Exam Details
Subject | tribal and regional languageliterature | |
Paper | paper 3 | |
Exam / Course | ugc net national eligibility test | |
Department | ||
Organization | university grants commission | |
Position | ||
Exam Date | June, 2012 | |
City, State | , |
Question Paper
PAPER-III TRIBAL AND REGIONAL LANGUAGE-LITERATURE Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)
(Name)
Roll No.
2.
(Signature) (In figures as per admission card)
(Name) Roll (In words)
J 7 0 1 2
Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 16 Instructions for the Candidates
1.
Write your roll number in the space provided on the top of this page.
2.
This paper consists of seventy five multiple-choice type of questions.
3.
At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below
To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet.
Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given.
After this verification is over, the OMR Sheet Number should be entered on this Test Booklet.
4.
Each item has four alternative responses marked
and You have to darken the circle as indicated below on the correct response against each item.
Example
where is the correct response.
5.
Your responses to the items are to be indicated in the OMR Sheet given inside the Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated.
6.
Read instructions given inside carefully.
7.
Rough Work is to be done in the end of this booklet.
8.
If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, you will render yourself liable to disqualification.
9.
You have to return the test question booklet and Original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry duplicate copy of OMR Sheet on conclusion of examination.
10.
Use only Blue/Black Ball point pen.
11.
Use of any calculator or log table etc., is prohibited.
12.
There is no negative marks for incorrect answers.
Number of Questions in this Booklet 75
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Read the following passage carefully and answer question No. 1 5.
The music and dance performances in Jharkhand are invariably collective, never solo, where there are no audiences. In the Akhra all are performers, some of them are musicians, some singers and other dancers. That is why in Jharkhand, there is no dividing line between the performers and the audience. Infact, the audience wait for their turn to perform or to give the performers a break. The audience and the performers are one and the same in Jharkhand.
Jharkhand dances Whether Adivasi or Sadan are similar, their musical instruments are similar and the sentiment behind the songs are similar. The difference of their mother languages, Agneya, Dravida and Sadani disappears as the emotional background is the same. The style and the body movements involved in the Adivasi or sadan music and dance are similar. Their respective inner distinctiveness produce variety in their style of presentation. Look at the dances of the santhal, Munda, Ho, Bhumij and Kharia, the Oraon and the Sadan, your eyes will be glued to them. It would seem as if waves are rising and falling in the ocean of bliss. The nature and spirit of all Jharkhand dances are the same in their original shape and vibration. The dances of Jharkhand are altogether different from those of the plains.
1. What is theme of this passage?
Akhra
Nature of Jharkhandi music and dance
Tribal dance
Sadan dance
2. What is the basic nature of Jharkhandi music and dance
Collectiveness
Individuality
Raciality
Naturality
3. Is there any dividing line between the performer and the audience
No
Yes
Very little
Very much
4. What is Akhra
Place of performing music and dance
Battle field
Place of exercise
Place of worship
5. Is there any difference in the musical instruments of the Tribals and the Sadans
Yes
No
Very Little
Very much
6. Which is most necessary for the progress of society
Change of government
Administrative system
Devotion and labour
Morality
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7. Which tribe in Jharkhand was associated with the production of iron
Oraon
Khadia
