Exam Details

Subject tribal and regional languageliterature
Paper paper 3
Exam / Course ugc net national eligibility test
Department
Organization university grants commission
Position
Exam Date June, 2012
City, State ,


Question Paper

PAPER-III TRIBAL AND REGIONAL LANGUAGE-LITERATURE Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


2.
(Signature) (In figures as per admission card)



(Name) Roll (In words)
J 7 0 1 2

Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 16 Instructions for the Candidates
1.
Write your roll number in the space provided on the top of this page.

2.
This paper consists of seventy five multiple-choice type of questions.

3.
At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below

To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet.
Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given.
After this verification is over, the OMR Sheet Number should be entered on this Test Booklet.

4.
Each item has four alternative responses marked


and You have to darken the circle as indicated below on the correct response against each item.

Example
where is the correct response.
5.
Your responses to the items are to be indicated in the OMR Sheet given inside the Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated.

6.
Read instructions given inside carefully.

7.
Rough Work is to be done in the end of this booklet.

8.
If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, you will render yourself liable to disqualification.

9.
You have to return the test question booklet and Original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry duplicate copy of OMR Sheet on conclusion of examination.

10.
Use only Blue/Black Ball point pen.

11.
Use of any calculator or log table etc., is prohibited.

12.
There is no negative marks for incorrect answers.


Number of Questions in this Booklet 75
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1.
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2.
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3.
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4.
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•ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …
ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(C) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5.
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6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …

7.
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8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô

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9.
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10.
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11.
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12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô †ÓÛú ÛúÖ™êü ®ÖÆüà •ÖÖ‹ÑÝÖê …



Read the following passage carefully and answer question No. 1 5.
The music and dance performances in Jharkhand are invariably collective, never solo, where there are no audiences. In the Akhra all are performers, some of them are musicians, some singers and other dancers. That is why in Jharkhand, there is no dividing line between the performers and the audience. Infact, the audience wait for their turn to perform or to give the performers a break. The audience and the performers are one and the same in Jharkhand.
Jharkhand dances Whether Adivasi or Sadan are similar, their musical instruments are similar and the sentiment behind the songs are similar. The difference of their mother languages, Agneya, Dravida and Sadani disappears as the emotional background is the same. The style and the body movements involved in the Adivasi or sadan music and dance are similar. Their respective inner distinctiveness produce variety in their style of presentation. Look at the dances of the santhal, Munda, Ho, Bhumij and Kharia, the Oraon and the Sadan, your eyes will be glued to them. It would seem as if waves are rising and falling in the ocean of bliss. The nature and spirit of all Jharkhand dances are the same in their original shape and vibration. The dances of Jharkhand are altogether different from those of the plains.
1. What is theme of this passage?

Akhra


Nature of Jharkhandi music and dance


Tribal dance


Sadan dance


2. What is the basic nature of Jharkhandi music and dance

Collectiveness


Individuality


Raciality


Naturality


3. Is there any dividing line between the performer and the audience

No


Yes


Very little


Very much


4. What is Akhra

Place of performing music and dance


Battle field


Place of exercise


Place of worship


5. Is there any difference in the musical instruments of the Tribals and the Sadans

Yes


No


Very Little


Very much


6. Which is most necessary for the progress of society

Change of government


Administrative system


Devotion and labour


Morality


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7. Which tribe in Jharkhand was associated with the production of iron

Oraon


Khadia


Asur


Ho



8. What is Sarana

Place of worship


Battle field


Mango grove


Dancing place



9. Which is the state language of India in practice

Hindi


English


Urdu


Sanskrit



10. In which tribe of Jharkhand the 'Dali Dhiba' custom is popular

Oraon


Munda


Santal


Khadia



11. Which tribe in Jharkhand has the largest population

Ho


Kharia


Santal


Munda



12. What is the traditional profession of Malar tribe

To make utensils


To make weapon


Casting


Painting



13. Who has written the book, 'Mundas and their country'

Dr. S. P. Sinha


Dr. K. S. Singh


Dr. L. P. Vidyarthi


S. C. Roy



14. In which tribe the tradition of 'Manjhi Pargana' was in vogue

Ho


Oraon


Munda


Santal



15. There is similarity between Adivasi and Sadan

Because they live together since long time


and both are correct


is correct not


and both are wrong


is correct not



16. Who was the originator of 'Tana Movement'

Budhu Bhagat


Gang Narain


Jatra Bhagat


Kartik Oraon




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ÆüÖê



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†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü


