PAPER-III FOLK LITERATURE Signature and Name of Invigilator
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Number of Questions in this Booklet 75
¯Ö¸üßõÖÖÙ£ÖµÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö

1.
¯ÖÆü»Öê ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …

2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …

3.
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•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü
¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ˆÃÖÛêú Ûú¾Ö¸ü ¯Öê•Ö ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖᯙ ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü …
Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êüÆïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †ÖÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖË ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê»ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü ®ÖŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü OMR ¯Ö¡ÖÛú Ûúß ÛÎú´Ö ÃÖÓܵÖÖ ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü ¤ëü …


4.
¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê ÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü


•ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …
ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …


5.
¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸ü Æüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …

6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …

7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …

8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô

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9.
†Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ‹¾ÖÓ ´Öæ»Ö OMR ¯Ö¡ÖÛú ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®Ö ÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …

10.
Ûêú¾Ö»Ö ®Öß»Öê/ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …


11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …

12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô †ÓÛú ÛúÖ™êü ®ÖÆüà •ÖÖ‹ÑÝÖê …



J-71-12 1 P.T.O.


FOLK LITERATURE
Paper III

Note This paper contains seventy fifty objective type questions of two marks each. All questions are compulsory. 1. 'Who are the folk Among others we
9. 'The way a people characteristically are' stated by
looks outward upon universe' is called as

Stuart Blackburn


I. Wordview

Rozar Abraham

II. Folk Religion

Barre Toelken

III. Folk Ritual

Alan Dundes

IV. Cosmogony
II and III are correct.

2. 'Wisdom of many and wit of one' is a I and II are correct.
Riddle Folktale I and IV are correct.
Proverb Folksong III and IV are correct.

3. The name of the discipline that deals 10. Ethno-Musicology is featured by with the laws of language is I. Phonometrics

Sociology Literature


II. Choriometrics

Linguistics Psychology

III. Cantometrics

4. The quest of identity is the thrust area of IV. Rhetoric
Folklore History II and III are correct.
Economics Psychology

II, III and IV are correct.


II and IV are correct.



5. Avanculocal custom of marriage is

I and III are correct.
prevalent in



Negroid Aryan


11. The fixed phrase genre is


Dravidian Mongoloid



I. Proverb II. Curse
III. Ethnic slur IV. Saying 6. The Malabar Muslims are known as I and III are correct.

Shaik Pathan I and IV are correct.
Sayed Mapilla

II and III are correct.


III and IV are correct.



7. The editor of 'Folklore'
Shankar Sengupta 12. The concept of folklore process is


Jawaharlal Handoo


associated with

L. P. Vidyarthi

I. Ben Amos

Vanamamalai

II. Lauri Hanko
III. Analina Sikala 8. Kenneth Pike has stated that feature IV. Theoder Benfey mode, manifestation mode and I and II are correct.

distribution mode are the characteristic
features of


I and III are correct.


II and III are correct.


Emic Unit Type III and IV are correct.
Etic unit Motif

»ÖÖêÛú ÃÖÖ×ÆüŸ.Ö ¯ÖÏ¿®Ö¯Ö¡Ö III
®ÖÖê™ü ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯Öß.Ö ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸ.ÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü ¤ëü …

1. "»ÖÖêÛú ÛúÖî®Ö Æîü †®.ÖÖë ´Öë Æü´Ö Æüß Æïü …" .ÖÆü 9. »ÖÖêÝÖÖë ÛúÖ ÃÖÓÃÖÖ¸ü ÛúÖê ²ÖÖʯָüÛú ¥ü×™ü ÃÖê ¤êüÜÖ®Öê ÛúÖ ×ÛúÃÖÛúÖ Ûú£Ö®Ö Æîü œÓüÝÖ ÛúÆüÖ •ÖÖŸÖÖ Æîü

Ùãü†™Ôü ²»ÖîÛú²Ö®ÖÔ ¸üÖê•Ö¸ü †²ÖÎÖÉ


I. ×¾Ö¿¾Ö­¯Ö׸ü¥ü¿.Ö

²ÖÖêü ™üÖêêú®Ö ‹»Ö®Ö ›æüÞ›üßÃÖ

¸»ÖÛII. »ÖÖêÛú ¬Ö´ÖÔ
III. »ÖÖêÛú †®ÖãšüÖ®Ö2. '²ÖÆãüŸÖÖë ÛúÖ †Öî¸ü ‹Ûú Ûúß ‡®Ö´Öë ÃÖê Œ.ÖÖ IV. ÃÖé×™ü ¿ÖÖÃ¡Ö Æîü II †Öî¸ü III ÃÖÆüß Æïü …