Asur
Ho
8. What is Sarana
Place of worship
Battle field
Mango grove
Dancing place
9. Which is the state language of India in practice
Hindi
English
Urdu
Sanskrit
10. In which tribe of Jharkhand the 'Dali Dhiba' custom is popular
Oraon
Munda
Santal
Khadia
11. Which tribe in Jharkhand has the largest population
Ho
Kharia
Santal
Munda
12. What is the traditional profession of Malar tribe
To make utensils
To make weapon
Casting
Painting
13. Who has written the book, 'Mundas and their country'
Dr. S. P. Sinha
Dr. K. S. Singh
Dr. L. P. Vidyarthi
S. C. Roy
14. In which tribe the tradition of 'Manjhi Pargana' was in vogue
Ho
Oraon
Munda
Santal
15. There is similarity between Adivasi and Sadan
Because they live together since long time
and both are correct
is correct not
and both are wrong
is correct not
16. Who was the originator of 'Tana Movement'
Budhu Bhagat
Gang Narain
Jatra Bhagat
Kartik Oraon
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†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü
ÃÖÆüß Æîü, ®ÖÆüà
16. ™üÖ®ÖÖ †ÖÓ¤üÖê»Ö®Ö ÛúÖ ¯ÖϾ֢ÖÔÛú ÛúÖî®Ö £ÖÖ
²Öã¬Öæ ³ÖÝÖŸÖ
ÝÖÝÓÖ ®ÖÖ¸üÖ.ÖÞÖ
•ÖŸÖ¸üÖ ³ÖÝÖŸÖ
ÛúÖÙŸÖÛú ˆ¸üÖѾÖ
17. Which flower is worshiped in Sarhul
Gulab
Juhi
Gulaichi
Shal (Sakhua)
18. Which tribe in Jharkhand observe Mage Parab
Oraon
Chero
Vedia
Ho
19. In which year CNT Act was promulgated
1910
1908
1857
2012
20. What is the main reason of the backwardness of the people of Jharkhand
Colonial exploitation
Illiteracy
Lack of irrigation
Communication gap
21. Which is the first unit of language
Sentence
Word
Form
Meaning
22. Which is the oldest theory of the origine of language
Divine theory
Theory of gesture
Theory of imitation
Yo he ho theory
23. What kind of change is in ghoda . ghodwa, Ramu . Ramua
Imitation
Breach of vowels
Emotion
Similarity
24. Which sound does phonology study
Physical sound
Bird's noise
Meaningful sound
Instrumental rythm
25. What kind of script is Deonagari
Pictorial
Sound based
Formulative
Symbolic
26. What do we study in Morphology
Form
Aesthetics
Morph
Shape
17. ÃÖ¸üÆãü»Ö ´Öë ×ÛúÃÖ ±æú»Ö Ûúß ¯Öæ•ÖÖ ÆüÖŸêÖß Æîü
ÝÖã»ÖÖ²Ö
•ÖæÆüß
ÝÖ»ãÖï"Öß
¿ÖÖ»Ö (ÃÖÜÖã†Ö)
18. —ÖÖ¸üÜÖÓ›ü Ûúß ÛúÖî®Ö •Ö®Ö•ÖÖ×ŸÖ '´ÖÖÝÖê ´Ö®ÖÖŸÖß Æîü
ˆ¸üÖѾÖ
"Öê¸üÖê
¾Öêפü.ÖÖ
ÆüÖê
19. ÃÖß ‹®Ö ™üß ‹Œ™ü ×ÛúÃÖ ¾ÖÂÖÔ »ÖÖÝÖæ ×Ûú.ÖÖ ÝÖ.ÖÖ £ÖÖ
1910
1908
1857
2012
20. —ÖÖ¸üÜÖÓ›ü Ûêú ×®Ö¾ÖÖ×ÃÖ.ÖÖë Ûêú ׯÖ"û›Ìêü¯Ö®Ö ÛúÖ ´ÖãÜ.Ö ÛúÖ¸üÞÖ Œ.ÖÖ Æîü
†Öî¯Ö×®Ö¾Ö׿êÖÛú ¿ÖÖêÂÖÞÖ
†×¿ÖõÖÖ
ØÃÖ"ÖÖ‡Ô ÛúÖ †³ÖÖ¾Ö
ÃÖÓ¾ÖÖ¤üÆü߮֟ÖÖ
21. ³ÖÖÂÖÖ Ûúß ¯ÖÏ£Ö´Ö ‡ÛúÖ‡Ô Œ.ÖÖ Æîü
¾ÖÖŒ.Ö
¿Ö²¤ü
ºþ¯Ö
†£ÖÔ
22. ³ÖÖÂÖÖ ˆŸ¯Ö×¢Ö ÛúÖ ÃÖ²ÖÃÖê ¯Öã¸üÖ®ÖÖ ×ÃÖ¨üÖÓŸÖ Œ.ÖÖ Æîü
¤î¾Öß ×ÃÖ¨üÖÓŸÖ
‡Ó×ÝÖŸÖ ×ÃÖ¨üÖÓŸÖ
†®ÖãÛú¸üÞÖ ×ÃÖ¨üÖÓŸÖ
.ÖÖê Æêü ÆüÖê ×ÃÖ¨üÖÓŸÖ
23. 'ÖÖê›ÌüÖ 'ÖÖê›Ìü¾ÖÖ, ¸üÖ´Öæ ¸ü´Öã†Ö ´Öë ×ÛúÃÖ ¯ÖÏÛúÖ¸ü ÛúÖ ¯Ö׸ü¾ÖŸÖÔ®Ö Æîü
†®ÖãÛú¸üÞÖ
þָü³Ö׌ŸÖ
³ÖÖ¾ÖÖŸ´ÖÛú
ÃÖÖ¥ü¿.Ö
24. ¬¾Ö×®Ö×¾Ö-ÖÖ®Ö ×ÛúÃÖ ¬¾Ö×®Ö ÛúÖ †¬.Ö.Ö®Ö Ûú¸üŸÖÖ Æîü
³ÖÖןîÖÛú ¬¾Ö×®Ö
¯Ö×õÖ.ÖÖë Ûúß ¬¾Ö×®Ö
ÃÖÖ£ÖÔÛú ¬¾Ö×®Ö
.ÖÓ¡ÖÖë Ûúß ¬¾Ö×®Ö
25. ¤êü¾Ö®ÖÖÝÖ¸üß ×ÛúÃÖ ¯ÖÏÛúÖ¸ü Ûúß ×»Ö×¯Ö Æîü
×"Ö¡Ö×»ÖׯÖ
¬¾Ö×®Ö´Öæ»ÖÛú
ÃÖæ¡Ö ×»ÖׯÖ
ÃÖÓÛêúŸÖÖŸ´ÖÛú
26. ºþ¯Ö×¾Ö-ÖÖ®Ö ´Öë Æü´Ö ×ÛúÃÖÛúÖ †¬.Ö.Ö®Ö Ûú¸üŸÖê Æïü
þֺþ¯Ö ÛúÖ
ÃÖÖü.ÖÔ ÛúÖ
¯Ö¤ü ÛúÖ
†ÖÛúÖ¸ü ÛúÖ
27. 'Wisdom is the power of man'. What is wisdom in this sentence
Noun
Verb
Pronoun
Adjective
28. What was the main subject of study of Dr. Suniti Kumar Chatterjee
Poetry
Economics
Linguistics
History
29. Ta, Tha, Da, Dha are the sound of the group
Bilabial
Guttcral
Dental
Palatal
30. Identify the correct match
you Definite pronoun
That, this Indefinite Pronoun
Own Personal Pronoun
any Second Person Pronoun
and
and
and
and
31. Which order of the development in language is proper
Dialect, Language, State language
Dialect, State language, language
State language, Dialect, language
Language, state language, Dialect
32. Identify the language of Austric group
Santali
Kurukh
Nagpuri
Kurmali
33. Whether Nagpuri is the language of Dravida group
Yes
No
To some extent
To great extent
34. Many languages are facing extinction. Why
Due to globalisation
Poverty
Illiteracy
Natural Process
35. Can government do something to save the extincting languages?
Yes
No
To some extent
Not at all
27.