ÃÖÆüß Æîü, ®ÖÆüà



16. ™üÖ®ÖÖ †ÖÓ¤üÖê»Ö®Ö ÛúÖ ¯ÖϾ֢ÖÔÛú ÛúÖî®Ö £ÖÖ

²Öã¬Öæ ³ÖÝÖŸÖ


ÝÖÝÓÖ ®ÖÖ¸üÖ.ÖÞÖ


•ÖŸÖ¸üÖ ³ÖÝÖŸÖ


ÛúÖÙŸÖÛú ˆ¸üÖѾÖ



17. Which flower is worshiped in Sarhul

Gulab


Juhi


Gulaichi


Shal (Sakhua)



18. Which tribe in Jharkhand observe Mage Parab

Oraon


Chero


Vedia


Ho



19. In which year CNT Act was promulgated

1910


1908


1857


2012



20. What is the main reason of the backwardness of the people of Jharkhand

Colonial exploitation


Illiteracy


Lack of irrigation


Communication gap



21. Which is the first unit of language

Sentence


Word


Form


Meaning



22. Which is the oldest theory of the origine of language

Divine theory


Theory of gesture


Theory of imitation


Yo he ho theory



23. What kind of change is in ghoda . ghodwa, Ramu . Ramua

Imitation


Breach of vowels


Emotion


Similarity



24. Which sound does phonology study

Physical sound


Bird's noise


Meaningful sound


Instrumental rythm



25. What kind of script is Deonagari

Pictorial


Sound based


Formulative


Symbolic



26. What do we study in Morphology

Form


Aesthetics


Morph


Shape



17. ÃÖ¸üÆãü»Ö ´Öë ×ÛúÃÖ ±æú»Ö Ûúß ¯Öæ•ÖÖ ÆüÖŸêÖß Æîü

ÝÖã»ÖÖ²Ö


•ÖæÆüß


ÝÖ»ãÖï"Öß


¿ÖÖ»Ö (ÃÖÜÖã†Ö)



