Exam Details
Subject | museology & conservation | |
Paper | paper 2 | |
Exam / Course | ugc net national eligibility test | |
Department | ||
Organization | university grants commission | |
Position | ||
Exam Date | June, 2010 | |
City, State | , |
Question Paper
Signature and Name of Invigilator
1.
(Signature) (Name)
2.
(Signature) (Name)
OMR Sheet No. ......................................... (To be filled by the Candidate) Roll No.
(In figures as per admission card) Roll (In words)
Test Booklet No.
PAPER-II
Time 1 1/4 hours] [Maximum Marks 100
MUSEOLOGY CONSERVATION
Number of Pages in this Booklet 16 Number of Questions in this Booklet 50 Instructions for the Candidates
m f 1 i M M
1. Write your roll number in the space provided on the top of
1. m mti m5ot cii "im Rt m m m Rt 3m Rt i fo Rt f If
this page.
2. Wm m 5 f t m m o m tf ci m m m,t I
2. This paper consists of fifty multiple-choice type of questions.
3. m Rt mm ci 3 m ci i it t I m mti m r
m Rtf1 mt i m Rt, m i
3. At the commencement of examination, the question booklet
ff t 3 m ci i m -mmm ci i i m dm ci f f m r cii
will be given to you. In the first 5 minutes, you are requested
f f t i i m ci r 3 m ci i 3 ciRt, mut
to open the booklet and compulsorily examine it as below
m i ci; cimm ci i cii f dm cii ci Rt m m Rt
To have access to the Question Booklet, tear off the paper
m ci i .it t I m tW fo m t ciRt-m ci mmm ci
seal on the edge of this cover page. Do not accept a booklet
m
ci Rt ciRtt I
without sticker-seal and do not accept an open booklet.
f mf mf m i M f m imf m 1
Tally the number of pages and number of questions in
c i aT f f T f 1 M i mif f I f i m
the booklet with the information printed on the cover
mM1 mflm f 1 f f a i f 1 M f
page. Faulty booklets due to pages/questions missing
or duplicate or not in serial order or any other
1 f 1 a M m r m f
f M fm
1f f f mf f f f
discrepancy should be got replaced immediately by a
correct booklet from the invigilator within the period
m i 1 I i M a mi m T M f M fi 1 i I
of 5 minutes. Afterwards, neither the Question Booklet
f i a m m m i a f
will be replaced nor any extra time will be given.
f a mi aM M f I
M f i
After this verification is over, the Test Booklet Number
(iii)Wm r cii ot m -mmm ci ci c-if m i OMR m 5 ci m Rt
should be entered in the OMR Sheet and the OMR Sheet
3ifcimciRtt 3 uRt OMR m 5 ci ci c-ifm iWmm -mmm ci m Rt
Number should be entered on this Test Booklet.
3ifcimciRt tt I
4. Each item has four alternative responses marked
4. m Rt dW Rt f f t i i
ici m cii f ci m m
and You have to darken the oval as indicated below on the
m,t I 3 m ci i m mt dW Rt cii t m W ci i m m i 1 RtciRt ci ciRt, mut um
correct response against each item.
fci f t mut I
Example
f f
where is the correct response.
o fci m mt dW Rt mut I
5. Your responses to the items are to be indicated in the Answer Sheet given inside the Paper I Booklet only. If you mark at
5. m cii dW Rt i m m l i a f f M fi i ?mf f3ifcim
ciRt, i m,t I f t 3 m dW Rt m 5 ci m Rt f ti i t m W cii 3 fcim
any place other than in the ovals in the Answer Sheet, it will
not be evaluated.
m Rt dW Rt f ici, mt mt i
ifcim ciRm i mi dm ci f I
6. Read instructions given inside carefully.
6. 3, tRt f t i m
i t ci i .ci mtt I
7. Rough Work is to be done in the end of this booklet.
7. ci (Rough Work) Wm m
ci f mm ci cii 3 f m 5ot m Rt ciRtt I
8. If you write your name or put any mark on any part of the test
8. f t 3 m dW Rt-m f im ci iW 1 m m imm ci m Rt 3m
booklet, except for the space allotted for the relevant entries,
3 m ci m mt, mt i m cii, fcim 1 1 m Rt m i 3ifcim ciRtm i m,t mi
which may disclose your identity, you will render yourself
m Rt cii f i 3i m if5 m ciRt f ti i I
liable to disqualification.
9. 3 m ci i m Rt m f mm cimm mt i m Rt m i OMR dW Rt-m 5 ci
9. You have to return the test question booklet and OMR Answer
Rt ci f mt i t ci i u t ci mut 3 uRt m Rt mm cii ot dm i
3 m f
sheet to the invigilators at the end of the examination
3m i m m Rt 1 m i omtRt iciRt I
compulsorily and must not carry it with you outside the
Examination Hall.
10.
i il i m f m f i 1f I
11.
M m rf c i f f if a M f
10. Use only Blue/Black Ball point pen.
m ri f I
11. Use of any calculator or log table etc., is prohibited.
12. 1 i M i ac if f i I
12. There is no negative marks for incorrect answers.
1. The deity holding trident is
Visnu Surya
Siva Brahma
2. Cheunecy G. Hamlin, founder of ICOM was the
Director of the Buffalo Museum of Science, U.S.A.
Director of the Metropolitan Museum of Art, U.S.A.
Director of the British Museum, London.
Director of the Ashmolean Museum, Oxford.
3. Which one is the oldest museum in India
National Museum, New Delhi.
Salar Jung Museum, Hyderabad.
Indian Museum, Kolkata.
Allhabad Museum, Allhabad.
4. Which category of museums is more prevalent in India
Science and Technological Museums
Art Museums
Archaeological Museums
Natural History Museums
5. The definition of 'Museum' given by
ICOM was last revised in
1974 1989
2001 2007
6. Archaeological Museum, exhibits objects of
Kadamba art
Hoysala art
Vijayanagara art
Chalukya art
Hampi
7. Who led the foundation and popularity of site museums in India
Sir John Marshall
Mortimer Wheeler
Dr. Grace Morley
C. Shivarama Murti
8. Which one is the most popular communication technique followed by museums in India
Audio-visual technique
Guide Lecturer
Booklet
Labelling
9. Change in atmospheric humidity is indicated by
Hydroscope
Hygrometer
Thermometer
Barometer
10. Recommended illumination levels for dyed leather is
50 lux 100 lux
150 lux 200 lux
11. The theme of the Annual Museums Conference of Museums Association of India, held in 2009 at Khajuraho, Madhya Pradesh was
Museum, Heritage and Tourism
Museum lighting
Tangible heritage
Preservation of museum objects
12. Ancient Monuments Preservation Act was enacted in
1904 1910
1916 1958
1.
