PAPER-II MUSEOLOGY CONSERVATION Signature and Name of Invigilator

1. Museology is

Theory of museum work


Practice of museum work


Theory and Practice of museum work


History of museums


2. Museum began to go public in

15th Century


16th Century


17th Century


18th Century


3. International Committee that deals with conservation of cultural property is called

ICCROM


ICOM-CC


ICOMOS


INC-ICOM


4. Which one of the following is NOT suitable for the visitors with visual impairment

Braille


Large Print


Embossed drawings


Sign Language


5. Who coined the term "sensibilia"

Thomas Acquinas


Rene Rivalds


Timothy Ambroise


Sola. T.


6. Which one of the following is not a tool of Public Relation in Museums

Speeches


Telephone


Workshops


Newspapers


7. "Museum accessibility" relates to

Non visitors


Casual visitors


Physically challenged visitors


Foreign tourist


8. Public Relations does not include

Efforts to influence public perception


Dissemination of information


Dissemination of knowledge


Image building


9. Photochemical degradation is caused due to

Pollution


Humidity


Insects


Light


10. Electrolytic reduction method is used for the cleaning of

Metal objects


Leather


Stone objects


Ivory objects


11. Anisotropic nature means

Absorption of moisture


Releasing of moisture


Elongation and shrinking nature


None of the above


12. Lichen is

Insect


Animal


Plant


Bacteria


ÃÖÓÝÖÏÆüÖ»Ö.Ö ×¾Ö-ÖÖ®Ö †Öî¸ü ¯ÖÏ¿®Ö¯Ö¡Ö II ®ÖÖê™ü ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÖÃÖ ²ÖÆãü­×¾ÖÛú»¯Öß.Ö ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸ.êÖ
ÖÛú ¯
7.
1. ÃÖÓÝÖÏÆüÖ»Ö.Ö ×¾Ö-ÖÖ®Ö (´.ÖãוÖ̆Öê»ÖÖò•Öß) Œ.ÖÖ Æîü

ÃÖÓÝÖÏÆüÖ»Ö.Ö ÛúÖ.ÖÔ ÛúÖ ×ÃÖ¨üÖ®ŸÖ


ÃÖÓÝÖÏÆüÖ»Ö.Ö ÛúÖ.ÖÔ ÛúÖ †³.ÖÖÃÖ


ÃÖÓÝÖÏÆüÖ»Ö.Ö ÛúÖ.ÖÔ ÛúÖ ×ÃÖ¨üÖ®ŸÖ ¾Ö †³.ÖÖÃÖ


ÃÖÓÝÖÏÆüÖ»Ö.ÖÖë ÛúÖ ‡×ŸÖÆüÖÃÖ


2. ÃÖÓÝÖÏÆüÖ»Ö.Ö †Ö´Ö Ûêú ×»Ö.Öê Ûú²Ö ÃÖê ˆ¯Ö.ÖÖêÝÖ ×Ûú.ÖÖ •ÖÖ®Öê »ÖÝÖÖ
8.

15¾Öà ¿ÖŸÖÖ²¤üß


16¾Öà ¿ÖŸÖÖ²¤üß


17¾Öà ¿ÖŸÖÖ²¤üß


18¾Öà ¿ÖŸÖÖ²¤üß


3. ÃÖÖÓÃÛéúןÖÛú ÃÖ´¯Ö×¢Ö Ûêú ÃÖÓ¸üõÖÞÖ ÃÖê ÃÖ´²Ö×®¬ÖŸÖ
†ÓŸÖ¸üÖÔ™Òüß.Ö ÃÖ×´Ö×ŸÖ Œ.ÖÖ ÛúÆü»ÖÖŸÖß Æîü

‡Ûú¸üÖò´Ö


9.

†Ö‡ÛúÖê´Ö­ÃÖßÃÖß


†Ö‡ÛúÖê´ÖÖêÃÖ


‡ÓÛú­†Ö‡ÛúÖê´Ö

4. Ûú´Ö•ÖÖê¸ü ¥ü×™ü Ûêú ¤ü¿ÖÔÛúÖë Ûêú ×»Ö.Öê ×®Ö´®ÖÖÓ×ÛúŸÖ ´Öë
10.
ÃÖê ÛúÖî®Ö ÃÖÖ ˆ¯Ö.ÖãŒŸÖ ®ÖÆüà Æîü

²ÖêλÖ


²Ö›ÌüÖ ´Öã¦üÞÖ


ˆ³Ö¸üÖ Æãü‹ †Ö¸êüÜÖÞÖ


ÃÖÓÛêúŸÖ ³ÖÖÂÖÖ


5. 'ÃÖë×ÃÖײÖ×»Ö†Ö' ¿Ö²¤ü ÛúÖ ¯ÖÏן֯ÖÖ¤ü®Ö ×ÛúÃÖ®Öê ×Ûú.ÖÖ Æîü
11.