´Ö®ÖãÂ.Ö Ûúß ¿Ö׌ŸÖ Æîü ‡ÃÖ ¾ÖÖŒ.Ö ´Öë Œ.ÖÖ Æîü
28.
›üÖò. ÃÖã®Öß×ŸÖ Ûãú´ÖÖ¸ü "Ö™ü•Öá Ûêú †¬.Ö.Ö®Ö ÛúÖ ´ÖãÜ.Ö ×¾ÖÂÖ.Ö Œ.ÖÖ £ÖÖ
ÛúÖ¾.Ö
†£ÖÔ¿ÖÖáÖ
³ÖÖÂÖÖ ×¾Ö-ÖÖ®Ö
‡×ŸÖÆüÖÃÖ
29.
¤ü, ×ÛúÃÖ ¾ÖÝÖÔ Ûêú †õÖ¸ü Æïü
†ÖêšËü.Ö
ÛÓúšËü.Ö
¤ÓüŸ.Ö
ŸÖÖ»Ö¾.Ö
30.
ÃÖÆüß ×´Ö»ÖÖ®Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûú¸ëü
ŸÖã´Ö ×®Ö¿"Ö.Ö¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö
¾ÖÆü, .ÖÆü †×®Ö¿"Ö.Ö¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö
ÃÖÓ-ÖÖ
×ÛÎú.ÖÖ
ÃÖ¾ÖÔ®ÖÖ´Ö
×¾Ö¿ÖêÂÖÞÖ
†¯Ö®ÖÖ ¯Öã¹ýÂÖ¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö
ÛúÖê‡Ô ´Ö¬.Ö¯Öã¹ýÂÖ ÃÖ¾ÖÔ®ÖÖ´Ö
†Öî¸ü
†Öî¸ü
†Öî¸ü
†Öî¸ü
31. ³ÖÖÂÖÖ ×¾ÖÛúÖÃÖ ÛúÖ ÛúÖî®ÖÃÖÖ ÛÎú´Ö ˆ¯Ö.ÖãŒŸÖ Æîü
²ÖÖê»Öß, ¸üÖ•.Ö ³ÖÖÂÖÖ
²ÖÖê»Öß, ¸üÖ•.Ö³ÖÖÂÖÖ, ³ÖÖÂÖÖ
¸üÖ•.Ö³ÖÖÂÖÖ, ²ÖÖê»Öß, ³ÖÖÂÖÖ
¸üÖ•.Ö³ÖÖÂÖÖ, ²ÖÖê»Öß
32. †ÖÝ®Öê.Ö ¯Ö׸ü¾ÖÖ¸ü Ûúß ³ÖÖÂÖÖ Ûúß ¯ÖÆü"ÖÖ®Ö Ûú¸ëü …
ÃÖÓŸÖÖ»Öß
Ûãú¹ýÜÖ
®ÖÖÝÖ¯Öã¸üß
Ûãú¸ü´ÖÖ»Öß
33. Œ.ÖÖ ®ÖÖÝÖ¯Öã¸üß ¦ü×¾Ö›Ìü ÝÖÏã¯Ö Ûúß ³ÖÖÂÖÖ Æîü
ÆüÖÑ
®ÖÆüà
Ûãú"û Æü¤ü ŸÖÛú
²ÖÆãüŸÖ Æü¤ü ŸÖÛú
34. †®ÖêÛú ³ÖÖÂÖÖ‹Ñ †×ß֟¾ÖÆü߮֟ÖÖ ÛúÖ ÃÖÖ´Ö®ÖÖ Ûú¸ü ¸üÆüß Æïü … Œ.ÖÖë
¾ÖÖßÛú¸üÞÖ Ûêú ÛúÖ¸üÞÖ
ÝÖ¸üß²Öß
†×¿ÖõÖÖ
þÖÖ³ÖÖ×¾ÖÛú ¯ÖÏ×ÛÎú.ÖÖ
35. †×ß֟¾ÖÆüß®Ö ÆüÖêŸÖß ³ÖÖÂÖÖ Ûúß ¸üõÖÖ Ûêú ×»Ö‹ ÃÖ¸üÛúÖ¸ü Ûãú"û Ûú¸ü ÃÖÛúŸÖß Æîü