¯ÖÆêü»Öß »ÖÖêÛú Ûú£ÖÖ


I †Öî¸ü II ÃÖÆüß Æïü …

ÛúÆüÖ¾ÖŸÖ »ÖÖêÛú ÝÖߟÖ


I †Öî¸ü IV ÃÖÆüß Æïü …


III †Öî¸ü IV ÃÖÆüß Æïü …



3. ³ÖÖÂÖÖ Ûêú ×®Ö.Ö´ÖÖë ÃÖê ÃÖ´²Ö×®¬ÖŸÖ †®Öã¿ÖÖÃÖ®Ö ÛúÖ Œ.ÖÖ ®ÖÖ´Ö Æîü
ÃÖ´ÖÖ•Ö¿ÖÖÃ¡Ö ³ÖÖÂÖÖ ×¾Ö-ÖÖ®Ö ÃÖÖ×ÆüŸ.Ö ´Ö®ÖÖê×¾Ö-ÖÖ®Ö 10. ®Öé­•ÖÖ×ŸÖ ÃÖÓÝÖߟֿÖÖÃ¡Ö Ûúß ×¾Ö¿ÖêÂÖŸÖÖ‹Ñ Æïü I. ¬¾Ö×®Ö ¸ü"Ö®ÖÖ ¿ÖÖÃ¡Ö II. ®ÖéŸ.Ö ¸ü"Ö®ÖÖ ¿ÖÖáÖ
4. †×ô֟ÖÖ Ûúß ÜÖÖê•Ö ‡®Ö´Öë ÃÖê ×ÛúÃÖÛúÖ ¯ÖÏ´ÖãÜÖ õÖê¡Ö Æîü »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö ‡×ŸÖÆüÖÃÖ †£ÖÔ¿ÖÖÃ¡Ö ´Ö®ÖÖê×¾Ö-ÖÖ®Ö III. IV. ÃÖÝÖÔ ¸ü"Ö®ÖÖ ¿ÖÖÃ¡Ö "Óû¤ü ¸ü"Ö®ÖÖ ¿ÖÖÃ¡Ö II †Öî¸ü III ÃÖÆüß Æïü … II, III †Öî¸ü IV ÃÖÆüß Æï …ü
5. ´ÖÖ´ÖÖ­³ÖÖÓ•Öß Ûêú ×¾Ö¾ÖÖÆü Æîü ÛúÖ ×¸ü¾ÖÖ•Ö ×Ûú®Ö´Öë ¯ÖÏ"Ö×»ÖŸÖ II †Öî¸ü IV ÃÖÆüß Æïü … I †Öî¸ü III ÃÖÆüß Æïü …
×®ÖÝÖÏÖê ¦ü×¾Ö›Ìü †Ö.ÖÔ ´ÖÓÝÖÖê»Ö 11. ‡®Ö´Öë ÃÖê Ûú£Ö®Ö ×¾Ö¬ÖÖ Æîü I. »ÖÖêÛúÖê׌ŸÖ II. ¿ÖÖ¯Ö
6. ´Ö»Ö²ÖÖ¸ü ´Öã×ûִÖÖë ÛúÖê Œ.ÖÖ ÛúÆüÖ •ÖÖŸÖÖ Æîü ¿ÖêÜÖ ¯ÖšüÖ®Ö ÃÖ..Ö¤ü ´Öׯֻ»ÖÖ III. ®Öé•ÖÖŸÖß.Ö Ûú»ÖÓÛú IV. I †Öî¸ü III ÃÖÆüß Æïü … I †Öî¸ü IV ÃÖÆüß Æïü … II †Öî¸ü III ÃÖÆüß Æïü … ÛúÆüÖ¾ÖŸÖ
7. '±úÖêÛú»ÖÖê¸ü' ÛúÖ ÃÖ´¯ÖÖ¤üÛú ÛúÖî®Ö Æîü III †Öî¸ü IV ÃÖÆüß Æïü …
¿ÖÓÛú¸ü ÃÖê®Ö ÝÖ㯟ÖÖ ‹»Ö.¯Öß. ×¾ÖªÖ£Öá •Ö¾ÖÖÆü¸ü»ÖÖ»Ö ÆüÖÞ›æü ¾Ö®ÖÖ´ÖÖ´Ö»ÖÖ‡Ô 12. ‡®Ö´Öë '»ÖÖêÛú ÃÖÖ×ÆüŸ.Ö ¯ÖÏ×ÛÎú.ÖÖ' ÛúÖ ÃÖ´²Ö®¬Ö ×ÛúÃÖÃÖê Æîü I. ²Öê®Ö ‹´ÖÖêÃÖ
8. Ûêú×®Ö£Ö ¯ÖÖ‡Ûú Ûêú Ûú£Ö®ÖÖ®ÖãÃÖÖ¸ü ‡®Ö´Öë ÃÖê ºþ¯ÖÛú II. »ÖÖò¸üß ÆüÖÓÛúÖê
†×³Ö¾.Ö׌ŸÖ ¯Ö¨ü×ŸÖ †Öî¸ü ×¾ÖŸÖ¸üÞÖ ¯Ö¨ü×ŸÖ III. †®ÖÖ»Öß®ÖÖ ×ÃÖÛúÖ»ÖÖ
×ÛúÃÖÛúß ´ÖãÜ.Ö ×¾Ö¿ÖêÂÖŸÖÖ‹Ñ Æïü IV. ×£Ö.ÖÖê›üÖê¸ü ²Öî®±êú
¾.Ö¾ÖãÖÖ¯Ö¸üÛú ‡ÛúÖ‡Ô I †Öî¸ü II ÃÖÆüß Æïü …
¯ÖϺþ¯Ö I †Öî¸ü III ÃÖÆüß Æïü …
¾.Ö¾ÖÆüÖ¸ü¯Ö¸üÛú ‡ÛúÖ‡Ô II †Öî¸ü III ÃÖÆüß Æï …ü
†×³Ö¯ÖÏÖ.Ö III †Öî¸ü IV ÃÖÆüß Æïü …