2.
3.
4.
5.
6.
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ÆüÖ›ÖêÖêÖ ÆüÖ‡.ÖÖê´Öß™ü¸ü
£Ö´ÖÖ´ÔÖß™ü¸ü ²Ö¸îüÖ´êÖß™ü¸ü
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10. ¸üÓ.Öê Æãü‹ "Ö´Ö›êÍü .êú ×»Ö‹ †-Ö¿ãÖ×ÃÓÖŸÖ ¯Ö³ÏÖÖ×ÃÖŸÖ ÃŸÖ¸ü ¾Ö-îÖÖ×-Ö.ú ‹¾Ö´ÖË ŸÖ.ú-Öß.úß ÃÖÓ.ÖÏÆüÖ»ÖµÖ (recommended illumination level)
.ú»ÖÖ ÃÖÓ.ÖÆÏüÖ»ÖµÖ
ŒµÖÖ Æîü
¯Ö¸ãüÖŸÖ¢¾Ö ÃÖ.ÓÖÆÏüÖ»ÖµÖ
50 »ÖŒÃÖ 100 »ÖŒÃÖ
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150 »ÖŒÃÖ 200 »ÖŒÃÖ
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1974 1989
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2001 2007
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13. International Museum Day in India was observed since
1975 1976
1977 1978
14. Nagarjuna Konda Museum, Andhra Pradesh is a
State museum
Island museum
Private museum
National museum
15. As per ICOM definition the primary purpose of the museum is
Education, Study and Enjoyment.
Education and Enjoyment.
Educationand Communication.
Research and Communication.
16. Assertion Accession register is the brain of a museum.
Reason Accession register gives not only the total number of collections of a museum, but also gives the basic data about the specimens.
is true, but is false.
is false, but is true.
Both and are correct.
Both and are incorrect.
17. Assertion Investigator is better to assume the attitude of a learner, not of a teacher.
Reason An investigator with the mentality of a teacher fails to collect more information about any object.
Both and are correct.
Both and are incorrect.
is true, but is wrong.
is wrong, but is true.
18. Assertion Organic materials being very delicate are more susceptible to decay under the effect of environmental condition, humidity and temperature.
Reason Organic objects of a museum collection are damaged due to high atmospheric conditions.
Both and are correct.
Both and are incorrect.
is correct, but is incorrect.
is incorrect, but is correct.
19. Assertion Museum education leads the way for both social change and community participation.
Reason Museum caters educational value to everyone.
is correct, but is incorrect.
is incorrect, but is correct.
Both and are correct.
Both and are incorrect.
20. Assertion Incandescent light is harmful to paintings.
Reason It fades the colour of the painting.
is wrong, but is right.
is correct, but is incorrect.
Both and are correct.
Both and are incorrect.
13. ³ÖÖ¸üŸÖ ´Öë †ÓŸÖ¸üÖ™ÔÒüßµÖ ÃÖÓ.ÖÆÏüÖ»ÖµÖ ×¤ü¾ÖÃÖ .ú²Ö ÃÖê ´Ö-ÖÖµÖÖ •ÖÖ ¸üÆüÖ Æüî?
1975 1976
1977 1978
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21. Assertion Each exhibit is cultural artefact in its own right and should be left free to communicate with the visitor.
Reason The curator must intend to tell a story through the exhibits.
Both and are right.
Both and are wrong.
is correct, but is incorrect.
is incorrect, but is correct.
22. Assertion Museography is an applied science.
Reason Because it involves practical work.
is wrong, but is right.
is right, but is wrong.
Both and are wrong.
Both and are correct.
23. Assertion Museum on Musicology is possible.
Reason Because it preserves musical instruments and gramophone records.
is wrong, but is correct.
is correct, but is wrong.
Both and are right.
Both and are wrong.
24. Assertion The meaning of objects is ambiguous.
Reason Understanding about objects is not same as reading.
is correct, but is incorrect.
is incorrect, but is correct.
Both and are correct.
Both and are incorrect.
25. Assertion A good museum must not be built upon a fixed idea of what a museum ideally should be, but must be responsive to the community.
Reason The scope of the museum functions should be strictly defined and limited.
is correct, but is incorrect.
is incorrect, but is correct.
Both and are correct.
Both and are incorrect.
26. Arrange the following items in correct order of their historical sequence
Taj Mahal
Sanchi Stupa
Bronze dancing girl
Nalanda Viswavidyalaya
Code
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†
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26. ×-Ö´-Ö×»Ö×.ÖŸÖ ×¾ÖÂÖµÖÖë .úÖê ˆ-Ö.ú ‹êê×ŸÖÆüÖ×ÃÖ.ú .ú´ÎÖ ú†-ãÖÃÆÖÎÖÖÛÖë
.êÖÃÖ¸ü Öü߆-ã.ú´´ë¾µÖ¾ÖãŸÖ.ú¸ü:
ŸÖÖ•Ö´ÖÆü»Ö
ÃÖÖ"ÑÖß ÃŸÖ¯æÖ
.úÖõÓÖ ›üÖÜ-ÃÖ.Ö .Ö»ÖÔ (Dancing Girl)
-ÖÖ»ÖÓ¤üÖ ×¾Ö¿¾Ö×¾ÖªÖ»ÖµÖ
.ú™æü
27. Identify the correct sequence of the following museums in order of age-gradation
National Museum, New Delhi.
Government Museum, Chennai
Chhatrapati Sivaji Maharaja Vastu Sangrahalaya, Mumbai.
Indian Musuem, Kolkata.
Code
28. Arrange in correct sequence the following functions of a museum
Conservation
Registration
Collection
Display
Code
29. Arrange in sequence according to establishment year.
Dow Hill Forest Garden, Kurseong.
Forest Research Institute, Dehra Dun.
Lloyd Botanical Garden, Darjeeling.
Shivpur Botanical Garden, Howrah.
