ÃÖŸÖ Ûú¸ü®Öê Ûêú ×»Ö‹ †»²Ö™Ôü ²Öß »ÖÖò›Ôü ®Öê "ÖÖ¸üÞÖÖë ÃÖê ¾ÖÖ×"ÖÛú ´ÖÆüÖÛúÖ¾µÖ ÛúÆüÖÓ ÃÖã®Öê

ŸÖãÛúá Ûêú ÛúÖò±úßÆüÖˆÃÖÖë ´Öë ²Öã»ÝÖÖ׸üµÖÖ Ûêú Ûîú±êú ´Öë


µÖãÝÖÖêûÖÖ×¾ÖµÖÖ Ûêú ÛúÖµÖÔÛÎú´Ö ³Ö¾Ö®ÖÖë ´Öë †Öò×ÙÒüµÖÖ Ûêú †Öê¯Öê¸üÖ ´Öë


15. ÃÖß. »Öê×¾ÖÃÖ Ã™ÒüÖòÃÖ †¯Ö®Öê ×ÛúÃÖ ´ÖÆü¢¾Ö¯ÖæÞÖÔ ÛúÖµÖÔ Ûêú ×»Ö‹ •ÖÖ®Öê •ÖÖŸÖê Æïü

»ÖÖêÛú Ûú£ÖÖ†Öë ÛúÖ ÃÖÓ¸ü"Ö®ÖÖŸ´ÖÛú ×¾Ö¿»ÖêÂÖÞÖ


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16. ºþ¯Ö ×¾Ö-ÖÖ®Öß ×¾Ö¿»ÖêÂÖÞÖ ÛúÖ ˆ§êü¿µÖ ³ÖÖÂÖÖ Ûúß ÃÖ²ÖÃÖê "ûÖê™üß ‡ÛúÖ‡Ô ÛúÖ ×®Ö¬ÖÖÔ¸üÞÖ Æîü, ŸÖÖ×Ûú ¯ÖÆü"ÖÖ®Ö Ûúß •ÖÖ ÃÖÛêú

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17. ‹êÃÖÖ ®ÖÖ™üÛú וÖÃÖ´Öë ®ÖÖµÖÛú †®ÖêÛú ÃÖÖ´ÖÖוÖÛú ŸÖ£ÖÖ ´Ö®ÖÖê¾Öî-ÖÖ×®ÖÛú ¯Ö׸ü×ãÖןֵÖÖë Ûêú ÃÖÓµÖÖêÝÖ ÃÖê ×¾Ö×•ÖŸÖ ÆüÖêŸÖÖ Æîü, ŒµÖÖ ÛúÆüÖ
•ÖÖŸÖÖ Æîü

¾µÖÓÝÖÖŸ´ÖÛú ¯ÖÏÆüÃÖ®Ö


ÛúÖê´Öê›üß ¡ÖÖÃÖ¤üß


J-71-16 5 Paper-III
18. Folklore to qualify itself to be recognized as Discipline require
I. Methodology
II. Field Analysis
III. Survey Data
IV. Interpretative Theory
Codes

I and III are correct. II and IV are correct.


I and IV are correct. II and III are correct.


19. All three approaches to folklore the mythological, the anthropological and the historical­geographical are alike in the use of methodologies of
I. Diachronic
II. Comparative
III. Synchronic
IV. Ethnographic

Codes

I and II are correct. II and III are correct.


III and IV are correct. IV and I are correct.


20. The basic idea of morphology in Russian wonder-tales is to find out the basic feature of
I. Reduction to one single plot
II. Changing plot structure
III. Following different order in plot
IV. Limitation to seven characters
Codes

I and II are correct. I and IV are correct.


II and III are correct. II and IV are correct.


21. The role of performance in the study of folklore was advocated by the theories of
I. Functionalism
II. Ethnography of speaking
III. Orientalism
IV. Structuralism
Codes

I and III are correct. I and IV are correct.


I and II are correct. II and III are correct.