ÆüÖÑ
®ÖÆüà
Ûãú"û Æü¤ü ŸÖÛú
‹Ûú¤ü´Ö ®ÖÆüà
36. Which historical order is correct
Rigveda, Atharwveda, Samved, Yajurveda
Rigveda, Samveda, Yajurveda, Atharwaveda
Rigveda, Yajurveda, Atharwaveda, Samveda
Atharwaveda, Samveda, Rigveda, Yajurveda
37. In which 'Purana' the devotion of Brahma is not available
Vishnu Puran
Vayu Puran
Markandeya Puran
Padma Puran
38. Which one is not the writing of Kalidas
Raghuvansh
Abhigyan Shakuntalam
Kumar Sambhawa
Saundaranand
39. How many 'Parvas' are there in Mahabharat
30
18
11
25
40. Who is the 'Adi kavi' of India
Vyas
Valmiki
Kalidas
Tulsidas
41. Who has written this doha Bakri pati khat hai, taki kadi khal, jo nar bakri khat hai, tinka kaun hawal
Kabir
Surdas
Ratnakar
Dinkar
42. Who has written 'Rani Ketaki ki Kahani'
Sadasukhlal
Sadal Mishra
Lallulal
Insha Alla Khan
43. Identify the year of birth of Bhartendu Harishchandra
1885 A.D.
1850 A.D.
1873 A.D.
1857 A.D.
44. Who was the editor of 'Saraswati Patika'
Mahabir Prasad Dwivedi
Bhartendu
Sadal Mishra
Bihari Lal
45. Who is called 'Awara Masiha'
Bankim Chandra
Sharat Chandra
Manik Bandopadhyay
Prabodh Kumar Sanyal
46. In which language Nazrul Islam has written his poetry
Asamia
Urdu
Bengali
Hindi
47. What kind of novels has been written by Brindabanlal Verma
Historical
Social
Political
Romantic
36. ÛúÖî®Ö ÃÖÖ ‹ê×ŸÖÆüÖ×ÃÖÛú ÛÎú´Ö ÃÖÆüß Æîü 42. ÛêúŸÖÛúß Ûúß ÛúÆüÖ®Öß' ×ÛúÃÖ®Öê ×»ÖÜÖß Æîü
ŠúݾÖê¤ü, †£Ö¾ÖÔ¾Öê¤ü, ÃÖÖ´Ö¾Öê¤ü, .Ö•Öã¾Öì¤ü ÃÖ¤üÖÃÖãÜÖ»ÖÖ»Ö
ŠúݾÖê¤ü, ÃÖÖ´Ö¾Öê¤ü, .Ö•Öã¾Öì¤ü, †£Ö¾ÖÔ¾Öê¤ü ÃÖ¤ü»Ö ×´ÖÁÖ
ŠúݾÖê¤ü, .Ö•Öã¾Öì¤ü, †£Ö¾ÖÔ¾Öê¤ü, &Ati
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)
(Name)
Roll No.
2.
(Signature) (In figures as per admission card)
(Name) Roll (In words)
J 7 0 1 2
Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 16 Instructions for the Candidates
1.
Write your roll number in the space provided on the top of this page.
2.
This paper consists of seventy five multiple-choice type of questions.
3.
At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below
To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet.
Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given.
After this verification is over, the OMR Sheet Number should be entered on this Test Booklet.
4.
Each item has four alternative responses marked
and You have to darken the circle as indicated below on the correct response against each item.
Example
where is the correct response.
5.
Your responses to the items are to be indicated in the OMR Sheet given inside the Booklet only. If you mark at any place other than in the circle in the OMR Sheet, it will not be evaluated.
6.
Read instructions given inside carefully.
7.
Rough Work is to be done in the end of this booklet.
8.
If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ any other unfair means, you will render yourself liable to disqualification.
9.
You have to return the test question booklet and Original OMR Sheet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are, however, allowed to carry duplicate copy of OMR Sheet on conclusion of examination.
10.
Use only Blue/Black Ball point pen.
11.
Use of any calculator or log table etc., is prohibited.
12.
There is no negative marks for incorrect answers.
Number of Questions in this Booklet 75
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1.
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2.
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3.
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4.
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•ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü …
ˆ¤üÖÆü¸üÞÖ
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5.
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6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …
7.
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8.
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9.
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10.
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11.
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12.
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Read the following passage carefully and answer question No. 1 5.
The music and dance performances in Jharkhand are invariably collective, never solo, where there are no audiences. In the Akhra all are performers, some of them are musicians, some singers and other dancers. That is why in Jharkhand, there is no dividing line between the performers and the audience. Infact, the audience wait for their turn to perform or to give the performers a break. The audience and the performers are one and the same in Jharkhand.
Jharkhand dances Whether Adivasi or Sadan are similar, their musical instruments are similar and the sentiment behind the songs are similar. The difference of their mother languages, Agneya, Dravida and Sadani disappears as the emotional background is the same. The style and the body movements involved in the Adivasi or sadan music and dance are similar. Their respective inner distinctiveness produce variety in their style of presentation. Look at the dances of the santhal, Munda, Ho, Bhumij and Kharia, the Oraon and the Sadan, your eyes will be glued to them. It would seem as if waves are rising and falling in the ocean of bliss. The nature and spirit of all Jharkhand dances are the same in their original shape and vibration. The dances of Jharkhand are altogether different from those of the plains.