£ÖÖò´ÖÃÖ ‹Œ¾Öß®ÖÃÖ


¸êü®Öê ׸ü¾ÖÖ»›üÃÖË


×™ü´ÖÖò£Öß ‹´²ÖÖÎêÃÖ


ÃÖÖê»ÖÖ. ™üß


6. ÃÖÓÝÖÏÆüÖ»Ö.ÖÖë ´Öë »ÖÖêÛú ÃÖ´²Ö®¬Ö ÛúÖ ˆ¯ÖÛú¸üÞÖ
12.
×®Ö´®ÖÖÓ×ÛúŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖÖ ®ÖÆüà Æîü

³ÖÖÂÖÞÖ


™êü»Öß±úÖê®Ö


ÛúÖ.ÖÔ¿ÖÖ»ÖÖ‹Ñ


†ÜÖ²ÖÖ¸ü




ÃÖ¸ÓüõÖÞÖ
Ï¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü ¤ëü …
ÃÖÓÝÖÏÆüÖ»Ö.Ö †×³ÖÝÖ´.ÖŸÖÖ ¯ÖÆãüÑ"Ö) ×ÛúÃÖÃÖê ÃÖ´²Ö×®¬ÖŸÖ Æîü

ÝÖ¸îü­¤ü¿ÖÔÛú


†×®Ö.ÖŸÖ .ÖÖ †ÖÛú×ôÖÛú ¤ü¿ÖÔÛú


¿ÖÖ¸üß׸üÛú ºþ¯Ö ÃÖê †õÖ´Ö ¤ü¿ÖÔÛú


×¾Ö¤êü¿Öß ¯Ö.ÖÔ™üÛú

»ÖÖêÛú ÃÖ´²Ö®¬Ö ×®Ö´®ÖÖÓ×ÛúŸÖ ´Öë ÃÖê ×ÛúÃÖê ÃÖ´ÖÖ×ÆüŸÖ ®ÖÆüà Ûú¸üŸÖê Æïü


ÃÖÖ¾ÖÔ•Ö×®ÖÛú †¾Ö²ÖÖê¬Ö®Ö ÛúÖê ¯ÖϳÖÖ×¾ÖŸÖ Ûú¸ü®Öê Ûêú ¯ÖÏ.ÖŸ®Ö


ÃÖæ"Ö®ÖÖ ÛúÖ ¯ÖÏÃÖÖ¸ü


ÛúÖ ¯ÖÏÃÖÖ¸ü


¾.Ö׌ŸÖŸ¾Ö ¯ÖןÏÖ´ÖÖ ×®Ö´ÖÖÔÞÖ


±úÖêüêîüüÖ ÖÆÖŸÖÖÆü
™ÖÛú´ÖßÛú»Ö ×®Ö´®ÖßÛú¸ÞÖ ×ÛúÃÖ ÛúÖ¸ÞÃê üêî?

¯ÖϤæüÂÖÞÖ †Ö¦ÔüŸÖÖ


Ûúß™ü ¯ÖÏÛúÖ¿Ö


‡»ÖꌙÒüÖê×»Ö×™üÛú ׸ü›üŒ¿Ö®Ö ¯Ö¨ü×ŸÖ ÛúÖ ˆ¯Ö.ÖÖêÝÖ ×ÛúÃÖê ÃÖÖ±Ìú Ûú¸ü®Öê Ûêú ×»Ö.Öê ×Ûú.ÖÖ •ÖÖŸÖÖ Æîü