22. The Ethnographic research denote
I. Cross cultural study
II. Etic way of 'writing culture'
III. Cultural study of a community
IV. Emic way of 'writing culture'

Codes

I and IV are correct. I and II are correct.


II and III are correct. III and IV are correct.




18. »ÖÖêÛú¾ÖÖŸÖÖÔ ÛúÖê ‹Ûú †»ÖÝÖ ¿ÖÖÃ¡Ö Ûêú ºþ¯Ö ´Öë ãÖÖ×¯ÖŸÖ Ûú¸ü®Öê Ûêú ×»Ö‹ ŒµÖÖ †Ö¾Ö¿µÖÛú Æîü
I. ¯ÖÏÞÖÖ»Öß ŸÖÓ¡Ö
II. õÖê¡Ö ×¾Ö¿»ÖêÂÖÞÖ
III. ÃÖ¾ÖìõÖÞÖ †ÖÓÛú›Ìëü
IV. ¾µÖÖܵÖÖŸ´ÖÛú ×ÃÖ¨üÖÓŸÖ
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I †Öî¸ü III ÃÖÆüß Æïü … II †Öî¸ü IV ÃÖÆüß Æïü …


I †Öî¸ü IV ÃÖÆüß Æïü … II †Öî¸ü III ÃÖÆüß Æïü …



19. »ÖÖêÛú ¾ÖÖŸÖÖÔ Ûêú ÃÖÓ²ÖÓ¬Ö ´Öë ×´Ö£ÖÛú¾ÖÖ¤üß, ®Öé×¾Ö-ÖÖ®Öß ŸÖ£ÖÖ ‹êןÖÆüÖ×ÃÖÛú ³ÖÖîÝÖÖê×»ÖÛú ŸÖß®ÖÖë ˆ¯ÖÖÝÖ´ÖÖë Ûúß ¯ÖÏÞÖÖ»Öß ÃÖ´ÖÖ®Ö Æîü
I. ׫üÛúÖ×»ÖÛú II. ŸÖã»Ö®ÖÖŸ´ÖÛú
III. ‹ÛúÛúÖ×»ÖÛú IV. ®Öé•ÖÖŸÖßµÖ ×¾Ö¾Ö¸üÞÖÖŸ´ÖÛú
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I †Öî¸ü II ÃÖÆüß Æïü … II †Öî¸ü III ÃÖÆüß Æïü …


III †Öî¸ü IV ÃÖÆüß Æïü … IV †Öî¸ü I ÃÖÆüß Æïü …



20. ºþÃÖß †¤Ëü³ÖãŸÖ Ûú£ÖÖ†Öë Ûêú ºþ¯Ö×¾Ö¬ÖÖ®Ö ÛúÖ ˆ§êü¿µÖ ×Ûú®Ö ²Öã×®ÖµÖÖ¤üß ×¾Ö¿ÖêÂÖŸÖÖ†Öë ÛúÖ ¯ÖŸÖÖ »ÖÝÖÖ®ÖÖ Æîü
I. ‹Ûú ¯»ÖÖ™ü Ûêú ºþ¯Ö ´Öë ˆ®ÖÛúÖ ÃÖÓÛãú"Ö®Ö
II. ¯»ÖÖ™ü Ûúß ÃÖÓ¸ü"Ö®ÖÖ ´Öë ²Ö¤ü»ÖÖ¾Ö
III. ¯»ÖÖ™ü ´Öë ×¾Ö׳֮®Ö ¾µÖ¾ÖãÖÖ†Öë ÛúÖ ¯ÖÖ»Ö®Ö
IV. ÃÖÖŸÖ "Ö׸ü¡ÖÖë Ûúß ÃÖß´ÖÖ²Ö¨üŸÖÖ
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I †Öî¸ü II ÃÖÆüß Æïü … I †Öî¸ü IV ÃÖÆüß Æïü …