Code
30. Which is the correct chronology of dynasty
Chalukya
Rashtrakuta
Hoysala
Vijayanagara
Code
31. Arrange in sequence the following lighting methods emitting UV radiation from higher to lower
Day light
Fluorescent light
Incandescent lamp
Louvred light
Code
32. Arrange the following prehistoric cultural periods in order of sequence
Neolithic
Chalcolithic
Palaeolithic
Mesolithic
Code
27. ÃÖÆüß .ú´ÎÖ .ú¸ü ×-Ö´-Ö×»Ö×.ÖŸÖ ÃÖ.ÓÖÏÆüÖ»ÖµÖÖë .úÖê †ÖµÖÁãÖê.Öß †-Öã.Îú´Ö ´Öë »Ö.ÖÖµÖë
¸üÖ™ÒüßµÖ ÃÖÓ.ÖÏÆüÖ»ÖµÖ, -Ö‡Ô ×¤ü»»Öß
.Ö¾Ö-´Ö-™ìü ´µÖæ×•ÖµÍÖ´Ö, "Öê--Ö‡Ô
"û¡Ö¯Ö×ŸÖ ×¿Ö¾ÖÖ•Öß ´ÖÆüÖ¸üÖ•Ö ¾ÖßÖã ÃÖ.ÓÖÆÏüÖ»ÖµÖ, ´ÖÓã²Ö‡Ô
‡Ó×›üµÖ-Ö ´µÖוæÖµÖ´Ö, .úÖ»êÖ.úÖŸÖÖ
.ú™æü
28. ÃÓÖÏüÖ»ÖµÖ êÖ´-Ö×»ÖÖŸÖ .úÖµí .úÖÃÆß ºþ¯ÃêÖ.Æ.ú×-×.ÖÖêÖüÖÖ
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ÃÖ.ÓÖÆÏü ¯ÖϤü¿Ö-ÔÖ
.ú™æü
29. ×-Ö´-Ö×»Ö×.ÖŸÖ .úÖê ãÖÖ¯Ö-ÖÖ ¾ÖÂÖÔ .êú †-ÖÃãÖÖ¸ü
†-Ö.ãÎú×´ÖŸÖ .ú¸ëü
›üÖ¾êÖò ׯü»Ö ±úÖ¸òêüÙü .ÖÖ›üÔ-Ö, .úÖ¸üÃÖ†êÖë.Ö
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æ.ÖÖ-ú.ú´´Öë »Ö.ÖÖ†Öê
פü¾ÖÃÖ ¯Ö.úÏÖ¿Ö
°»ÖÖ¸êüÖêÃÖë™ü ™ü¶æ²Ö
‡-Ö.ëú×›üÃÖ™ëü »Öî´¯Ö
»Öã¾Ö¸ê›ü »ÖÖ‡™ü
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32. ×-Ö´-Ö×»Ö×.ÖŸÖ ¯ÖÏÖ.Öî×ŸÖÆüÖ×ÃÖ.ú ÃÖÖÃ.ÓúןéÖ.ú .úÖ»ÖÖë .úÖê ÃÖÆüß †-Öã.Îú´Ö ´Öë »Ö.ÖÖ‹Ñ
×-Ö†Ö×»êÖ×£Ö.ú "ÖÖò»Ö.úÖê×»Ö×£Ö.ú
¯Ö×»îÖµÖÖ×»êÖ×£Ö.ú ´ÖÃêÖÖ×»êÖ×£Ö.ú
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33. Match the following in List I with
the List II.
List I List II
E.P. Museum Studies
Alexander in Material
Culture.
Bettina Museum
Messias Masters: Their
Corbonell Museums and
their influence.
Susam Birth of
Pearce Museum
Tony Museum studies
Bennett an Anthology of
contents.
Code
34. Match the following in List I with the abbreviated terms in List II.
List I List II
International ICOM
Committee for
Museum Security
International ICOFOM
Committee for
Documentation
International ICMS
Committee for
Museology
International CIDOC
Council of
Museums
Code
35. Match the following the abbreviated terms in List I with in List II.
List I List II
International CECA
Committee for
Training of
Personnel
International ICOMOS
Centre for the
Study of the
Preservation and
Restoration of
Cultural Property
International ICCROM
Council of
Monuments and
Sites
Committee for ICTOP
Education and
Cultural Action
Code
36. Match List I with List II.
List I
Dancing Shiva of Vijaynagar
Bronze Dancing Girl
Painting of Monalisa
Elgin Marbles
Code
List II
British Museum, London
Louvre, Paris
Government Museum, Chennai
National Museum, New Delhi
33. ÃÖæ"ÖßI ´Öë ×-Ö´-Ö×»Ö×.ÖŸÖ .úÖê ÃÖæ"ÖßII ´Öë ×»Ö.Öß ¯ÖãßÖ.úÖë ÃÖê ÃÖ´ãÖ×»êÖŸÖ .úßו֋ ÃÖæÃÖ"ÖßII "ÖßI æ
‡Ô.¯Öß. ‹»ÖŒ•êÖë›ü¸ü ´µÖוæÖµÍÖ´Ö Ã™ü›üßÃÖ
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.ú¸ëü
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"ÖßI æ
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1.
(Signature) (Name)
2.
(Signature) (Name)
OMR Sheet No. ......................................... (To be filled by the Candidate) Roll No.
(In figures as per admission card) Roll (In words)
Test Booklet No.
PAPER-II
Time 1 1/4 hours] [Maximum Marks 100
MUSEOLOGY CONSERVATION
Number of Pages in this Booklet 16 Number of Questions in this Booklet 50 Instructions for the Candidates
m f 1 i M M
1. Write your roll number in the space provided on the top of
1. m mti m5ot cii "im Rt m m m Rt 3m Rt i fo Rt f If
this page.
2. Wm m 5 f t m m o m tf ci m m m,t I
2. This paper consists of fifty multiple-choice type of questions.
3. m Rt mm ci 3 m ci i it t I m mti m r
m Rtf1 mt i m Rt, m i
3. At the commencement of examination, the question booklet
ff t 3 m ci i m -mmm ci i i m dm ci f f m r cii
will be given to you. In the first 5 minutes, you are requested
f f t i i m ci r 3 m ci i 3 ciRt, mut
to open the booklet and compulsorily examine it as below
m i ci; cimm ci i cii f dm cii ci Rt m m Rt
To have access to the Question Booklet, tear off the paper
m ci i .it t I m tW fo m t ciRt-m ci mmm ci
seal on the edge of this cover page. Do not accept a booklet
m
ci Rt ciRtt I
without sticker-seal and do not accept an open booklet.
f mf mf m i M f m imf m 1
Tally the number of pages and number of questions in
c i aT f f T f 1 M i mif f I f i m
the booklet with the information printed on the cover
mM1 mflm f 1 f f a i f 1 M f
page. Faulty booklets due to pages/questions missing
or duplicate or not in serial order or any other
1 f 1 a M m r m f
f M fm
1f f f mf f f f
discrepancy should be got replaced immediately by a
correct booklet from the invigilator within the period
m i 1 I i M a mi m T M f M fi 1 i I
of 5 minutes. Afterwards, neither the Question Booklet
f i a m m m i a f
will be replaced nor any extra time will be given.
f a mi aM M f I
M f i
After this verification is over, the Test Booklet Number
(iii)Wm r cii ot m -mmm ci ci c-if m i OMR m 5 ci m Rt
should be entered in the OMR Sheet and the OMR Sheet
3ifcimciRtt 3 uRt OMR m 5 ci ci c-ifm iWmm -mmm ci m Rt
Number should be entered on this Test Booklet.