¬ÖÖŸÖã Ûúß ¾ÖßÖã‹Ñ


"Ö´Ö›ÌüÖ


¯ÖŸ£Ö¸ü Ûúß ¾ÖßÖã‹Ñ


ÆüÖ£Öß ¤ÖÑã‹Ñ


üŸÖ Ûúß ¾ÖßÖ
×¾ÖÂÖ´Ö¤îü׿ÖÛú ¯ÖÏÛéú×ŸÖ ÛúÖ †£ÖÔ Æîü

†Ö¦ÔüŸÖÖ ÛúÖ †¾Ö¿ÖÖêÂÖÞÖ


†Ö¦ÔüŸÖÖ ´ÖãŒŸÖ Ûú¸ü®ÖÖ "ûÖê›Ìü®ÖÖ


¤üß'ÖáÛú¸üÞÖ ¾Ö ×ÃÖÛãú›Ìü®Ö Ûúß ¯ÖÏÛéúןÖ


ˆ¯Ö.ÖãÔŒŸÖ ´Öë ÃÖê ÛúÖê‡Ô ®ÖÆüà

»ÖÖ‡Ûú®Ö Œ.ÖÖ Æîü


Ûúß™ü


¯Ö¿Öã


¯ÖÖî¬ÖÖ


•Öß¾ÖÖÞÖã



13. Docent is a museum worker who

Takes care of museum collections


Helps in documentation of collections


Assists in exhibiting collections


Interprets the museum collections



14. Which one of the following could be included under outreach programmes

Gallery talks


Interactive programme


Discovery room


Travelling exhibitions



15. Which of the following can be classified as para museums

Planetarium


Zoo


Aquarium

Botanical garden















16. Public Relation includes

Press conference


Advertising


Exhibit design

Visitor studies















17. Marketing of museums includes

Fund raising


Publicity


Membership programmes

Product development















18. Acids formed in the atmosphere due to presence of gases which harm museum objects

Oxalic acid


Sulphuric acid


Citric acid

Nitric acid









19. The proper ways to store shaped textiles (shirt, coat etc) include

Use of padded hangers


By folding


Use of wired Mannequin

Use of models















20. Problems of deterioration found in wooden objects are

Warping


Cracking


Water logging

Rusting









21. Polyvinyl acetate is used as

Fungicide


Preservative coating


Fumigant

Consolidant









22. Composition of wood includes
Cellulose Protein
Lignin Sodium














13. ›üÖòÃÖ™ëü ÃÖÓÝÖÏÆüÖ»Ö.Ö ÛúÖ.ÖÔÛú¢ÖÖÔ Æîü •ÖÖê

ÃÖÝÖÓÆÏüÖ»Ö.ÖÖë Ûú ÃÖêÝÓÖÆÏüÞÖÖë ÛúÖ ¸üÜÖŸÖÖ Æüî…


ÃÖÝÖÓÆÏüÞÖÖë Ûú ¯Öê»ÖÏÜÖ®Ö ´Öêë ÃÖÆüÖ.ÖŸÖÖ Ûú¸üŸÖÖ Æüî…


ÃÖÝÖÓÏÆüÞÖÖë Ûêú ¯ÖϤü¿ÖÔ®Ö ´Öë ÃÖÆüÖ.ÖŸÖÖ Ûú¸üŸÖÖ Æîü …


ÃÖÓÝÖÏÆüÖ»Ö.ÖÖë Ûêú ÃÖÝÓÖÏÆüÞÖÖë ÛúÖ ×®Ö¾ÖÔ"Ö®Ö Ûú¸üŸÖÖ Æîü …



14. ×®Ö´®ÖÖÓ×ÛúŸÖ ´Öë ÃÖê ×ÛúÃÖê ÛúÖ.ÖÔÛÎú´Ö Ûêú
†ÓŸÖÝÖÔŸÖ ÃÖ×´´Ö×»ÖŸÖ ×Ûú.ÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü

¾Öß×£Ö ¾ÖÖŸÖÖÔ‹Ñ


†ÓŸÖ: ×ÛÎú.ÖÖŸ´ÖÛú ÛúÖ.ÖÔÛÎú´Ö


ÜÖÖê•Ö ÛúõÖ (×›üÃÖÛú¾Ö¸üß ºþ´Ö)


"Ö»Ö .ÖÖ¡ÖÖ) ¯ÖϤü¿ÖÔ®Öß



15. ×®Ö´®ÖÖÓ×ÛúŸÖ ´Öë ÃÖê ×ÛúÃÖê ¯Öî¸üÖ ÃÖÓÝÖÆÏüÖ»Ö.Ö Ûúß ÁÖêÞÖß ´Öë ¸üÜÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü

Ûéú×¡Ö´Ö ®Ö³ÖÖê´ÖÞ›ü»Ö)