II †Öî¸ü III ÃÖÆüß Æïü … II †Öî¸ü IV ÃÖÆüß Æïü …



21. »ÖÖêÛú¾ÖÖŸÖÖÔ Ûêú †¬µÖµÖ®Ö ´Öë ¯ÖϤü¿ÖÔ®Ö Ûúß ³Öæ×´ÖÛúÖ ÛúÖ ÃÖ´Ö£ÖÔ®Ö ×ÛúÃÖ ×ÃÖ¨üÖÓŸÖ «üÖ¸üÖ ÆüÖêŸÖÖ Æîü
I. ¯ÖÏÛúÖµÖÔ¾ÖÖ¤ü
II. ³ÖÖÂÖÞÖ/¾ÖŒŸÖéŸÖÖ ÛúÖ ®Öé•ÖÖŸÖßµÖ ×¾Ö¾Ö¸üÞÖ
III. ¯ÖÏÖ"µÖ¾ÖÖ¤ü
IV. ÃÖÓ¸ü"Ö®ÖÖ¾ÖÖ¤ü
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I †Öî¸ü III ÃÖÆüß Æïü … I †Öî¸ü IV ÃÖÆüß Æïü …
I †Öî¸ü II ÃÖÆüß Æïü … II †Öî¸ü III ÃÖÆüß Æïü …
22. ®Öé•ÖÖŸÖßµÖ ×¾Ö¾Ö¸üÞÖ †®ÖãÃÖÓ¬ÖÖ®Ö ÃÖê †Ö¿ÖµÖ Æîü
I. †ÓŸÖ¸üÃÖÖÓÃÛéúןÖÛú †¬µÖµÖ®Ö
II. 'ÃÖÓÃÛéú×ŸÖ ÛúÖ ¾µÖ¾ÖÆüÖ¸ü¯Ö¸üÛú ´ÖÖÝÖÔ
III. ×ÛúÃÖß ÃÖ´Öã¤üÖµÖ ÛúÖ ÃÖÖÓÃÛéúןÖÛú †¬µÖµÖ®Ö
IV. 'ÃÖÓÃÛéú×ŸÖ ÛúÖ ¾µÖ¾ÖãÖÖ¯Ö¸üÛú ´ÖÖÝÖÔ
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I †Öî¸ü IV ÃÖÆüß Æïü … I †Öî¸ü II ÃÖÆüß Æïü …
II †Öî¸ü III ÃÖÆüß Æïü … III †Öî¸ü IV ÃÖÆüß Æïü …
J-71-16 7 Paper-III

23. According to Joseph Campbell, the Heroes of mythical stories have common features like
I. Miraculous birth
II. Ingenious death
III. Humble origin
IV. Triumphant struggle
Codes

I and IV are correct. III and IV are correct.


II and III are correct. II and IV are correct.


24. The following pairs are the scholars who worked on structuralism
I. Derrida and Charles Pierce
II. Kenneth Pike and Roland Barthes
III. Alan Dundes and V. Propp
IV. Claude Levi-Strauss and Edmond Leach

Codes

III and IV are correct. I and IV are correct.


II and III are correct. I and II are correct.


25. The basic constituents of Folk Religion are
I. Belief in Scriptures
II. Belief in Spirits
III. Cultural Actions
IV. Ritual Actions

Codes

I and II are correct. II and IV are correct.


III and IV are correct. II and III are correct.


26. The features found in the 'oppositional' type of proverbs are
I. Antithetical prevalence
II. Causative equivalence
III. Substitutive metonomy
IV. Absence-Presence dichotomy

Codes

I and II are correct. III and IV are correct.


I and IV are correct. II and III are correct.