13. Folklore in Mass Media
I. Public Folklore
II. Fakelore
III. Popularlore
IV. Applied Folklore

I and II are correct.


I and III are correct.


II and III are correct.


III and IV are correct.



14. 'Chhau' is performed in
I. Assam II. Bengal
III. Jharkhand IV. Odisha

I and II are correct.


I and III are correct.


I and IV are correct.


II, III and IV are correct.



15. R. S. Boggs classification of folklore into Groups, Categories, Types and subdivisions is called

Archival cataloguing system


Library cataloguing system


SPSS cataloguing system


Artifact cataloguing system



16. The constant actions of variable characters are

Interdiction Liquidation


Function Designation



17. The personality that one projects to the outside world to gain the approval of the society is termed as

Anima Super Ego


Persona Extrovert



18. 'Golden Bough' is authored by

A. S. Goldenweiser


J. G. Frazer


E. B. Taylor


L. H. Morgan



19. The 'Solar Mythology' is associated with

Malinowski


Levi-Strauss


Stith Thompson


Max Muller



20. The concept of Liminality is associated with

Alan Dundes


Victor Turner


Emilie Durkhiem


Mircea Eliade



21. 'Lai Haraoba' is a festival of

Assam Mizoram


Manipur Nagaland



22. The case study method is

Quantitative method


Survey method


Ethnography method


Qualitative method



23. Proppian analysis is based on the genre of folklore

Fairy Tale Epic


Ballad Myth



24. The concept of Allo-motifeme is propounded by

Andrew Lang


Franz Boas


Alan Dundes


Roman Jakobson



25. Identify which art form does not come under folk performance

Koodiyattam(B) Terakuthu


Gidha Bihu



26. Assertion 'Folklore is artistic communication in small group.'
Reason Folklore in the context has no dichotomy between process and product.

Both and are false.


Both and are true.


is true and is false.


is false and is true.



27. Assertion Folklore is considered as the relics of the civilization by profounders of the Evolution Theory.
Reason Civilization does not reflect advancement.

is false and is correct explanation.


Both and is false and is not the correct explanation.


is true and is false.


is false and is true.