1. What is theme of this passage?
Akhra
Nature of Jharkhandi music and dance
Tribal dance
Sadan dance
2. What is the basic nature of Jharkhandi music and dance
Collectiveness
Individuality
Raciality
Naturality
3. Is there any dividing line between the performer and the audience
No
Yes
Very little
Very much
4. What is Akhra
Place of performing music and dance
Battle field
Place of exercise
Place of worship
5. Is there any difference in the musical instruments of the Tribals and the Sadans
Yes
No
Very Little
Very much
6. Which is most necessary for the progress of society
Change of government
Administrative system
Devotion and labour
Morality
•Ö®Ö•ÖÖŸÖß.Ö ‹¾ÖÓ õÖê¡Öß.Ö ³ÖÖÂÖÖ ÃÖÖׯüŸ.Ö ¯ÖÏ¿®Ö¯Ö¡Ö III ×®Ö¤ìü¿Ö ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯Öß.Ö ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸ.ÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö
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‡®ÖÛúß ¿Öî×»Ö.ÖÖë ´Öë ×¾Ö×¾Ö¬ÖŸÖÖ Ûú¸üŸÖß Æîü …
†ÖÝ®Öê.Ö ÃÖ´ÖæÆü ´Öë ÜÖ×›Ìü.ÖÖ †Öפü Ûêú ¦ü×¾Ö›Ìü Ûãú»Ö Ûêú ˆ¸ÃÖ¤üÖ®ÖÖë Ûêú ®ÖéŸ.Ö ¯Ö
´ÖÓã›üÖ, ÃÖÓŸÖÖ»Öß, ÆüÖê, ³Öæ×´Ö•Ö, ®ÖéŸ.Ö ÛúÖ †¾Ö»ÖÖêÛú®Ö Ûú¸ëü, üÖ¾ÖÖë Ûêú ÛúÖê ÝÖÖî¸ü Ûú¸ëü, ü ›üÖ»Öë ŸÖÖê †ÖÑÜÖê šüÝÖß
¸¸Ûúß šüÝÖß ¸üÆü •ÖÖ‹ÝÖß … ‹êÃÖÖ ×¾ÖפüŸÖ ÆüÖêÝÖÖ ´ÖÖ®ÖÖê
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¤£ÖÖ ×³Ö®®ÆüÖêŸÖê Æïü …
1. ‡ÃÖ ÃÖÓ¤ü³ÖÔ ÛúÖ Ûêú®¦üß.Ö ×¾ÖÂÖ.Ö Œ.ÖÖ Æîü
†ÜÖ¸üÖ
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†Öפü¾ÖÖÃÖß ®ÖéŸ.Ö
ÃÖ¤üÖ®Ö ®ÖéŸ.Ö
2. —ÖÖ¸üÜÖÓ›üß ®ÖéŸ.ÖÝÖߟÖÖë Ûúß ´Öæ»Ö ¯ÖÏÛéú×ŸÖ Œ.ÖÖ Æîü
ÃÖִֿׯüÛúŸÖÖ
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3. Œ.ÖÖ Ûú»ÖÖÛúÖ¸üÖë †Öî¸ü ¤ü¿ÖÔÛúÖë Ûêú ²Öß"Ö ÛúÖê‡Ô ×¾Ö³ÖÖ•ÖÛú ¸êüÜÖÖ ÆüÖêŸÖß Æïü
®ÖÆüà
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4. †ÜÖ¸üÖ Œ.ÖÖ Æîü
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.Öã¨üãֻÖ
¾.ÖÖ.ÖÖ´Ö ÛúÖ Ã£ÖÖ®Ö
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5. Œ.ÖÖ †Öפü¾ÖÖÃÖß †Öî¸ü ÃÖ¤üÖ®ÖÖë Ûêú ¾ÖÖª.ÖÓ¡ÖÖë ´Öë
ÛúÖê‡Ô †ŸÖ¸Óü Æîü
ÆüÖÑ
®ÖÆüà
²ÖÆãüŸÖ Ûú´Ö
²ÖÆãüŸÖ •.ÖÖ¤üÖ
6. ÃÖ´ÖÖ•Ö Ûúß ¯ÖÏÖ Ûú ×»Ö‹ ÃÖ²ÖÃÖêÝÖןêÆîü
ÃÖ¸üÛúÖ¸ü ²Ö¤ü»Ö®ÖÖ
¯ÖÏ¿ÖÖÃÖ×®ÖÛú ÃÖã¬ÖÖ¸ü
»ÖÝÖ®Ö †Ö¸îü ¯Ö׸üÁÖ´Ö
®ÖîןÖÛúŸÖÖ
•Öºþ¸üß Œ.ÖÖ
7. Which tribe in Jharkhand was associated with the production of iron
Oraon
Khadia
Asur
Ho
8. What is Sarana
Place of worship
Battle field
Mango grove
Dancing place
9. Which is the state language of India in practice
Hindi
English
Urdu
Sanskrit
10. In which tribe of Jharkhand the 'Dali Dhiba' custom is popular
Oraon
Munda
Santal
Khadia