3ifcimciRt tt I
4. Each item has four alternative responses marked
4. m Rt dW Rt f f t i i
ici m cii f ci m m
and You have to darken the oval as indicated below on the
m,t I 3 m ci i m mt dW Rt cii t m W ci i m m i 1 RtciRt ci ciRt, mut um
correct response against each item.
fci f t mut I
Example
f f
where is the correct response.
o fci m mt dW Rt mut I
5. Your responses to the items are to be indicated in the Answer Sheet given inside the Paper I Booklet only. If you mark at
5. m cii dW Rt i m m l i a f f M fi i ?mf f3ifcim
ciRt, i m,t I f t 3 m dW Rt m 5 ci m Rt f ti i t m W cii 3 fcim
any place other than in the ovals in the Answer Sheet, it will
not be evaluated.
m Rt dW Rt f ici, mt mt i
ifcim ciRm i mi dm ci f I
6. Read instructions given inside carefully.
6. 3, tRt f t i m
i t ci i .ci mtt I
7. Rough Work is to be done in the end of this booklet.
7. ci (Rough Work) Wm m
ci f mm ci cii 3 f m 5ot m Rt ciRtt I
8. If you write your name or put any mark on any part of the test
8. f t 3 m dW Rt-m f im ci iW 1 m m imm ci m Rt 3m
booklet, except for the space allotted for the relevant entries,
3 m ci m mt, mt i m cii, fcim 1 1 m Rt m i 3ifcim ciRtm i m,t mi
which may disclose your identity, you will render yourself
m Rt cii f i 3i m if5 m ciRt f ti i I
liable to disqualification.
9. 3 m ci i m Rt m f mm cimm mt i m Rt m i OMR dW Rt-m 5 ci
9. You have to return the test question booklet and OMR Answer
Rt ci f mt i t ci i u t ci mut 3 uRt m Rt mm cii ot dm i
3 m f
sheet to the invigilators at the end of the examination
3m i m m Rt 1 m i omtRt iciRt I
compulsorily and must not carry it with you outside the
Examination Hall.
10.
i il i m f m f i 1f I
11.
M m rf c i f f if a M f
10. Use only Blue/Black Ball point pen.
m ri f I
11. Use of any calculator or log table etc., is prohibited.
12. 1 i M i ac if f i I
12. There is no negative marks for incorrect answers.
1. The deity holding trident is
Visnu Surya
Siva Brahma
2. Cheunecy G. Hamlin, founder of ICOM was the
Director of the Buffalo Museum of Science, U.S.A.
Director of the Metropolitan Museum of Art, U.S.A.
Director of the British Museum, London.
Director of the Ashmolean Museum, Oxford.
3. Which one is the oldest museum in India
National Museum, New Delhi.
Salar Jung Museum, Hyderabad.
Indian Museum, Kolkata.
Allhabad Museum, Allhabad.
4. Which category of museums is more prevalent in India
Science and Technological Museums
Art Museums
Archaeological Museums
Natural History Museums
5. The definition of 'Museum' given by
ICOM was last revised in
1974 1989
2001 2007
6. Archaeological Museum, exhibits objects of
Kadamba art
Hoysala art
Vijayanagara art
Chalukya art
Hampi
7. Who led the foundation and popularity of site museums in India
Sir John Marshall
Mortimer Wheeler
Dr. Grace Morley
C. Shivarama Murti
8. Which one is the most popular communication technique followed by museums in India
Audio-visual technique
Guide Lecturer
Booklet
Labelling
9. Change in atmospheric humidity is indicated by
Hydroscope
Hygrometer
Thermometer
Barometer
10. Recommended illumination levels for dyed leather is
50 lux 100 lux
150 lux 200 lux
11. The theme of the Annual Museums Conference of Museums Association of India, held in 2009 at Khajuraho, Madhya Pradesh was
Museum, Heritage and Tourism
Museum lighting
Tangible heritage
Preservation of museum objects
12. Ancient Monuments Preservation Act was enacted in
1904 1910
1916 1958
1.
2.
3.
4.
5.
6.
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10. ¸üÓ.Öê Æãü‹ "Ö´Ö›êÍü .êú ×»Ö‹ †-Ö¿ãÖ×ÃÓÖŸÖ ¯Ö³ÏÖÖ×ÃÖŸÖ ÃŸÖ¸ü ¾Ö-îÖÖ×-Ö.ú ‹¾Ö´ÖË ŸÖ.ú-Öß.úß ÃÖÓ.ÖÏÆüÖ»ÖµÖ (recommended illumination level)
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´ÖŸæÖÔ ¬Ö¸üÖêÆü¸ü
¯Öã¸üÖŸÖ¢¾Ö ÃÖÓ.ÖÆÏüÖ»ÖµÖ, Æü´¯Öß ´Öë ×.úÃÖ ¯ÖÏ.úÖ¸ü .úÖ ÃÖÓ.ÖÏÆüÖ»ÖµÖ ÃÖÓ.ÖÏÆü .úÖ ÃÖ¸Óü.Ö.ÖÃÖ.ÓÖÆÏü ¯ÖϤüÙ¿ÖŸÖ Æüî?
.ú¤Óü²Ö .ú»ÖÖ 12. ôÖÖ¸ü.ú ÃÖÓ¸ü.Ö.Ö †×¬Ö×-ÖµÖ´Ö .ú²Ö »ÖÖ.Öæ
ÆüÖê‹ÃÖ»ÖÖ .ú»ÖÖ
Æüã†Ö
×¾Ö•ÖµÖ-Ö.Ö¸ü .ú»ÖÖ
1904 1910
"ÖÖ»ÖŒµãÖ .ú»ÖÖ
1916 1958
13. International Museum Day in India was observed since
1975 1976
1977 1978
14. Nagarjuna Konda Museum, Andhra Pradesh is a
State museum
Island museum
Private museum
National museum
15. As per ICOM definition the primary purpose of the museum is
Education, Study and Enjoyment.