13. •Ö®Ö­´ÖÖ¬.Ö´ÖÖë ´Öë »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö ÆüÖêŸÖÖ Æîü
I. ÃÖÖ¾ÖÔ•Ö×®ÖÛú »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö
II. ´Ö®ÖÝÖœÌÓüŸÖ ÃÖÖ×ÆüŸ.Ö
III. »ÖÖêÛúׯÖÏ.Ö ÃÖÖ×ÆüŸ.Ö
IV. †®Öã¯ÖÏ.ÖãŒŸÖ »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö

I †Öî¸ü II ÃÖÆüß Æïü …


I †Öî¸ü III ÃÖÆüß Æïü …


II †Öî¸ü III ÃÖÆüß Æïü …


III †Öî¸ü IV ÃÖÆüß Æïü …




14. '"û‰ú' ×ÛúÃÖ ¸üÖ•.Ö Ûúß ¯ÖÏßÖã×ŸÖ Æîü
I. †ÃÖ´Ö II. ²ÖÓÝÖÖ»Ö
III. —ÖÖ¸üÜÖÞ›ü IV. ˆ›ÌüßÃÖÖ

I †Öî¸ü II ÃÖÆüß Æïü …


I †Öî¸ü III ÃÖÆüß Æïü …


I †Öî¸ü IV ÃÖÆüß Æïü …


II, III †Öî¸ü IV ÃÖÆüß Æïü …



15. †Ö¸ü.‹ÃÖ. ²ÖÖòÝÃÖ «üÖ¸üÖ »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö ÛúÖ ÃÖ´ÖæÆüÖë, ¾ÖÝÖÖí, ¯ÖϺþ¯ÖÖë †Ö¸îü ˆ¯Ö×¾Ö³ÖÖ•Ö®ÖÖë ´Öë ×Ûú.ÖÖ ÝÖ.ÖÖ ¾ÖÝÖáÛú¸üÞÖ Œ.ÖÖ ÛúÆü»ÖÖŸÖÖ Æîü

¯Öã¸üÖ»ÖêÜÖß.Ö ÃÖæ"ÖßÛú¸üÞÖ ¯ÖÏÞÖÖ»Öß


¯ÖãßÖÛúÖ»Ö.Ö ÃÖæ"ÖßÛú¸üÞÖ ¯ÖÞÖÏÖ»Öß


‹ÃÖ ¯Öß ‹ÃÖ ‹ÃÖ ÃÖæ"ÖßÛú¸üÞÖ ¯ÖÏÞÖÖ»Öß


¯Öã¸üÖ Ûú»ÖÖÛú×ŸÖ ÃÖæ"ÖßÛú¸üÞÖ ¯ÖÏ


éÞÖÖ»Öß


16. ¯Ö׸ü¾ÖŸÖÔ®Öß.Ö »ÖõÖÞÖÖë Ûúß ×ãָü ×ÛÎú.ÖÖ‹Ñ ÛúÆü»ÖÖŸÖß Æïü

×®ÖÂÖê¬Ö®Ö ¯Ö׸üÃÖ´ÖÖ¯Ö®Ö


¯ÖÏÛúÖ.ÖÔ ×®Ö.Öã׌ŸÖ



17. ¾ÖÆü ¾.Ö׌ŸÖŸ¾Ö וÖÃÖê ÃÖ´ÖÖ•Ö ÛúÖ †®Öã´ÖÖê¤ü®Ö ¯ÖÖ®Öê Ûêú ×»Ö.Öê ²ÖÖÊ •ÖÝÖŸÖ ¯Ö¸ü ¯ÖÏõÖׯêÖŸÖ ×Ûú.ÖÖ •ÖÖŸÖÖ Æîü, Œ.ÖÖ ÛúÆü»ÖÖŸÖÖ Æîü

†®ŸÖ®ÖÖÔ¸üß ¯Ö¸üÖÆü´ÖË


´ÖãÜÖ¾Ö™ü ²Ö×Æü´ÖÔãÜÖß



18. 'ÝÖÖê»›ü®Ö ÛúÖ »ÖêÜÖÛú ÛúÖî®Ö Æîü

‹. ‹ÃÖ. ÝÖÖê»›ü®Ö¾ÖÖ‡•Ö̸ü


•Öê.•Öß. ±Ïêú•Ö̸ü


‡Ô.²Öß. ™êü»Ö¸ü


‹»Ö.‹"Ö. ´ÖÖêÝÖÔ®Ö



19. ÃÖÖî¸ü ¯Ö¸ãüÖÞÖ (ÃÖÖê»Ö¸ü ´ÖÖ‡£ÖÖê»ÖÖê•Öß) ÛúÖ ‡®Ö´Öë ÃÖê ×ÛúÃÖÛúÖ ÃÖ´²Ö®¬Ö Æîü