18. —ÖÖ¸üÜÖÓ›ü Ûúß ÛúÖî®Ö •Ö®Ö•ÖÖ×ŸÖ '´ÖÖÝÖê ´Ö®ÖÖŸÖß Æîü

ˆ¸üÖѾÖ


"Öê¸üÖê


¾Öêפü.ÖÖ


ÆüÖê



19. ÃÖß ‹®Ö ™üß ‹Œ™ü ×ÛúÃÖ ¾ÖÂÖÔ »ÖÖÝÖæ ×Ûú.ÖÖ ÝÖ.ÖÖ £ÖÖ

1910


1908


1857


2012



20. —ÖÖ¸üÜÖÓ›ü Ûêú ×®Ö¾ÖÖ×ÃÖ.ÖÖë Ûêú ׯÖ"û›Ìêü¯Ö®Ö ÛúÖ ´ÖãÜ.Ö ÛúÖ¸üÞÖ Œ.ÖÖ Æîü

†Öî¯Ö×®Ö¾Ö׿êÖÛú ¿ÖÖêÂÖÞÖ


†×¿ÖõÖÖ


ØÃÖ"ÖÖ‡Ô ÛúÖ †³ÖÖ¾Ö


ÃÖÓ¾ÖÖ¤üÆü߮֟ÖÖ



21. ³ÖÖÂÖÖ Ûúß ¯ÖÏ£Ö´Ö ‡ÛúÖ‡Ô Œ.ÖÖ Æîü

¾ÖÖŒ.Ö


¿Ö²¤ü


ºþ¯Ö


†£ÖÔ



22. ³ÖÖÂÖÖ ˆŸ¯Ö×¢Ö ÛúÖ ÃÖ²ÖÃÖê ¯Öã¸üÖ®ÖÖ ×ÃÖ¨üÖÓŸÖ Œ.ÖÖ Æîü

¤î¾Öß ×ÃÖ¨üÖÓŸÖ


‡Ó×ÝÖŸÖ ×ÃÖ¨üÖÓŸÖ


†®ÖãÛú¸üÞÖ ×ÃÖ¨üÖÓŸÖ


.ÖÖê Æêü ÆüÖê ×ÃÖ¨üÖÓŸÖ



23. 'ÖÖê›ÌüÖ 'ÖÖê›Ìü¾ÖÖ, ¸üÖ´Öæ ¸ü´Öã†Ö ´Öë ×ÛúÃÖ ¯ÖÏÛúÖ¸ü ÛúÖ ¯Ö׸ü¾ÖŸÖÔ®Ö Æîü

†®ÖãÛú¸üÞÖ


þָü³Ö׌ŸÖ


³ÖÖ¾ÖÖŸ´ÖÛú


ÃÖÖ¥ü¿.Ö



24. ¬¾Ö×®Ö×¾Ö-ÖÖ®Ö ×ÛúÃÖ ¬¾Ö×®Ö ÛúÖ †¬.Ö.Ö®Ö Ûú¸üŸÖÖ Æîü

³ÖÖןîÖÛú ¬¾Ö×®Ö


¯Ö×õÖ.ÖÖë Ûúß ¬¾Ö×®Ö


ÃÖÖ£ÖÔÛú ¬¾Ö×®Ö


.ÖÓ¡ÖÖë Ûúß ¬¾Ö×®Ö



25. ¤êü¾Ö®ÖÖÝÖ¸üß ×ÛúÃÖ ¯ÖÏÛúÖ¸ü Ûúß ×»Ö×¯Ö Æîü

×"Ö¡Ö×»ÖׯÖ


¬¾Ö×®Ö´Öæ»ÖÛú


ÃÖæ¡Ö ×»ÖׯÖ


ÃÖÓÛêúŸÖÖŸ´ÖÛú



26. ºþ¯Ö×¾Ö-ÖÖ®Ö ´Öë Æü´Ö ×ÛúÃÖÛúÖ †¬.Ö.Ö®Ö Ûú¸üŸÖê Æïü

þֺþ¯Ö ÛúÖ


ÃÖÖü.ÖÔ ÛúÖ


¯Ö¤ü ÛúÖ


†ÖÛúÖ¸ü ÛúÖ



27. 'Wisdom is the power of man'. What is wisdom in this sentence

Noun


Verb


Pronoun


Adjective



28. What was the main subject of study of Dr. Suniti Kumar Chatterjee

Poetry


Economics


Linguistics


History



29. Ta, Tha, Da, Dha are the sound of the group

Bilabial


Guttcral


Dental


Palatal



30. Identify the correct match

you Definite pronoun


That, this Indefinite Pronoun


Own Personal Pronoun

any Second Person Pronoun


and


and


and


and



31. Which order of the development in language is proper

Dialect, Language, State language


Dialect, State language, language


State language, Dialect, language


Language, state language, Dialect



32. Identify the language of Austric group

Santali


Kurukh


Nagpuri


Kurmali



33. Whether Nagpuri is the language of Dravida group

Yes


No


To some extent


To great extent



34. Many languages are facing extinction. Why

Due to globalisation


Poverty


Illiteracy


Natural Process



35. Can government do something to save the extincting languages?

Yes


No


To some extent


Not at all



27.
´Ö®ÖãÂ.Ö Ûúß ¿Ö׌ŸÖ Æîü ‡ÃÖ ¾ÖÖŒ.Ö ´Öë Œ.ÖÖ Æîü

28.
›üÖò. ÃÖã®Öß×ŸÖ Ûãú´ÖÖ¸ü "Ö™ü•Öá Ûêú †¬.Ö.Ö®Ö ÛúÖ ´ÖãÜ.Ö ×¾ÖÂÖ.Ö Œ.ÖÖ £ÖÖ


ÛúÖ¾.Ö


†£ÖÔ¿ÖÖáÖ


³ÖÖÂÖÖ ×¾Ö-ÖÖ®Ö


‡×ŸÖÆüÖÃÖ



29.
¤ü, ×ÛúÃÖ ¾ÖÝÖÔ Ûêú †õÖ¸ü Æïü


†ÖêšËü.Ö


ÛÓúšËü.Ö


¤ÓüŸ.Ö


ŸÖÖ»Ö¾.Ö



30.
ÃÖÆüß ×´Ö»ÖÖ®Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûú¸ëü


ŸÖã´Ö ×®Ö¿"Ö.Ö¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö


¾ÖÆü, .ÖÆü †×®Ö¿"Ö.Ö¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö




ÃÖÓ-ÖÖ
×ÛÎú.ÖÖ
ÃÖ¾ÖÔ®ÖÖ´Ö
×¾Ö¿ÖêÂÖÞÖ

†¯Ö®ÖÖ ¯Öã¹ýÂÖ¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö
ÛúÖê‡Ô ´Ö¬.Ö¯Öã¹ýÂÖ ÃÖ¾ÖÔ®ÖÖ´Ö