Education and Enjoyment.
Educationand Communication.
Research and Communication.
16. Assertion Accession register is the brain of a museum.
Reason Accession register gives not only the total number of collections of a museum, but also gives the basic data about the specimens.
is true, but is false.
is false, but is true.
Both and are correct.
Both and are incorrect.
17. Assertion Investigator is better to assume the attitude of a learner, not of a teacher.
Reason An investigator with the mentality of a teacher fails to collect more information about any object.
Both and are correct.
Both and are incorrect.
is true, but is wrong.
is wrong, but is true.
18. Assertion Organic materials being very delicate are more susceptible to decay under the effect of environmental condition, humidity and temperature.
Reason Organic objects of a museum collection are damaged due to high atmospheric conditions.
Both and are correct.
Both and are incorrect.
is correct, but is incorrect.
is incorrect, but is correct.
19. Assertion Museum education leads the way for both social change and community participation.
Reason Museum caters educational value to everyone.
is correct, but is incorrect.
is incorrect, but is correct.
Both and are correct.
Both and are incorrect.
20. Assertion Incandescent light is harmful to paintings.
Reason It fades the colour of the painting.
is wrong, but is right.
is correct, but is incorrect.
Both and are correct.
Both and are incorrect.
13. ³ÖÖ¸üŸÖ ´Öë †ÓŸÖ¸üÖ™ÔÒüßµÖ ÃÖÓ.ÖÆÏüÖ»ÖµÖ ×¤ü¾ÖÃÖ .ú²Ö ÃÖê ´Ö-ÖÖµÖÖ •ÖÖ ¸üÆüÖ Æüî?
1975 1976
1977 1978
14. †Ö¬ÓÖÐ ¯Ö¤Ïüê¿Ö ÛÃ£ÖŸÖ -ÖÖ.ÖÖ•Öã-ÔÖ .úÖê.›üÖ ÃÖÓ.ÖÆÏüÖ»ÖµÖ ×.úÃÖ ÁÖ.êÖß .úÖ ÃÖÓ.ÖÏÆüÖ»ÖµÖ Æüî?
¸üÖ•Ö.úßµÖ ÃÖÓ.ÖÆÏüÖ»ÖµÖ
«üß¯Ö ÃÖ.ÓÖÆÏüÖ»ÖµÖ
×-Ö•Öß ÃÖ.ÓÖÆÏüÖ»ÖµÖ
¸üÖ™üÒßµÖ ÃÖ.ÓÖÆÏüÖ»ÖµÖ
15. †‡ÔÖòÖ. «Ö¸üÖ ¤üÖ‡Ô ÃÓÖÏüÖ»ÖµÖ .úß ¯Ö׸ü³ÖÂÖÖÖ..ú´üß.Ö.ÆÖ.êÖÃÖ¸ü ÖÓÖÏüÖ»Öµ.úÖ ´ãÖ ŒµÖÖ
ú†-ãÖÃ.ÆÖ Ö.µÃÖÏêÖÆîü
׿Ö.Ö.Ö, ¯Ö¸üß.Ö.Ö ‹¾ÖÓ ´Ö-ÖÖ¸êüÓ•Ö-Ö
׿Ö.Ö.Ö ‹¾ÖÓ ´Ö-ÖÖê¸Óü•Ö-Ö
׿Ö.Ö.Ö ‹¾ÖÓ ÃÖ"ÓÖÖ¸ü.Ö
†-ÖãÃÖÓ¬ÖÖ-Ö ‹¾ÖÓ ÃÖ"ÓÖÖ¸ü.Ö
16. ¥üœÍü .ú£Ö-Ö ¯Ö•ÓÖß.ú¸ü.Ö ¯ÖãÛßÖ.úÖ ÃÖÓ.ÖÆÏüÖ»ÖµÖ .úÖ ´ÖÛßÖÂ.ú Æîü …
.úÖ¸ü.Ö ¯ÖÓ•Öß.ú¸ü.Ö ¯ÖÛãßÖ.úÖ ÃÖê .ú¾êÖ»Ö ÃÖ.ÓÖÆÏüÖ»ÖµÖ .êú ÃÖ.ú»Ö ÃÖ.ÓÖÆÏü .úß •ÖÖ-Ö.úÖ¸üß ¯ÖÖϯŸÖ ÆüÖŸêÖß Æîü … ‡ÃÖ.êú †×ŸÖ׸üŒŸÖ ÃÖÓ.ÖÆÏü .úê²ÖÖ¸êü ´Öë ´Ö»æÖ ŸÖ£µÖÖë .úÖ ³Öß ÆüÖŸêÖÖ Æîü …
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
17. ¥üœüÍ.ú£Ö-Ö †-ÖãÃÖÓ¬ÖÖ-Ö.úŸÖÖÔ .úÖê ×¾ÖªÖ£Öá .úÖ ¾µÖ¾ÖÆüÖü¸ü .ÖÏÆü.Ö .ú¸ü-ÖÖ "ÖÖׯü‹ ×.ú ׿Ö.Ö.ú .úÖ …
.úÖ¸ü.Ö ×¿Ö.Ö.ú .úß ´Ö-ÖÖ¾êÖ×¢éÖ ¾ÖÖ»ÖÖ
†-ÖÃãÖ¬ÓÖÖ-Ö.úŸÖÖÔ ×.úÃÖß ¾ÖßÖã .úê×¾ÖÂÖµÖ ´Öë •µÖÖ¤üÖ •ÖÖ-Ö.úÖ¸üß ÆüÖ×ÃÖ»Ö .ú¸ü-Öê ´Öë †ÃÖ±ú»Ö ¸üÆüŸÖÖ Æüî…
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
18. ¥üœÍü .ú£Ö-Ö •Ö¾îÖ ¯Ö¤üÖ£ÖÔ ÃÖ¾ÓÖ¤êü-Ö¿Öᯙ ÆüÖê-Öê .úê.úÖ¸ü.Ö ¾ÖÖŸÖÖ¾Ö¸ü.ÖßµÖ ¯Ö׸üÛãÖןÖ, †Ö¦üÔŸÖÖ ‹¾ÖÓ .úê†ÃÖ¸ü ÃÖê ÈüÖÃÖ ¯ÖϳÖÖ¾µÖ Æüî…
.úÖ¸ü.Ö ÃÖ.ÓÖÆÏüÖ»ÖµÖ .úê•Ö¾îÖ ¯Ö¤üÖ£ÖÔ
†ŸµÖ׬Ö.ú ¾ÖÖŸÖÖ¾Ö¸ü.ÖßµÖ ¯Ö׸üÛãÖ×ŸÖ ´Öë .ÖןÖ.ÖÏÃŸÖ ÆüÖê
•ÖÖŸÖê Æüï…
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
19. ¥üœüÍ.ú£Ö-Ö ÃÖÓ.ÖÏÆüÖ»ÖµÖ ×¿Ö.ÖÖ ÃÖÖ´ÖÖוÖ.ú ²Ö¤ü»ÖÖ¾Ö ‹¾ÖÓ ÃÖÖ´Ö¤ãüÖ×µÖ.ú ³ÖÖ.ÖߤüÖ¸üß .úß †Öê¸ü †.Ö×ÃÏÖŸÖ
.ú¸üŸÖß Æüî…
.úÖ¸ü.Ö ÃÖÓ.ÖÏÆüÖ»ÖµÖ ÃÖ³Öß .úÖê ¿Ö×.îÖ.ú ´Ö»µæÖ ¯Ö¤ÏüÖ-Ö .ú¸üŸÖÖ Æüî…
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
20. ¥üœÍü .ú£Ö-Ö ˆ§ü߯ŸÖ ¯Ö.úÏÖ¿Ö ×"Ö¡ÖÖë .êú ×»ÖµÖê ÆüÖ×-Ö.úÖ¸ü.ú Æîü …
.úÖ¸ü.Ö ‡ÃÖÃÖê ×"Ö¡ÖÖë .úÖ ¸Óü.Ö ±úß.úÖ ¯Ö›Íü
•ÖÖŸÖÖ Æüî…
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
21. Assertion Each exhibit is cultural artefact in its own right and should be left free to communicate with the visitor.