´Öî×»Ö®ÖÖê¾ÖÃÛúß »Ö¾Ö߭ÙêÒüÖòÃÖ


×Ùü£Ö £ÖÖò´¯ÖÃÖ®Ö ´ÖîŒÃÖ ´.Öæ»Ö¸ü



20. '†®ŸÖ¸üÖ¾ÖãÖÖ' (Liminality) ÛúÖ ‡®Ö´Öë ÃÖê ×ÛúÃÖÛúÖ ÃÖ´²Ö®¬Ö Æîü

‹»Ö®Ö ›æüÞ›üßÃÖ ×¾ÖŒ™ü¸ü ™ü®Ö¸Ôü


‡´ÖÖ‡Ô»Ö ¤ãüÙÜÖ´Ö ×´ÖÙÃÖ.ÖÖ ‡×»Ö‹›ü



21. '»ÖÖ‡Ô ÆüÖ¸üÖê²ÖÖ' ÛúÆüÖÑ ÛúÖ Ÿ.ÖÖîÆüÖ¸ü Æîü

†ÃÖ´Ö ×´Ö•ÖÖê¸ü´Ö


´Ö×ÞÖ¯Öã¸ü ®ÖÖÝÖÖ»ÖîÞ›ü



22. ¾.Ö׌ŸÖ­†¬.Ö.Ö®Ö­¯ÖÏÞÖÖ»Öß ‡®Ö´Öë ÃÖê Œ.ÖÖ Æîü

´ÖÖ¡ÖÖŸ´ÖÛú ¯ÖÏÞÖÖ»Öß


ÃÖ¾ÖìõÖÞÖ ¯ÖÏÞÖÖ»Öß


®Öé­•ÖÖŸÖß.Ö †¬.Ö.Ö®Ö ¯ÖÏÞÖÖ»Öß


ÝÖÞÖãÖŸ´ÖÛú ¯ÖÏÞÖÖ»Öß



23. ¯ÖÏÖêׯÖ.Ö®Ö ×¾Ö¿»ÖêÂÖÞÖ ‡®Ö´Öë ÃÖê »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö Ûúß ×ÛúÃÖ ×¾Ö¬ÖÖ ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ Æîü

¯Ö׸üÛú£ÖÖ ´ÖÆüÖÛúÖ¾.Ö


ÝÖÖ£ÖÖÝÖßŸÖ ×´Ö£ÖÛú



24. ÜÖÓ›üÖ׳֯ÖÏÖ.Ö (Alo-motifeme) Ûúß †¾Ö¬ÖÖ¸üÞÖÖ Ûúß Ã£ÖÖ¯Ö®ÖÖ ×ÛúÃÖ®Öê Ûúß

‹Þ›Òü.Öæ »ÖÖÝÖ ±Ïëú•Ö ²ÖÖê†ÖÃÖ


‹»Ö®Ö ›æüÞ›üßÃÖ ¸üÖê´Ö®Ö •ÖêÛúÖê²ÖÃÖ®Ö



25. ‡®Ö´Öë ÃÖê ÛúÖî®Ö ÃÖÖ Ûú»ÖÖ ºþ¯Ö »ÖÖêÛú­¯ÖÏßÖã×ŸÖ Ûêú
†®ŸÖÝÖÔŸÖ ®ÖÆüà Æîü

Ûãú›üß.Ö¼ü´Ö ™êü¸üÖÛãú¼åü


×ÝÖ¨üÖ ²ÖßÆæü




26. †×³ÖÛú£Ö®Ö "»ÖÖêÛú ÃÖÖ×ÆüŸ.Ö "ûÖê™êü ÃÖ´ÖæÆü ´Öë
Ûú»ÖÖŸ´ÖÛú ÃÖÓ"ÖÖ¸ü Æîü …" ŸÖÛÔú ÃÖÓ¤ü³ÖÖÔÝÖŸÖ »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö ´Öë ¯ÖÏ×ÛÎú.ÖÖ
†Öî¸ü ˆŸ¯ÖÖ¤ü ´Öë ÛúÖê‡Ô ׫ü³ÖÖ•Ö®Ö ®ÖÆüà Æïü …