†Öî¸ü


†Öî¸ü


†Öî¸ü


†Öî¸ü



31. ³ÖÖÂÖÖ ×¾ÖÛúÖÃÖ ÛúÖ ÛúÖî®Ö­ÃÖÖ ÛÎú´Ö ˆ¯Ö.ÖãŒŸÖ Æîü

²ÖÖê»Öß, ¸üÖ•.Ö ³ÖÖÂÖÖ


²ÖÖê»Öß, ¸üÖ•.Ö³ÖÖÂÖÖ, ³ÖÖÂÖÖ


¸üÖ•.Ö³ÖÖÂÖÖ, ²ÖÖê»Öß, ³ÖÖÂÖÖ


¸üÖ•.Ö³ÖÖÂÖÖ, ²ÖÖê»Öß



32. †ÖÝ®Öê.Ö ¯Ö׸ü¾ÖÖ¸ü Ûúß ³ÖÖÂÖÖ Ûúß ¯ÖÆü"ÖÖ®Ö Ûú¸ëü …

ÃÖÓŸÖÖ»Öß


Ûãú¹ýÜÖ


®ÖÖÝÖ¯Öã¸üß


Ûãú¸ü´ÖÖ»Öß



33. Œ.ÖÖ ®ÖÖÝÖ¯Öã¸üß ¦ü×¾Ö›Ìü ÝÖÏã¯Ö Ûúß ³ÖÖÂÖÖ Æîü

ÆüÖÑ


®ÖÆüà


Ûãú"û Æü¤ü ŸÖÛú


²ÖÆãüŸÖ Æü¤ü ŸÖÛú



34. †®ÖêÛú ³ÖÖÂÖÖ‹Ñ †×ß֟¾ÖÆü߮֟ÖÖ ÛúÖ ÃÖÖ´Ö®ÖÖ Ûú¸ü ¸üÆüß Æïü … Œ.ÖÖë

¾ÖÖßÛú¸üÞÖ Ûêú ÛúÖ¸üÞÖ


ÝÖ¸üß²Öß


†×¿ÖõÖÖ


þÖÖ³ÖÖ×¾ÖÛú ¯ÖÏ×ÛÎú.ÖÖ



35. †×ß֟¾ÖÆüß®Ö ÆüÖêŸÖß ³ÖÖÂÖÖ Ûúß ¸üõÖÖ Ûêú ×»Ö‹ ÃÖ¸üÛúÖ¸ü Ûãú"û Ûú¸ü ÃÖÛúŸÖß Æîü

ÆüÖÑ


®ÖÆüà


Ûãú"û Æü¤ü ŸÖÛú


‹Ûú¤ü´Ö ®ÖÆüà



36. Which historical order is correct

Rigveda, Atharwveda, Samved, Yajurveda


Rigveda, Samveda, Yajurveda, Atharwaveda


Rigveda, Yajurveda, Atharwaveda, Samveda


Atharwaveda, Samveda, Rigveda, Yajurveda



37. In which 'Purana' the devotion of Brahma is not available

Vishnu Puran


Vayu Puran


Markandeya Puran


Padma Puran



38. Which one is not the writing of Kalidas

Raghuvansh


Abhigyan Shakuntalam


Kumar Sambhawa


Saundaranand



39. How many 'Parvas' are there in Mahabharat

30


18


11


25



40. Who is the 'Adi kavi' of India

Vyas


Valmiki


Kalidas


Tulsidas



41. Who has written this doha Bakri pati khat hai, taki kadi khal, jo nar bakri khat hai, tinka kaun hawal

Kabir


Surdas


Ratnakar


Dinkar



42. Who has written 'Rani Ketaki ki Kahani'

Sadasukhlal


Sadal Mishra


Lallulal


Insha Alla Khan



43. Identify the year of birth of Bhartendu Harishchandra

1885 A.D.


1850 A.D.


1873 A.D.


1857 A.D.



44. Who was the editor of 'Saraswati Patika'

Mahabir Prasad Dwivedi


Bhartendu


Sadal Mishra


Bihari Lal



45. Who is called 'Awara Masiha'

Bankim Chandra


Sharat Chandra


Manik Bandopadhyay


Prabodh Kumar Sanyal



46. In which language Nazrul Islam has written his poetry

Asamia


Urdu


Bengali


Hindi



47. What kind of novels has been written by Brindabanlal Verma

Historical


Social


Political


Romantic



36. ÛúÖî®Ö ÃÖÖ ‹ê×ŸÖÆüÖ×ÃÖÛú ÛÎú´Ö ÃÖÆüß Æîü 42. ÛêúŸÖÛúß Ûúß ÛúÆüÖ®Öß' ×ÛúÃÖ®Öê ×»ÖÜÖß Æîü
ŠúݾÖê¤ü, †£Ö¾ÖÔ¾Öê¤ü, ÃÖÖ´Ö¾Öê¤ü, .Ö•Öã¾Öì¤ü ÃÖ¤üÖÃÖãÜÖ»ÖÖ»Ö
ŠúݾÖê¤ü, ÃÖÖ´Ö¾Öê¤ü, .Ö•Öã¾Öì¤ü, †£Ö¾ÖÔ¾Öê¤ü ÃÖ¤ü»Ö ×´ÖÁÖ
ŠúݾÖê¤ü, .Ö•Öã¾Öì¤ü, †£Ö¾ÖÔ¾Öê¤ü, &Ati


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