¯ÖÏÖÞÖß ×"Ö×›Ìü.ÖÖ


•Ö»Ö•Öß¾Ö ¿ÖÖ»ÖÖ
¾Ö®ÖïÖןÖ














16. »ÖÖêÛú ÃÖ´²Ö®¬Ö ´Öë Œ.ÖÖ ÃÖ´ÖÖ×ÆüŸÖ ÆüÖêŸÖÖ Æîü

¯ÖÏêÃÖ ÛúÖò®±ÏëúØÃÖÝÖ


×¾Ö-ÖÖ¯Ö®Ö


¯ÖϤü¿ÖÔ®Ö ×›ü•ÖÖ‡®Ö
¤ü¿ÖÔÛúÖë ÛúÖ †¬.Ö.Ö®Ö














17. ÃÖÓÝÖÏÆüÖ»Ö.ÖÖë Ûêú ×¾Ö¯ÖÞÖ®Ö ´Öë ÃÖ×´´Ö×»ÖŸÖ Æîü

ÛúÖêÂÖ ²ÖœÌüÖ®ÖÖ


¯ÖÏ"ÖÖ¸ü


ÃÖ¤üÃ.ÖŸÖÖ ÛúÖ.ÖÔÛÎú´Ö
ˆŸ¯ÖÖ¤ü ×¾ÖÛúÖÃÖ














18. ¾ÖÖ.Öã´ÖÞ›ü»Ö ´Öë ˆ¯Ö×Ã£ÖŸÖ ÝÖîÃÖÖë Ûúß ¾Ö•ÖÆü ÃÖ,êÃÖÓÝÖÏÆüÖ»Ö.Ö ¾ÖßÖã†Öë ÛúÖê ÆüÖ×®Ö ¯ÖÆÑãü"ÖÖ®Öê ¾ÖÖ»Öê ÛúÖî®Ö ÃÖê †´»Ö ²Ö®ÖŸÖê Æïü

†ÖòŒÃÖê×»ÖÛú †´»Ö


ÃÖ»°.Öæ׸üÛú †´»Ö


×ÃÖ×™ÒüÛú †´»Ö
®ÖևיÒüÛú †´»Ö








19. †ÖÛúÖ¸ü.ÖãŒŸÖ ¾ÖáÖÖë (†£Ö¾ÖÖ ¯ÖÖêÂÖÖÛúÖë) Ûêú ³ÖÓ›üÖ¸üÞÖ Ûêú ˆ×"ÖŸÖ ŸÖ¸üßÛúÖë ´Öë ÃÖ×´´Ö×»ÖŸÖ Æîü

ÝÖ§üߤüÖ¸ü ÆïüÝÖ¸üÖë ÛúÖ ˆ¯Ö.ÖÖÝÖ ê


»Ö¯Öê™ü®ÖÖ


ŸÖÖ¸üÖêëÃÖê ²Ö®Öê ¯ÖãŸÖ»Öê ÛúÖ ˆ¯Ö.ÖÖêÝÖ

´ÖÖò›ü»ÖÖë ÛúÖ ˆ¯Ö.ÖÖêÝÖ









20. ÛúÖšü ¾ÖßÖã†Öë ´Öë ¯ÖÖ‡Ô •ÖÖ®Öê ¾ÖÖ»Öß õÖ.Ö .ÖÖ ÝÖãÞÖÈüÖÃÖ ×²ÖÝÖÖ›Ìü) Ûúß ÃÖ´ÖÃ.ÖÖ‹Ñ Æïü

ÃÖÓ¾Ö×»ÖŸÖ ÆüÖê


×"Ö™üÛú®ÖÖ, ¤ü¸üÖ¸ü


•Ö»ÖÖÛÎúÖ®ŸÖ

•ÖÓÝÖ »ÖÝÖ®ÖÖ









21. ¯ÖÖò×»Ö×¾Ö®ÖÖ‡»Ö ‹ÃÖß™êü™ü ÛúÖê ×®Ö´®ÖÖÓ×ÛúŸÖ ´Öë ÃÖê ×ÛúÃÖ ºþ¯Ö ´Öë ˆ¯Ö.ÖÖÝêÖ ×Ûú.ÖÖ •ÖÖŸÖÖ Æîü

±ú±æÑú¤ü®ÖÖ¿Öß


¯Ö׸ü¸üõÖÛú ×¾Ö»Öê¯Ö


¬Öæ´ÖÛú
¥üœÌüÛú¢ÖÖÔ ÃÖÓׯÖ×›üÛú)