Reason The curator must intend to tell a story through the exhibits.
Both and are right.
Both and are wrong.
is correct, but is incorrect.
is incorrect, but is correct.
22. Assertion Museography is an applied science.
Reason Because it involves practical work.
is wrong, but is right.
is right, but is wrong.
Both and are wrong.
Both and are correct.
23. Assertion Museum on Musicology is possible.
Reason Because it preserves musical instruments and gramophone records.
is wrong, but is correct.
is correct, but is wrong.
Both and are right.
Both and are wrong.
24. Assertion The meaning of objects is ambiguous.
Reason Understanding about objects is not same as reading.
is correct, but is incorrect.
is incorrect, but is correct.
Both and are correct.
Both and are incorrect.
25. Assertion A good museum must not be built upon a fixed idea of what a museum ideally should be, but must be responsive to the community.
Reason The scope of the museum functions should be strictly defined and limited.
is correct, but is incorrect.
is incorrect, but is correct.
Both and are correct.
Both and are incorrect.
26. Arrange the following items in correct order of their historical sequence
Taj Mahal
Sanchi Stupa
Bronze dancing girl
Nalanda Viswavidyalaya
Code
21. ¥üœüÍ.ú£Ö-Ö Æü¸ü ¯Ö¤ÏüÙ¿ÖŸÖ ¾ÖßÖã †¯Ö-Öê †Ö¯Ö ´Öë ‹.ú ÃÖÖÓÃ.éúןÖ.ú .éú×ŸÖ Æîü
†
Öîü ˆÃê Ö.ÏüÖ»ÖµÖ ¤ü¿Ôê
¸ÖÃÓÖÆÖ.ú.ú ÃÖÖ£Ö ÃÖ¾ÓÖÖ¤ü .ú¸ü-Öê .úÖ ˆ-´ÖŒŸãÖ
†
׬Ö.úÖ¸ü Æüî…
.úÖ¸ü.Ö ÃÖ.ÓÖÆÏüÖ¬µÖ.Ö .úÖ ˆ§üê¿µÖ Æü¸ü ¯ÖϤüÙ¿ÖŸÖ ¾ÖßÖã .êú «üÖ¸üÖ ‹.ú .úÆüÖ-Öß .úÆü-ÖÖ ÆüÖê-ÖÖ "ÖÖׯüµÖê …
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
22. ¥üœüÍ.ú£Ö-Ö ´µÖæ×•Ö͆Öê.ÖÏÖ±úß ‹.ú ¯Öϵ֌ŸãÖ Æîü …
.úÖ¸ü.Ö ŒµÖÖë×.ú ‡ÃÖ´Öë ¯ÖÏÖµÖÖ×.êÖ.ú .úÖµÖÔ ¿ÖÖ×´Ö»Ö Æîü …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
23. ¥üœÍü .ú£Ö-Ö ÃÖ.ÓÖߟֿÖÖÃ¡Ö .úÖ ÃÖÓ.ÖÆÏüÖ»ÖµÖ ÃÖÓ³Ö¾Ö Æüî…
.úÖ¸ü.Ö ŒµÖÖ×.ú ‡ÃëÖÃÖê ¾ÖÖª µÖ-¡ÖÖë ‹¾ÖÓ .ÖÖÏ´ÖÖê±úÖê-Ö ¸êü.úÖò›ËÔüÃÖ .úÖ ÃÖÓ¸ü.Ö.Ö ÆüÖ.êÖÖ …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
24. ¥üœÍü .ú£Ö-Ö ¾ÖßÖã†Öë .úÖ †£ÖÔ †Ã¯Ö™ü ÆüÖŸêÖÖ Æîü …
.úÖ¸ü.Ö ¾ÖßֆãÖë .úÖ †£ÖÔ ÃÖ´Ö—Ö-ÖÖ ¯ÖœüÍ.ú¸ü †£ÖÔ ²Öæ—Ö-Öê •ÖîÃÖÖ -ÖÆüà Æîü …
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
25. ¥üœÍü .ú£Ö-Ö ‹.ú †""êû ÃÖ.ÓÖÆÏüÖ»ÖµÖ .úß Ã£ÖÖ¯Ö-ÖÖ ‹.ú ¯Ö¾æÖÔ ×-Ö¬ÖÖ׸ÔüŸÖ
†Ö¤ü¿ÖÔ ÃÖ.ÓÖÆÏüÖ»ÖµÖ .úß ºþ¯Ö¸üê.ÖÖ ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ -ÖÆüà ÆüÖ-êÖß "ÖÖׯüµÖê †×¯ÖŸÖã ˆÃÖê (ÃÖ.ÓÖÆÏüÖ»ÖµÖ .úÖê) ÃÖ´Öã¤üÖµÖ .úê¯ÖןÏÖ
†-Ö×.ãÎúµÖÖŸ´Ö.ú ÆüÖ-êÖÖ "ÖÖׯüµÖê … .úÖ¸ü.Ö ÃÖÓ.ÖÏÆüÖ»ÖµÖ .êú .úÖµÖÖí .úÖ ×¾ÖßÖÖ¸ü .Ö¡êÖ µÖ£ÖÖŸÖ£µÖ