11. Which tribe in Jharkhand has the largest population
Ho
Kharia
Santal
Munda
12. What is the traditional profession of Malar tribe
To make utensils
To make weapon
Casting
Painting
13. Who has written the book, 'Mundas and their country'
Dr. S. P. Sinha
Dr. K. S. Singh
Dr. L. P. Vidyarthi
S. C. Roy
14. In which tribe the tradition of 'Manjhi Pargana' was in vogue
Ho
Oraon
Munda
Santal
15. There is similarity between Adivasi and Sadan
Because they live together since long time
and both are correct
is correct not
and both are wrong
is correct not
16. Who was the originator of 'Tana Movement'
Budhu Bhagat
Gang Narain
Jatra Bhagat
Kartik Oraon
7. —ÖÖ¸üÜÖÓ›ü Ûúß ÛúÖî®Ö •Ö®Ö•ÖÖ×ŸÖ »ÖÖêÆüÖ ˆŸ¯ÖÖ¤ü®Ö ÃÖê
•Öã›Ìüß £Öß
ˆ¸üÖѾÖ
ÜÖ×›Ìü.ÖÖ
†ÃÖã¸ü
ÆüÖê
8. ÃÖ¸ü®ÖÖ Œ.ÖÖ Æîü
¯Öæ•ÖÖãֻÖ
.Öã¨üãֻÖ
†Ö´Ö ²ÖÝÖß"ÖÖ
®ÖéŸ.Ö Ã£Ö»Ö
9. ¾.Ö¾ÖÆüÖ¸ü ´Öë ³ÖÖ¸üŸÖ Ûúß ¸üÖ•Ö³ÖÖÂÖÖ Œ.ÖÖ Æîü
ׯü®¤üß
†ÓÝÖÏê•Öß
ˆ¤æÔü
ÃÖÓÃÛéúŸÖ
10. —ÖÖ¸üÜÖÓ›ü Ûúß ×ÛúÃÖ •Ö®Ö•ÖÖ×ŸÖ ´Öë '›üÖ»Öß ¯ÖÏ£ÖÖ ¯ÖÏ"Ö×»ÖŸÖ Æîü
ˆ¸üÖѾÖ
´ÖãÓ›üÖ
ÃÖÓŸÖÖ»Ö
ÜÖ×›Ìü.ÖÖ
11. —ÖÖ¸üÜÖÓ›ü ´Öë ×ÛúÃÖ •Ö®Ö•ÖÖ×ŸÖ Ûúß ÃÖÓÜ.ÖÖ ÃÖ¾ÖÖÔ׬ÖÛú Æîü
ÆüÖê
ÜÖ×›Ìü.ÖÖ
ÃÖÓŸÖÖ»Ö
´ÖãÓ›üÖ
12. ´Ö»ÖÖ¸ü •Ö®Ö•ÖÖ×ŸÖ ÛúÖ ¯Ö¸Óü¯Ö¸üÖÝÖŸÖ ¯Öê¿ÖÖ Œ.ÖÖ Æîü
²ÖŸÖÔ®Ö
Æü×£Ö.ÖÖ¸ü
œü»ÖÖ‡Ô Ûú¸ü®ÖÖ
×"Ö¡Ö
13. '´ÖãÓ›üÖ•Ö ‹Þ›ü ¤êü.Ö¸ü ÛÓú™Òüß' ¯ÖãßÖÛú ×ÛúÃÖ®Öê ×»ÖÜÖß Æîü
›üÖò. ‹ÃÖ.¯Öß.×ÃÖ®ÆüÖ
›üÖò. Ûêú.‹ÃÖ.ØÃÖÆü
›üÖò. ‹»Ö. ¯Öß. ×¾ÖªÖ£Öá
‹ÃÖ. ÃÖß. ¸üÖ.Ö
14. '´ÖÖÓ—Öß Ûúß ¯Ö¸Óü¯Ö¸üÖ ×ÛúÃÖ •Ö®Ö•ÖÖ×ŸÖ ´Öë ¯ÖÏ"Ö×»ÖŸÖ £Öß
ÆüÖê
ˆ¸üÖѾÖ
´ÖãÓ›üÖ
ÃÖÓŸÖÖ»Ö
15. †Öפü¾ÖÖÃÖß †Öî¸ü ÃÖ¤üÖ®ÖÖë ´Öë ÃÖ´ÖÖ®ÖŸÖÖ Æïü …
Œ.ÖÖë×Ûú ¤üÖê®ÖÖë »Ö´²Öê ÃÖ´Ö.Ö ÃÖê ÃÖÖ£Ö ¸üÆüŸÖê Æïü …
†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü
ÃÖÆüß ®ÖÆüà
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü
ÃÖÆüß Æîü, ®ÖÆüà
16. ™üÖ®ÖÖ †ÖÓ¤üÖê»Ö®Ö ÛúÖ ¯ÖϾ֢ÖÔÛú ÛúÖî®Ö £ÖÖ
²Öã¬Öæ ³ÖÝÖŸÖ
ÝÖÝÓÖ ®ÖÖ¸üÖ.ÖÞÖ
•ÖŸÖ¸üÖ ³ÖÝÖŸÖ
ÛúÖÙŸÖÛú ˆ¸üÖѾÖ
17. Which flower is worshiped in Sarhul
Gulab
Juhi
Gulaichi
Shal (Sakhua)
18. Which tribe in Jharkhand observe Mage Parab
Oraon
Chero
Vedia
Ho
19. In which year CNT Act was promulgated
1910
1908
1857
2012
20. What is the main reason of the backwardness of the people of Jharkhand
Colonial exploitation
Illiteracy
Lack of irrigation
Communication gap
21. Which is the first unit of language
Sentence
Word
Form
Meaning
22. Which is the oldest theory of the origine of language
Divine theory
Theory of gesture
Theory of imitation
Yo he ho theory
23. What kind of change is in ghoda . ghodwa, Ramu . Ramua
Imitation
Breach of vowels
Emotion
Similarity
24. Which sound does phonology study
Physical sound