22. ÛúÖšü ÛúÖ ÃÖÓ.ÖÖê•Ö®Ö ÃÖ´ÖÖ×ÆüŸÖ Ûú¸üŸÖÖ Æîü
ÃÖî»Öæ»ÖÖê•ÖÌ ¯ÖÏÖê™üß®Ö
×»Ö×Ý®Ö®Ö ÃÖÖê×›ü.Ö´Ö








23. Match List I with List II.
List I List II


Museum E. P. basics Alexander


Museums in T. Ambrose motion C. Paine


Museums In H. J. search of Plenderleith usable future


The Alma S. Conservation Wittlin of Antiquities and Works of Art



Code















24. Match List I with List II.

List I List II


Sir William Archaeological Jones Survey of India


Alexander Royal Asiatic Cunningham Society


Lord Report of Nathanial Indian Curzon Museums


Markham Ancient


Hargreaves Monument Preservation Act 1904


Code















25. Match List I with List II. List I List II

Elgin National

Marbles Museum, New Delhi



Didargunj Tower of London Yakshi


Bronze Patna Museum, Dancing girl Patna


Kohinoor British Museum, Diamond London



Code















26. Match the organisations given in List I with their dates of establishment given in List II.

List I List II

National Museum, 1946 New Delhi


Asiatic Society of 1949 Bengal


UNESCO 1784


Archaeological 1861 Survey of India




Code















23. ÃÖ"Öß æ-I ÛúÖê ÃÖæ"Öß II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê ÃÖ"Öß I ÃÖæ"Öß II

´.ÖוÖæ.ÌÖ´Ö ²Öê×ÃÖŒÃÖ ‡Ôü.¯Öß. †»ÖîŒÃÖï›ü¸ü


´.ÖוÖæ.ÌÖ´ÃÖ ‡®Ö ™üß. ‹´²ÖÎÖêÃÖ ‹¾ÖÓ ÃÖß ´ÖÖ¿Ö®êÖ ¯Ö®êÖ


´.ÖæוÖÌ.Ö´ÃÖ ‡®Ö ‹"Ö.•Ö. ¯»Öê›ëü¸ü×»Ö£Ö ÃÖ"ÖÔ †Öò±ú .Ö•ÖæÌê²Ö»Ö °.Öæ"Ö¸ü


¤üò Ìüê(iv) †»´ÖÖ ‹ÃÖ.


ß Ûú®Ö•Ö¸¾Ö¿Ö®Ö
†
Öòü×¾Ö™ü×»Ö®Ö

±ú ‹×®™Œ¾Öß×™ÃÖ
‹Þ›ü ¾ÖÛËÔúÃÖ †Öò±ú


†
Ö™Ôü


Ûú™æü


(iii)












24. ÃÖ"Öß æ-I ÛúÖê ÃÖæ"Öß II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê ÃÖ"Öß I ÃÖæ"Öß II ×¾Ö×»Ö.Ö´Ö •ÖÖ®ÖÃÖ

ÃÖ¸ü êË ³ÖÖ¸üŸÖß.Ö ¯Öã¸üÖ¢ÖŸ¾Öß.Ö ÃÖ¾ÖìõÖÞÖ


†»Öî ïüü ü¸Ö.Ö»Ö ‹×¿Ö.Ö×™Ûú


ŒÃÖ›¸ÛúØ®ÖÝÆ´Ö üòÖüÃÖÖêü
ÃÖÖ‡™ß

»ÖÖ›òüÔ®Ö£ÖÖ×®Ö.Ö»Ö ³ÖÖ¸üŸÖß.Ö ÃÖÓÝÖÆÏüÖ»Ö.ÖÖë Ûú•ÖÌÔ®Ö Ûúß ×¸ü¯ÖÖê™üÔ


´ÖÜÖÔüüÏ(iv) ¯ÖÖÖÖ Ö¸Ûú


´Ö ¾Ö ƸÝÖß¾ÃÖ Ï"߮ôÖü¯Ö׸ü¸üõÖÞÖ
†×¬Ö×®Ö.Ö´Ö, 1904
Ûú™æü















25. ÃÖ"Öß æ - I ÛúÖê ÃÖæ"Öß- II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê
ÃÖ"Öß I ÃÖæ"Öß II