¯Ö׸ü³ÖÖ×ÂÖŸÖ ‹¾ÖÓ ÃÖß×´ÖŸÖ ÆüÖ-êÖÖ "ÖÖׯüµÖê …
ÃÖÆüß Æîü ŸÖ£ÖÖ .Ö»ÖŸÖ Æîü …
.Ö»ÖŸÖ Æîü ŸÖ£ÖÖ ÃÖÆüß Æîü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë ÃÖÆüß Æïü …
ŸÖ£ÖÖ ¤üÖ-êÖÖë .Ö»ÖŸÖ Æüï…
26. ×-Ö´-Ö×»Ö×.ÖŸÖ ×¾ÖÂÖµÖÖë .úÖê ˆ-Ö.ú ‹êê×ŸÖÆüÖ×ÃÖ.ú .ú´ÎÖ ú†-ãÖÃÆÖÎÖÖÛÖë
.êÖÃÖ¸ü Öü߆-ã.ú´´ë¾µÖ¾ÖãŸÖ.ú¸ü:
ŸÖÖ•Ö´ÖÆü»Ö
ÃÖÖ"ÑÖß ÃŸÖ¯æÖ
.úÖõÓÖ ›üÖÜ-ÃÖ.Ö .Ö»ÖÔ (Dancing Girl)
-ÖÖ»ÖÓ¤üÖ ×¾Ö¿¾Ö×¾ÖªÖ»ÖµÖ
.ú™æü
27. Identify the correct sequence of the following museums in order of age-gradation
National Museum, New Delhi.
Government Museum, Chennai
Chhatrapati Sivaji Maharaja Vastu Sangrahalaya, Mumbai.
Indian Musuem, Kolkata.
Code
28. Arrange in correct sequence the following functions of a museum
Conservation
Registration
Collection
Display
Code
29. Arrange in sequence according to establishment year.
Dow Hill Forest Garden, Kurseong.
Forest Research Institute, Dehra Dun.
Lloyd Botanical Garden, Darjeeling.
Shivpur Botanical Garden, Howrah.
Code
30. Which is the correct chronology of dynasty
Chalukya
Rashtrakuta
Hoysala
Vijayanagara
Code
31. Arrange in sequence the following lighting methods emitting UV radiation from higher to lower
Day light
Fluorescent light
Incandescent lamp
Louvred light
Code
32. Arrange the following prehistoric cultural periods in order of sequence
Neolithic
Chalcolithic
Palaeolithic
Mesolithic
Code
27. ÃÖÆüß .ú´ÎÖ .ú¸ü ×-Ö´-Ö×»Ö×.ÖŸÖ ÃÖ.ÓÖÏÆüÖ»ÖµÖÖë .úÖê †ÖµÖÁãÖê.Öß †-Öã.Îú´Ö ´Öë »Ö.ÖÖµÖë
¸üÖ™ÒüßµÖ ÃÖÓ.ÖÏÆüÖ»ÖµÖ, -Ö‡Ô ×¤ü»»Öß
.Ö¾Ö-´Ö-™ìü ´µÖæ×•ÖµÍÖ´Ö, "Öê--Ö‡Ô
"û¡Ö¯Ö×ŸÖ ×¿Ö¾ÖÖ•Öß ´ÖÆüÖ¸üÖ•Ö ¾ÖßÖã ÃÖ.ÓÖÆÏüÖ»ÖµÖ, ´ÖÓã²Ö‡Ô
‡Ó×›üµÖ-Ö ´µÖוæÖµÖ´Ö, .úÖ»êÖ.úÖŸÖÖ
.ú™æü
28. ÃÓÖÏüÖ»ÖµÖ êÖ´-Ö×»ÖÖŸÖ .úÖµí .úÖÃÆß ºþ¯ÃêÖ.Æ.ú×-×.ÖÖêÖüÖÖ
†-Ö.ãÎú×´ÖŸÖ .ú¸ëü
ÃÖ¸Óü.Ö.Ö ¯Ö•ÓÖß.ú¸ü.Ö
ÃÖ.ÓÖÆÏü ¯ÖϤü¿Ö-ÔÖ
.ú™æü
29. ×-Ö´-Ö×»Ö×.ÖŸÖ .úÖê ãÖÖ¯Ö-ÖÖ ¾ÖÂÖÔ .êú †-ÖÃãÖÖ¸ü
†-Ö.ãÎú×´ÖŸÖ .ú¸ëü
›üÖ¾êÖò ׯü»Ö ±úÖ¸òêüÙü .ÖÖ›üÔ-Ö, .úÖ¸üÃÖ†êÖë.Ö
±úÖ¸òüêÙü ׸üÃÖ"ÖüÔ‡Û-Ù™ü¶ã™üüü, ¤êüÆü¸üÖ¤æü-Ö
»ÖÖêµÖ›Ëü ²ÖÖê™îü×-Ö.ú»Ö .ÖÖ›Ôü-Ö, ¤üÖÙ•ÖØ»Ö.Ö
׿־֯Öã¸ü ²ÖÖê™üî×-Ö.ú»Ö .ÖÖ›üÔ-Ö, ÆüÖ¾Ö›ÍüÖ
.ú™æü
30. ×-Ö´-Ö×»Ö×.ÖŸÖ ¸üÖ•Ö¾Ö¿ÓÖÖë .úÖê .úÖ»ÖÖ-Öã.ú×´ÎÖ.ú .ú¸ëü
"ÖÖ»ÖŒµãÖ
¸üÖ™Òü.æú™ü
ÆüÖê‹ÃÖ»Ö
×¾Ö•ÖµÖ-Ö.Ö¸ü
.ú™æü
31. ×-Ö´-Ö×»Ö×.ÖŸÖ ¯ÖÏ.úÖ¿Ö ¯ÖÏ.ÖÖ»Öß .úÖê ÃÖê ˆ""ÖŸÖ¸ü µÖ.¾Öß. ×¾Ö×.ú¸üÖ ˆŸÃ•ÔÖ .êÎÖ
æ.ÖÖ-ú.ú´´Öë »Ö.ÖÖ†Öê
פü¾ÖÃÖ ¯Ö.úÏÖ¿Ö
°»ÖÖ¸êüÖêÃÖë™ü ™ü¶æ²Ö
‡-Ö.ëú×›üÃÖ™ëü »Öî´¯Ö
»Öã¾Ö¸ê›ü »ÖÖ‡™ü
.ú™æü
32. ×-Ö´-Ö×»Ö×.ÖŸÖ ¯ÖÏÖ.Öî×ŸÖÆüÖ×ÃÖ.ú ÃÖÖÃ.ÓúןéÖ.ú .úÖ»ÖÖë .úÖê ÃÖÆüß †-Öã.Îú´Ö ´Öë »Ö.ÖÖ‹Ñ
×-Ö†Ö×»êÖ×£Ö.ú "ÖÖò»Ö.úÖê×»Ö×£Ö.ú
¯Ö×»îÖµÖÖ×»êÖ×£Ö.ú ´ÖÃêÖÖ×»êÖ×£Ö.ú
.ú™æü
33. Match the following in List I with
the List II.