†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …


†Öî¸ü ÃÖÆüß Æïü …


ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …


ÝÖ»ÖŸÖ Æîü †Ö¸îü ÃÖÆüß Æîü …



27. †×³ÖÛú£Ö®Ö ×¾ÖÛúÖÃÖ ×ÃÖ¨üÖ®ŸÖ Ûêú ÃÖÓãÖÖ¯ÖÛúÖë ®Öê »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö ÛúÖê ÃÖ³.ÖŸÖÖ Ûêú †¾Ö¿ÖêÂÖ ´ÖÖ®ÖÖ Æîü …
ŸÖÛÔú ÃÖ³.ÖŸÖÖ ¯ÖÏÝÖ×ŸÖ ÛúÖê ¯ÖןÏÖײÖ×´²ÖŸÖ ®ÖÆüà Ûú¸üŸÖß …

ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß ¾.ÖÖÜ.ÖÖ Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü †Öî¸ü ÃÖÆüß ¾.ÖÖÜ.ÖÖ ®ÖÆüà Æîü …


ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …


ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …



28. Assertion The pressures of the id and super-ego cause repression, which results in dreams.
Reason Individual fantasies cause dreams.

is false and is true.


is correct explanation and

is false.


is false explanation and is correct.


is false and is correct explanation.



29. Assertion Ethnographic method is the description of physical features of the earth.
Reason Earth comprises all human races.

is correct, but is wrong.


Both and are correct.


is wrong, but is correct.


Both and are wrong.



30. Assertion The study of Folklore is static.
Reason Folklore archive is the depository of verbal and non­verbal genres.

Both and are wrong.


Both and are correct.


is false and is not correct explanation.


is correct, but is wrong.



31. Assertion Legend is a narrative which is wholly created out of Fantasy.
Reason Place and time referred in the legend are believed as true.

is wrong is correct.


and are correct.


and are wrong.


is correct, is wrong.



32. Assertion Durgapuja is the symbolic celebration of victory over evil.
Reason The myth is the explanation for Durgapuja.

is correct and is wrong.


is correct and is also correct.


Both explanation and are wrong.


is wrong and is correct.



33. Assertion Television is a Mass Communication Media.
Reason Television as Mass Media is controlled by masses.

is correct and is wrong explanation.


is wrong and is correct explanation.


Both and are wrong.


Both and are correct.



34. Assertion Proverb functioning as a sentence by itself whereas idiom is part of a sentence.
Reason Proverb and idiom are not cultural derivatives.

and are wrong.


is correct is not correct.


is wrong is correct.


is correct and is correct explanation.



35. Assertion Memorisation of text by a ballad singer is governed by oral formulaic.
Reason Oral formulaic is dictated by the audience.

Both and are wrong.


is wrong and is correct.


is correct and is wrong.


Both and are correct.



36. Assertion Finish method is basically diachronic.
Reason Finish method consider only special texts for analysis.

Both and are correct.


is correct and is wrong.


is wrong and is correct.


Both and are wrong.



37. Assertion Authentication of the accepted norms is one of the functions of folklore.
Reason Folk behaviour is based on tradition.

Both and are correct.


is correct and is wrong.


is wrong and is correct.


Both and are wrong.



28. †×³ÖÛú£Ö®Ö ‡¤ü´ÖË †Öî¸ü ¯Ö¸üÖÆü´ÖË Ûêú ¤ü²ÖÖ¾Ö ¤ü´Ö®Ö Ûêú ÛúÖ¸üÞÖ ²Ö®ÖŸÖê ו֮ÖÛúß ¯Ö׸üÞÖ×ŸÖ Ã¾Ö¯®Ö Ûêú ºþ¯Ö ´Öë ÆüÖêŸÖß Æîü …
ŸÖÛÔú þÖî¸ü Ûú»¯Ö®ÖÖ‹Ñ Ã¾Ö¯®Ö ÛúÖê •Ö®´Ö ¤êüŸÖß Æïü …