‹×»ÝÖ®Ö ´ÖÖ²ÖÔ»ÃÖ ¸üÖ™Òüß.Ö ÃÖÓÝÖÏÆüÖ»Ö.Ö, ®Ö‡Ô פü»»Öß


¤üߤüÖ¸üÝÖÓ•Ö .ÖõÖß ™üÖò¾Ö¸ü †Öò±ú »ÖÞ¤ü®Ö


ÛúÖÓ ÖÛúß ¯Ö™ü®ÖÖ ÓÝÖÏÆüÖÖ.Ö,

Ã.Ö ®ÖŸÔÃÖ»¯Ö™ü®ÖÖ


ÛúÖêÆüß®Öæ¸ü ÛúÖ Æü߸üÖ ×²ÖÎ×™ü¿Ö ÃÖÓÝÖÏÆüÖ»Ö.Ö, »ÖÞ¤üü®Ö


Ûú™æü











(iii)



26. ÃÖæ"Öß I ´Öë פü.Öê ÃÖÓÝÖšü®ÖÖë ÛúÖê ÃÖæ"Öß II ´Öë ãÖÖ¯Ö®Ö¾ÂÔ êãêÖ ÖÖÛú ÃÖÖ£Ö ÃÖ´Ö×»ÖŸÛúßו.ê
ÃÖ"Öß I ÃÖæ"Öß II

¸üÖ™Òüß.Ö ÃÖÓÝÖÏÆüÖ»Ö.Ö, ®Ö‡Ô 1946 פü»»Öß


‹×¿Ö.ÖÖ‡Ô ÃÖÖêÃÖÖ‡™üß †Öò±ú 1949 ²ÖÓÝÖÖ»Ö


.Ö®êÖ(.æÖ. 1784


æÖÃÛúê Ö.‹®
‡.‹ÃÖ.ÃÖß.†Öê.)
³ÖÖ¸üŸÖß.Ö ¯Öã¸üÖ¢ÖŸ¾Öß.Ö 1861 ÃÖ¾ÖìõÖÞÖ
Ûú™æü





(iii)









27. Match the items in List I with the items in List II.

List I List II


Cultural Hands on resources model


Power of Human observation heritage


Braille Intelligibilia


Participatory Sensibilia exhibit


Code







28. Match the chemicals given in List I with their uses given in List II.

List I List II


Calcium Consolidant hydroxide and calcium bicarbonate


Barium Vapour phase method of


hydroxide deacidification


Cyclohexylamine aqueous

carbonate method of deacidification



Polyvinyle Non-aqueous method of


acetate deacidification


Code















29. Match List I with List II. List I List II

High Caused due to relative reaction humidity between iron

impurities and acids liberated by fungi


Suspended Causes fungal particulate growth matters


Glass Kind of disease pollution


Foxing Weeping


Code







30. Match List I with List II. List I List II

Foxing Wood


Cockling Glass


Warping Paper


Crizzling Painting



Code















27. ÃÖ"Öß æ-I ÛúÖê ÃÖæ"Öß II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê ÃÖ"Öß I ÃÖæ"Öß II

ÃÖÖÓÃÛéúןÖÛú Æïü›ËüÃÖ †Öò®Ö ´ÖÖò›ü»Ö ÃÖÓÃÖÖ¬Ö®Ö


†¾Ö»ÖÖêÛú®Ö Ûúß ´ÖÖ®Ö¾Öß.Ö ¬Ö¸üÖêÆü¸ü ¿Ö׌ŸÖ


²ÖÎê»Ö ²ÖãרüÝÖ´.ÖŸÖÖ


ÃÖÆü³ÖÖÝÖß ¯ÖϤüÙ¿ÖŸÖ ÃÖÓ¾ÖꪟÖÖ ¾ÖßÖã


Ûú™æü


(iii)












28. ÃÖ"Öß æ-I ÛúÖê ÃÖæ"Öß II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê ÃÖ"Öß I ÃÖæ"Öß II

Ûîú×»¿Ö.Ö´Ö ¥üœÌüßÛú¢ÖÖÔ ÆüÖ‡›ÒüÖêü ¾Ö (ÛúÖò®ÖÃÖÖò×»Öëü™ü)