Bird's noise
Meaningful sound
Instrumental rythm
25. What kind of script is Deonagari
Pictorial
Sound based
Formulative
Symbolic
26. What do we study in Morphology
Form
Aesthetics
Morph
Shape
17. ÃÖ¸üÆãü»Ö ´Öë ×ÛúÃÖ ±æú»Ö Ûúß ¯Öæ•ÖÖ ÆüÖŸêÖß Æîü
ÝÖã»ÖÖ²Ö
•ÖæÆüß
ÝÖ»ãÖï"Öß
¿ÖÖ»Ö (ÃÖÜÖã†Ö)
18. —ÖÖ¸üÜÖÓ›ü Ûúß ÛúÖî®Ö •Ö®Ö•ÖÖ×ŸÖ '´ÖÖÝÖê ´Ö®ÖÖŸÖß Æîü
ˆ¸üÖѾÖ
"Öê¸üÖê
¾Öêפü.ÖÖ
ÆüÖê
19. ÃÖß ‹®Ö ™üß ‹Œ™ü ×ÛúÃÖ ¾ÖÂÖÔ »ÖÖÝÖæ ×Ûú.ÖÖ ÝÖ.ÖÖ £ÖÖ
1910
1908
1857
2012
20. —ÖÖ¸üÜÖÓ›ü Ûêú ×®Ö¾ÖÖ×ÃÖ.ÖÖë Ûêú ׯÖ"û›Ìêü¯Ö®Ö ÛúÖ ´ÖãÜ.Ö ÛúÖ¸üÞÖ Œ.ÖÖ Æîü
†Öî¯Ö×®Ö¾Ö׿êÖÛú ¿ÖÖêÂÖÞÖ
†×¿ÖõÖÖ
ØÃÖ"ÖÖ‡Ô ÛúÖ †³ÖÖ¾Ö
ÃÖÓ¾ÖÖ¤üÆü߮֟ÖÖ
21. ³ÖÖÂÖÖ Ûúß ¯ÖÏ£Ö´Ö ‡ÛúÖ‡Ô Œ.ÖÖ Æîü
¾ÖÖŒ.Ö
¿Ö²¤ü
ºþ¯Ö
†£ÖÔ
22. ³ÖÖÂÖÖ ˆŸ¯Ö×¢Ö ÛúÖ ÃÖ²ÖÃÖê ¯Öã¸üÖ®ÖÖ ×ÃÖ¨üÖÓŸÖ Œ.ÖÖ Æîü
¤î¾Öß ×ÃÖ¨üÖÓŸÖ
‡Ó×ÝÖŸÖ ×ÃÖ¨üÖÓŸÖ
†®ÖãÛú¸üÞÖ ×ÃÖ¨üÖÓŸÖ
.ÖÖê Æêü ÆüÖê ×ÃÖ¨üÖÓŸÖ
23. 'ÖÖê›ÌüÖ 'ÖÖê›Ìü¾ÖÖ, ¸üÖ´Öæ ¸ü´Öã†Ö ´Öë ×ÛúÃÖ ¯ÖÏÛúÖ¸ü ÛúÖ ¯Ö׸ü¾ÖŸÖÔ®Ö Æîü
†®ÖãÛú¸üÞÖ
þָü³Ö׌ŸÖ
³ÖÖ¾ÖÖŸ´ÖÛú
ÃÖÖ¥ü¿.Ö
24. ¬¾Ö×®Ö×¾Ö-ÖÖ®Ö ×ÛúÃÖ ¬¾Ö×®Ö ÛúÖ †¬.Ö.Ö®Ö Ûú¸üŸÖÖ Æîü
³ÖÖןîÖÛú ¬¾Ö×®Ö
¯Ö×õÖ.ÖÖë Ûúß ¬¾Ö×®Ö
ÃÖÖ£ÖÔÛú ¬¾Ö×®Ö
.ÖÓ¡ÖÖë Ûúß ¬¾Ö×®Ö
25. ¤êü¾Ö®ÖÖÝÖ¸üß ×ÛúÃÖ ¯ÖÏÛúÖ¸ü Ûúß ×»Ö×¯Ö Æîü
×"Ö¡Ö×»ÖׯÖ
¬¾Ö×®Ö´Öæ»ÖÛú
ÃÖæ¡Ö ×»ÖׯÖ
ÃÖÓÛêúŸÖÖŸ´ÖÛú
26. ºþ¯Ö×¾Ö-ÖÖ®Ö ´Öë Æü´Ö ×ÛúÃÖÛúÖ †¬.Ö.Ö®Ö Ûú¸üŸÖê Æïü
þֺþ¯Ö ÛúÖ
ÃÖÖü.ÖÔ ÛúÖ
¯Ö¤ü ÛúÖ
†ÖÛúÖ¸ü ÛúÖ
27. 'Wisdom is the power of man'. What is wisdom in this sentence
Noun
Verb
Pronoun
Adjective
28. What was the main subject of study of Dr. Suniti Kumar Chatterjee
Poetry
Economics
Linguistics
History
29. Ta, Tha, Da, Dha are the sound of the group
Bilabial
Guttcral
Dental
Palatal
30. Identify the correct match
you Definite pronoun
That, this Indefinite Pronoun
Own Personal Pronoun
any Second Person Pronoun
and
and
and
and
31. Which order of the development in language is proper
Dialect, Language, State language
Dialect, State language, language
State language, Dialect, language
Language, state language, Dialect
32. Identify the language of Austric group
Santali
Kurukh
Nagpuri
Kurmali
33. Whether Nagpuri is the language of Dravida group
Yes
No
To some extent
To great extent
34. Many languages are facing extinction. Why
Due to globalisation
Poverty
Illiteracy
Natural Process
35. Can government do something to save the extincting languages?
Yes
No
To some extent
Not at all
27.
´Ö®ÖãÂ.Ö Ûúß ¿Ö׌ŸÖ Æîü ‡ÃÖ ¾ÖÖŒ.Ö ´Öë Œ.ÖÖ Æîü
28.
›üÖò. ÃÖã®Öß×ŸÖ Ûãú´ÖÖ¸ü "Ö™ü•Öá Ûêú †¬.Ö.Ö®Ö ÛúÖ ´ÖãÜ.Ö ×¾ÖÂÖ.Ö Œ.ÖÖ £ÖÖ
ÛúÖ¾.Ö
†£ÖÔ¿ÖÖáÖ
³ÖÖÂÖÖ ×¾Ö-ÖÖ®Ö
‡×ŸÖÆüÖÃÖ
29.
¤ü, ×ÛúÃÖ ¾ÖÝÖÔ Ûêú †õÖ¸ü Æïü
†ÖêšËü.Ö
ÛÓúšËü.Ö
¤ÓüŸ.Ö
ŸÖÖ»Ö¾.Ö
30.