List I List II
E.P. Museum Studies
Alexander in Material
Culture.
Bettina Museum
Messias Masters: Their
Corbonell Museums and
their influence.
Susam Birth of
Pearce Museum
Tony Museum studies
Bennett an Anthology of
contents.
Code
34. Match the following in List I with the abbreviated terms in List II.
List I List II
International ICOM
Committee for
Museum Security
International ICOFOM
Committee for
Documentation
International ICMS
Committee for
Museology
International CIDOC
Council of
Museums
Code
35. Match the following the abbreviated terms in List I with in List II.
List I List II
International CECA
Committee for
Training of
Personnel
International ICOMOS
Centre for the
Study of the
Preservation and
Restoration of
Cultural Property
International ICCROM
Council of
Monuments and
Sites
Committee for ICTOP
Education and
Cultural Action
Code
36. Match List I with List II.
List I
Dancing Shiva of Vijaynagar
Bronze Dancing Girl
Painting of Monalisa
Elgin Marbles
Code
List II
British Museum, London
Louvre, Paris
Government Museum, Chennai
National Museum, New Delhi
33. ÃÖæ"ÖßI ´Öë ×-Ö´-Ö×»Ö×.ÖŸÖ .úÖê ÃÖæ"ÖßII ´Öë ×»Ö.Öß ¯ÖãßÖ.úÖë ÃÖê ÃÖ´ãÖ×»êÖŸÖ .úßו֋ ÃÖæÃÖ"ÖßII "ÖßI æ
‡Ô.¯Öß. ‹»ÖŒ•êÖë›ü¸ü ´µÖוæÖµÍÖ´Ö Ã™ü›üßÃÖ
‡-Ö ´Ö×™ü׸ü†»Ö
.ú»"Ö¸ü
²Öê™üß-ÖÖ ´ÖÃêÖ߆ÖÃÖ ´µÖæ×•ÖÍµÖ´Ö ´ÖÖÙüÃÖÔ:
.úÖ¸ü²ÖÖ-êÖ»êÖ ¤üꆸü ´µÖæ×•ÖµÖ´ÃÖ ‹.›ü ¤üꆸü
‡-°»Öã
†-ÃÖ
ÃÖÃæÖ-Ö ×¯ÖµÖÃÖÔ ²Ö£ÖÔ †Öò±ú ´µÖוæÖ̵ִÖü
™üÖ-êÖß ²Ö-êÖê™ü ´µÖוæÖµÍÖ´Ö Ã™ü›üßÃÖ ‹-Ö ‹ê-£ÖÖ»òÖÖò•Öß
†Öòü-™üÃü
±ú.ú-™êËÖ
.ú™æü
34. ×-Ö´-Ö×»Ö×.ÖŸÖ ÃÖ"æÖßI .úÖ ÃÖ"æÖßII ÃÖê ×´Ö»ÖÖ-Ö
.ú¸ëü
ÃÖæ ÃÖ"ÖßII
"ÖßI æ
‡-™ü¸ü-ÖêÖ-Ö»Ö †Ö‡ÔÖ´òÖ.
¿ ..ú
.ú×´Ö™ßü ±úÖò¸ü
´µÖæ×•Ö͵ִÖ
×ÃÖŒµÖ׸ãü™ßü
‡-™ü¸ü-Ö¿Ö-Ö»Ö †‡ÔÖß.†ê
êÖ.Ã Ö.‹±ú.
.ú×´Öü ±úÖ¸ü †Öê Ö.
™ßò.‹´›üÖòŒµÖæ´Ö-™êüê¿Ö-Ö
‡-™ü¸ü-Öê¿Ö-Ö»Ö †Ö‡.ÃÔÖß.‹´Ö.‹ÃÖ.
.ú×´Ö™ßü ±úÖò¸ü
´µÖוæÖµÍÖÖê»ÖÖ•òÖß
‡-™ü¸ü-Öê¿Ö-Ö»Ö ÃÖß.†Ö‡Ô.›üß.†Ö.ê
.úÖˆ×ÃÓÖ»Ö †Öò±ú ÃÖß. ´µÖוæÖµÖ´ÃÖ
.ú™æü
35. ×-Ö´-Ö×»Ö×.ÖŸÖ ÃÖ"æÖßI .úÖ ÃÖ"æÖßII ÃÖê ×´Ö»ÖÖ-Ö
.ú¸ëü
ÃÖæ ÃÖ"ÖßII
"ÖßI æ
‡-™ü¸ü-Öê¿Ö-Ö»Ö ÃÖß.‡Ô.ÃÖß.‹.
.ú×´Ö™ßü ±úÖò¸ü
™êÒü×-ÖÓ.Ö †Ö±ú ò
¯ÖÃÖ-ÔÖê»Ö
‡-™ü¸ü-Ö¿êÖ-Ö»Ö †Ö‡.ÃÔÖß.†Öê.‹´Ö. ÃÖêü¸ü±úòüפü ÖêÖ.
-™Ö¸†.‹ÃÙü›ßü †Öò±ú ¤ü ¯ÖÏê•Ö¾Öì¿Ö-Ö ‹.›ü ¸êüÙüÖ¸êêü¿Ö-Ö †Öò±ú
.ú»"Ö¸ü»Ö ¯ÖÏÖ¯òÖ™üá
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