ŒÃÖÖ‡››Ûîú×»¿Ö.Ö´Ö ²ÖÖ.ÖÛúÖ²ÖÖì®Ö™êü


²Öê׸ü.Ö´Ö ×¾Ö†´»ÖßÛú¸üÞÖ Ûúß ÆüÖ‡›ÒüÖêü ¾ÖÖÂ¯Ö Ûú»ÖÖ ¯Ö¨üןÖ

ŒÃÖÖ‡›


ÃÖÖ‡Œ»ÖÖêÆîüŒÃÖ߻ִÖß®Ö ê(iii) ×¾Ö†´»ÖßÛú¸üÞÖ Ûúß ÛúÖ²ÖÖì®Ö™êü •Ö»Öß.Ö ¯Ö¨üןÖ


¯ÖÖò×»Ö×¾Ö®ÖÖ‡»Ö ×¾Ö†´»ÖßÛú¸üÞÖ Ûúß ‹×ÃÖ™êü™ü ÝÖî¸ü•Ö»Öß.Ö ¯Ö¨üןÖ


Ûú™æü















29. ÃÖ"Öß æ-I ÛúÖê ÃÖæ"Öß II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê ÃÖ"Öß I ÃÖæ"Öß II
ˆ""Ö ÃÖÖ¯ÖêõÖ ±ú±æÑú¤üß «üÖ¸üÖ ´Ö㌟Ö
†Ö¦ÔüŸÖÖ Ûúß »ÖÖîÆü
†
¿Öã¨üŸÖÖ†Öë ¾Ö

†
´»ÖÖë ê


Ûú ²Öß"Ö ¯ÖןÏÖ×Ûú.ÎÖÖ ÃÖê

¯ÖÏ»Ö×´²ÖŸÖ ×¾Ö×¾ÖŒŸÖ ±ú±æúѤüß ¯Ö¤üÖ£ÖÔ Ûú¸üŸÖß Æîü …


Ý»ÖÖÃÖ ×›ü•Öß•ÖÌÌ ¯ÖϤæüÂÖÞÖ ÛúÖ ¯ÖÏÛúÖ¸ü


±úÖêØŒÃÖÝÖ ×¸ÃÖ®ÖÖ


Ûú™æü





(iii)





(iii)



30. ÃÖ"Öß æ-I ÛúÖê ÃÖæ"Öß II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê ÃÖ"Öß I ÃÖæ"Öß II

±úÖêØŒÃÖÝÖ ÛúÖšü


ÛúÖòÛúØ»ÖÝÖ ÛúÖÑ"Ö (׿ÖÛú®Ö ¯Ö›Ìü®ÖÖ)


ÃÖÓÖ üêÖ(iii) ÛúÖÝÖ•ÖÌ

¾Ö×»ÖŸÆÖ®Ö
(¾ÖÖÚ¯ÖÝÖ)



×ÛÎú•ÖÌØ»ÖÝÖ ¯ÖêØ™üÝÖ (†¯Öñãú™ü®Ö)


Ûú™æü















31. Match List I with List II. List I List II

Phar West painting Bengal


Kalamkari Andhra painting Pradesh


Kangra Rajasthan painting


Alpana Himachal painting Pradesh



Code















32. Match List I with List II. List I List II

Lux The amount of visible light to which a museum object is being exposed


Lumen Unit for measuring intensity of light


Lux (iii) Quantity of light level produced by a lamp


Foot Non-metric unit of candle measuring light



Code















33. Arrange the following steps of documentation process in proper sequence

Photography


Numbering


Recording accession detail
Indexing


Code














34. Arrange the following in chronological sequence

Didargunj Yakshi


Saranath Buddha Head


Gyaraspur Yakshi
Bronze dancing girl


Code














35. Arrange the following museums in the sequence of their establishment

Nehru Memorial Museum


National Gandhi Museum


Indira Gandhi Memorial
Lal Bahadur Shastri Memorial


Code














36. Arrange the general steps for treatment of deteriorated miniature paintings in sequence.

Deacidification


Cleaning


Restoration
Fumigation


Code














31. ÃÖ"Öß æ-I ÛúÖê ÃÖæ"Öß II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê ÃÖ"Öß I ÃÖæ"Öß II

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32. ÃÖ"Öß æ-I ÛúÖê ÃÖæ"Öß II Ûú ÃÖÖ£Ö ÃÖêã´Ö×»ÖŸÖ ÛúßוÖ.Öêê ÃÖ"Öß I ÃÖæ"Öß II

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33. ¯ÖÏ»ÖêÜÖ®Ö ¯ÖÏ×ÛÎú.ÖÖ Ûêú ×®Ö´®ÖÖ×ÛúŸÓÖ ÃÖÖê¯ÖÖ®ÖÖë ÛúÖê ˆ×"ÖŸÖ †®ÖãÛÎú´Ö ´Öë ¾.Ö¾Ö×Ã£ÖŸÖ ÛúßוÖ.Öê