ÃÖÆüß ×´Ö»ÖÖ®Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûú¸ëü
ŸÖã´Ö ×®Ö¿"Ö.Ö¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö
¾ÖÆü, .ÖÆü †×®Ö¿"Ö.Ö¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö
ÃÖÓ-ÖÖ
×ÛÎú.ÖÖ
ÃÖ¾ÖÔ®ÖÖ´Ö
×¾Ö¿ÖêÂÖÞÖ
†¯Ö®ÖÖ ¯Öã¹ýÂÖ¾ÖÖ"ÖÛú ÃÖ¾ÖÔ®ÖÖ´Ö
ÛúÖê‡Ô ´Ö¬.Ö¯Öã¹ýÂÖ ÃÖ¾ÖÔ®ÖÖ´Ö
†Öî¸ü
†Öî¸ü
†Öî¸ü
†Öî¸ü
31. ³ÖÖÂÖÖ ×¾ÖÛúÖÃÖ ÛúÖ ÛúÖî®ÖÃÖÖ ÛÎú´Ö ˆ¯Ö.ÖãŒŸÖ Æîü
²ÖÖê»Öß, ¸üÖ•.Ö ³ÖÖÂÖÖ
²ÖÖê»Öß, ¸üÖ•.Ö³ÖÖÂÖÖ, ³ÖÖÂÖÖ
¸üÖ•.Ö³ÖÖÂÖÖ, ²ÖÖê»Öß, ³ÖÖÂÖÖ
¸üÖ•.Ö³ÖÖÂÖÖ, ²ÖÖê»Öß
32. †ÖÝ®Öê.Ö ¯Ö׸ü¾ÖÖ¸ü Ûúß ³ÖÖÂÖÖ Ûúß ¯ÖÆü"ÖÖ®Ö Ûú¸ëü …
ÃÖÓŸÖÖ»Öß
Ûãú¹ýÜÖ
®ÖÖÝÖ¯Öã¸üß
Ûãú¸ü´ÖÖ»Öß
33. Œ.ÖÖ ®ÖÖÝÖ¯Öã¸üß ¦ü×¾Ö›Ìü ÝÖÏã¯Ö Ûúß ³ÖÖÂÖÖ Æîü
ÆüÖÑ
®ÖÆüà
Ûãú"û Æü¤ü ŸÖÛú
²ÖÆãüŸÖ Æü¤ü ŸÖÛú
34. †®ÖêÛú ³ÖÖÂÖÖ‹Ñ †×ß֟¾ÖÆü߮֟ÖÖ ÛúÖ ÃÖÖ´Ö®ÖÖ Ûú¸ü ¸üÆüß Æïü … Œ.ÖÖë
¾ÖÖßÛú¸üÞÖ Ûêú ÛúÖ¸üÞÖ
ÝÖ¸üß²Öß
†×¿ÖõÖÖ
þÖÖ³ÖÖ×¾ÖÛú ¯ÖÏ×ÛÎú.ÖÖ
35. †×ß֟¾ÖÆüß®Ö ÆüÖêŸÖß ³ÖÖÂÖÖ Ûúß ¸üõÖÖ Ûêú ×»Ö‹ ÃÖ¸üÛúÖ¸ü Ûãú"û Ûú¸ü ÃÖÛúŸÖß Æîü
ÆüÖÑ
®ÖÆüà
Ûãú"û Æü¤ü ŸÖÛú
‹Ûú¤ü´Ö ®ÖÆüà
36. Which historical order is correct
Rigveda, Atharwveda, Samved, Yajurveda
Rigveda, Samveda, Yajurveda, Atharwaveda
Rigveda, Yajurveda, Atharwaveda, Samveda
Atharwaveda, Samveda, Rigveda, Yajurveda
37. In which 'Purana' the devotion of Brahma is not available
Vishnu Puran
Vayu Puran
Markandeya Puran
Padma Puran
38. Which one is not the writing of Kalidas
Raghuvansh
Abhigyan Shakuntalam
Kumar Sambhawa
Saundaranand
39. How many 'Parvas' are there in Mahabharat
30
18
11
25
40. Who is the 'Adi kavi' of India
Vyas
Valmiki
Kalidas
Tulsidas
41. Who has written this doha Bakri pati khat hai, taki kadi khal, jo nar bakri khat hai, tinka kaun hawal
Kabir
Surdas
Ratnakar
Dinkar
42. Who has written 'Rani Ketaki ki Kahani'
Sadasukhlal
Sadal Mishra
Lallulal
Insha Alla Khan
43. Identify the year of birth of Bhartendu Harishchandra
1885 A.D.
1850 A.D.
1873 A.D.
1857 A.D.
44. Who was the editor of 'Saraswati Patika'
Mahabir Prasad Dwivedi
Bhartendu
Sadal Mishra
Bihari Lal
45. Who is called 'Awara Masiha'
Bankim Chandra
Sharat Chandra
Manik Bandopadhyay
Prabodh Kumar Sanyal
46. In which language Nazrul Islam has written his poetry
Asamia
Urdu
Bengali
Hindi
47. What kind of novels has been written by Brindabanlal Verma
Historical
Social
Political
Romantic
36. ÛúÖî®Ö ÃÖÖ ‹ê×ŸÖÆüÖ×ÃÖÛú ÛÎú´Ö ÃÖÆüß Æîü 42. ÛêúŸÖÛúß Ûúß ÛúÆüÖ®Öß' ×ÛúÃÖ®Öê ×»ÖÜÖß Æîü
ŠúݾÖê¤ü, †£Ö¾ÖÔ¾Öê¤ü, ÃÖÖ´Ö¾Öê¤ü, .Ö•Öã¾Öì¤ü ÃÖ¤üÖÃÖãÜÖ»ÖÖ»Ö
ŠúݾÖê¤ü, ÃÖÖ´Ö¾Öê¤ü, .Ö•Öã¾Öì¤ü, †£Ö¾ÖÔ¾Öê¤ü ÃÖ¤ü»Ö ×´ÖÁÖ
ŠúݾÖê¤ü, .Ö•Öã¾Öì¤ü, †£Ö¾ÖÔ¾Öê¤ü, &Ati
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