23. •ÖÖêÃÖê±ú Ûïú¯Ö²Öê»Ö Ûêú †®ÖãÃÖÖ¸ü ×´Ö£ÖÛú Ûú£ÖÖ†Öë Ûêú ®ÖÖµÖÛúÖë ´Öë Ûãú"û ÃÖ´ÖÖ®Ö ×¾Ö¿ÖêÂÖŸÖÖ‹Ñ ÆüÖêŸÖß •ÖîÃÖê
I. "Ö´ÖŸÛúÖ¸ü¯ÖæÞÖÔ •Ö®´Ö
II. ×¾Ö»ÖõÖÞÖ ´Ö韵Öã
III. ×¾Ö®Ö´ÖÏ/ÃÖÖ¬ÖÖ¸üÞÖ ¿Öã¹ý†ÖŸÖ
IV. ×¾Ö•ÖµÖ¯ÖæÞÖÔ ÃÖÓ'ÖÂÖÔ
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I †Öî¸ü IV ÃÖÆüß Æïü … III †Öî¸ü IV ÃÖÆüß Æïü …


II †Öî¸ü III ÃÖÆüß Æïü … II †Öî¸ü IV ÃÖÆüß Æïü …



24. ×¾Ö«üÖ®ÖÖë Ûêú ®Öß"Öê פü‹ ÝÖ‹ µÖãÝ´ÖÖë ´Öë ÃÖê, ¾Öê ו֮ÆüÖë®Öê ÃÖÓ¸ü"Ö®ÖÖ¾ÖÖ¤ü ¯Ö¸ü ÛúÖ´Ö ×ÛúµÖÖ
I. ¤êü׸ü¤üÖ †Öî¸ü "ÖÖ»ÃÖÔ ¯ÖßµÖÃÖÔ
II. Ûêú®Öê£Ö ¯ÖÖ‡Ûú †Öî¸ü ¸üÖê®ÖÖ»›ü ²ÖÖ£ÖìÃÖ
III. ‹»Ö®Ö ›ãÓü›üÃÖ †Öî¸ü ¾Öß ¯ÖÏÖ¯Ö
IV. Œ»ÖÖ›ü »Öê¾Öß Ã™ÒüÖÃÖ ‹Ó›ü ‹›ü´ÖÓ›ü »Öß"Ö
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III †Öî¸ü IV ÃÖÆüß Æïü … I †Öî¸ü IV ÃÖÆüß Æïü …


II †Öî¸ü III ÃÖÆüß Æïü … I †Öî¸ü II ÃÖÆüß Æïü …



25. »ÖÖêÛú ¬Ö´ÖÔ Ûêú ²Öã×®ÖµÖÖ¤üß †¾ÖµÖ¾Ö Æïü
I. ¬Ö´ÖÔÝÖÏÓ£ÖÖë ´Öë ×¾Ö¿¾ÖÖÃÖ
II. †ÖŸ´ÖÖ ´Öë ×¾Ö¿¾ÖÖÃÖ
III. ÃÖÖÓÃÛéúןÖÛú ×ÛÎúµÖÖÛú»ÖÖ¯Ö
IV. †®ÖãšüÖ×®ÖÛú ×ÛÎúµÖÖÛú»ÖÖ¯Ö
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I †Öî¸ü II ÃÖÆüß Æïü … II †Öî¸ü IV ÃÖÆüß Æïü …


III †Öî¸ü IV ÃÖÆüß Æïü … II †Öî¸ü III ÃÖÆüß Æïü …



26. ×¾Ö¯Ö¸üߟִÖæ»ÖÛú »ÖÖêÛúÖê׌ŸÖ Ûúß ×¾Ö¿ÖêÂÖŸÖÖ‹Ñ Æïü
I. ¯ÖÏןÖãÖÖ¯Ö®ÖÖÝÖŸÖ ¯ÖÏ"Ö»Ö®Ö
II. ¯ÖÏê¸üÞÖÖ£ÖÔÛú ÃÖ´ÖÖ®ÖŸÖÖ
III. ¾ÖîÛú×»¯ÖÛú »ÖÖõÖ×ÞÖÛúŸÖÖ
IV. †®Öã¯Ö×ã֟Ö-ˆ¯Ö×Ã£ÖŸÖ ×«ü³ÖÖ•Ö®Ö
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I †Öî¸ü II ÃÖÆüß Æïü … III †Öî¸ü IV ÃÖÆüß Æïü