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34. ×®Ö´®ÖÖÓ×ÛúŸÖ ÛúÖê ÛúÖ»ÖÖ®ÖãÛÎú×´ÖÛú †®ÖãÛÎú´Ö ´Öë ¾.Ö¾Ö×Ã£ÖŸÖ ÛúßוÖ.Öê

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35. ×®Ö´®ÖÖÓ×ÛúŸÖ ÃÖÓÝÖÏÆüÖ»Ö.ÖÖë ÛúÖê ˆ®ÖÛúß Ã£ÖÖ¯Ö®ÖÖ Ûêú
†®ÖãÛÎú´Ö ´Öë ¾.Ö¾Ö×Ã£ÖŸÖ ÛúßוÖ.Öê

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36. ×¾ÖÛéúŸÖ ײÖÝÖ›Ìêü Æãü‹) »Ö'Öã×"Ö¡ÖÖë Ûêú ˆ¯Ö"ÖÖ¸ü Ûêú ÃÖÖ´ÖÖ®.Ö ÃÖÖê¯ÖÖ®ÖÖë ÛúÖê ÛÎú´Ö ´Öë ¾.Ö¾Ö×Ã£ÖŸÖ ÛúßוÖ.Öê

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37. Draw the correct sequence in respect of planned school visits

Training of the teachers


Planning schedule


Summative evaluation
Visit to museum


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38. Arrange the steps of taxidermy in sequence

Skinning the animal


Preparing the mannequin


Mounting the skin
Anatomical study of the animal


Code














39. Arrange the sequence of date of publication of the following books

Museums Today


Modern Museum


New Museology in India
Museography for Ethno- cultural Materials


Code














40. Arrange in sequence the procedure for the collection of ethnographic objects

Correspondence with local authority


Library research


Identification of gap in the collection
Field visit


Code














41. Assertion During the restoration of a fragile painting it is necessary to provide facing.
Reasoning Because it improves its appearance.


Code

is right, but is wrong.


is wrong, but is right.


Both and are wrong.


Both and are right.



42. Assertion Institutional responsibility of museum as a cultural organisation is different from corporate organisations.
Reasoning The mission of the museum differs from business organisations.


Code

is wrong and is right.


is right and is wrong.


Both and are right.


Both and are wrong.



37. ×®Ö.ÖÖê×•ÖŸÖ ×¾ÖªÖ»Ö.Ö ³ÖÏ´ÖÞÖ Ûêú ÃÖ´²Ö®¬Ö ´Öë ÃÖÆüß
†®ÖãÛÎú´Ö ²Ö®ÖÖ‡.Öê

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ÃÖÓÝÖÏÆüÖ»Ö.Ö ¤ü¿ÖÔ®Ö
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38. "Ö´ÖÔ¯ÖÏÃÖÖ¬Ö®Ö Ûêú ÃÖÖê¯ÖÖ®ÖÖë ÛúÖê †®ÖãÛÎú´Ö ´Öë ¾.Ö¾Ö×Ã£ÖŸÖ ÛúßוÖ.Öê

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¯Ö¿Öã Ûúß ¿ÖÖ¸üß׸üÛú ¸ü"Ö®ÖÖ ÛúÖ †¬.Ö.Ö®Ö
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39. ×®Ö´®ÖÖÓ×ÛúŸÖ ¯ÖãßÖÛúÖë Ûêú ¯ÖÏÛúÖ¿Ö®Ö Ûúß ×ŸÖ×£Ö Ûêú
†®ÖãÛÎú´Ö ÛúÖê ¾.Ö¾Ö×Ã£ÖŸÖ ÛúßוÖ.Öê

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®.Öã ´.ÖæוÖ̆Öê»ÖÖò•Öß ‡®Ö ‡Ó×›ü.ÖÖ
´.ÖæוÖ̆ÖêÝÖÏÖ±úß ±úÖò¸ü ‹£Ö®ÖÖê­Ûú»"Ö¸ü»Ö ´Öî×™ü׸ü.Ö»ÖÃÖË
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40. ®Öé•ÖÖŸÖß.Ö ¾ÖßÖã†Öë Ûêú ÃÖÓÝÖÏÆü Ûúß ¯ÖÏ×ÛÎú.ÖÖ (×ÛÎú.ÖÖ×¾Ö׬Ö) ÛúÖê †®ÖãÛÎú´Ö ´Öë ¾.Ö¾Ö×ã֟&Oum