ÝÖÌ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …


ÃÖÆüß ¾.ÖÖÜ.ÖÖ Æîü †Öî¸ü ÝÖÌ»ÖŸÖ Æîü …


ÝÖÌ»ÖŸÖ ¾.ÖÖÜ.ÖÖ Æîü †Öî¸ü ÃÖÆüß Æîü …


ÝÖÌ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß ¾.ÖÖÜ.ÖÖ Æîü …



29. †×³ÖÛú£Ö®Ö ®Öé­•ÖÖ×ŸÖ ¾ÖÞÖÔ®Ö ¯ÖÏÞÖÖ»Öß ¯Ö£¾éÖß Ûúß ³ÖÖîןÖÛú ×¾Ö¿ÖêÂÖŸÖÖ†Öë ÛúÖ ×"Ö¡ÖÞÖ Æîü …
ŸÖÛÔú ¯Ö飾Öß ÃÖ³Öß ´ÖÖ®Ö¾Ö •ÖÖןÖ.ÖÖë ÛúÖê ÃÖ´ÖÖ×ÆüŸÖ ×Ûú‹ Æîü …

ÃÖÆüß Æîü, »Öê×Ûú®Ö ÝÖÌ»ÖŸÖ Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …


ÝÖÌ»ÖŸÖ Æîü, »Öê×Ûú®Ö ÃÖÆüß Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …



30. †×³ÖÛú£Ö®Ö »ÖÖêÛú ÃÖÖ×ÆüŸ.Ö ÛúÖ †¬.Ö.Ö®Ö Ã£Öî×£ÖןÖÛú Æîü …
ŸÖÛÔú »ÖÖêÛúÃÖÖ×ÆüŸ.Ö ÛúÖ †×³Ö»ÖêÜÖÖÝÖÖ¸ü ´ÖÖî×ÜÖÛú †Öî¸ü †´ÖÖîë ÓÝÖÏÆü
×ÜÖÛú ×¾Ö¬ÖÖ†ÖÛúÖ ÃÖÆîü …

†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÌÖŸÖ Æïü …


†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …


ÝÖÌ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß ¾.ÖÖÜ.ÖÖ ®ÖÆüà Æîü …


ÃÖÆüß Æîü †Öî¸ü ÝÖÌ»ÖŸÖ Æîü …



31. †×³ÖÛú£Ö®Ö ¤ÓüŸÖÛú£ÖÖ ¯ÖæÞÖÔŸÖ: ‹êÃÖÖ †ÖÜ.ÖÖ®Ö Æîü •ÖÖê þÖî¸ü Ûú»¯Ö®ÖÖ ÃÖê ¸ü"ÖÖ •ÖÖŸÖÖ Æüî…
ŸÖÛÔú ¤ÓüŸÖÛú£ÖÖ ´Öë ÃÖÓ¤üÙ³ÖŸÖ ¤êü¿Ö †Öî¸ü ÛúÖ»Ö ÃÖŸ.Ö ´ÖÖ®Öê •ÖÖŸÖê Æïü …

ÝÖÌ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …


†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÌÖŸÖ Æïü …


ÃÖÆüß Æîü †Öî¸ü ÝÖÌ»ÖŸÖ Æîü …



32. †×³ÖÛú£Ö®Ö ¤ãüÝÖÖÔ¯Öæ•ÖÖ ²Öã¸üÖ‡Ô ¯Ö¸ü ×¾Ö•Ö.Ö ÛúÖ ¯ÖÏŸÖßÛúÖŸ´ÖÛú ˆŸÃÖ¾Ö Æîü …
ŸÖÛÔú ‡ÃÖ ×´Ö£ÖÛú ´Öë ¤ãüÝÖÖÔ¯Öæ•ÖÖ Ûúß ¾.ÖÖÜ.ÖÖ Æîü …

ÃÖÆüß Æîü †Öî¸ü ÝÖÌ»ÖŸÖ Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …


†Öî¸ü ¤üÖê®ÖÖë ¾.ÖÖÜ.ÖÖ‹Ñ ÝÖÌ»ÖŸÖ Æïü …


ÝÖÌ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …




33. †×³ÖÛú£Ö®Ö ™êü»Öß×¾Ö•ÖÌ®Ö ‹Ûú •Ö®ÖÃÖÓ"ÖÖ¸ü
´ÖÖ¬.Ö´Ö Æîü … ŸÖÛÔú ‹Ûú ´ÖÖ¬.Ö´Ö Ûêú ºþ¯Ö ´Öë ™üê»Öß×¾Ö•ÖÌ®Ö
•Ö®Ö­ÃÖÖ¬ÖÖ¸üÞÖ «üÖ¸üÖ ×®Ö.ÖÓ×¡ÖŸÖ ÆüÖêŸÖÖ Æîü …

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