PAPER-II INDIAN CULTURE Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


2.
(Signature)


(Name)

D 5 0 1 3

Time 1 1/4 hours] [Maximum Marks 100




Number of Pages in this Booklet 12 Number of Questions in this Booklet 50 Instructions for the Candidates

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other discrepancy should be got replaced immediately


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English version will be taken as final.

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INDIAN CULTURE Paper II Note This paper contains fifty objective type questions of two marks each. All
questions are compulsory.

1. One of the following Harappan culture sites is noticed in the Gangatic Doab

Kalibangan


Alamgirpur


Ropar


Lothal



2. The mention of the city named Ayodhya occurs for the first time in

Rigveda


Atharvaveda


Yajurveda


Samaveda



3. During the period of sixteen Mahajanpadas Sothavatinagri was the capital of

Vajji Surasen


Vatsa Chedi



4. Which of the following physicians was a contemporary of Gautama Buddha

Charaka Sushena


Jivaka Vag Bhatt



5. Which source of Mauryan history informs that there was no slavery in India

Asokan Rock Edict II


Megasthenes' Indica


Mudrarakshasa


Dipavamsa



6. In which of the following inscriptions Asoka propagated the idea of Dharma vijaya

Rock Edict III


Rock Edict XIII


Rock Edict XII


Rock Edict V



7. Who among the following Kings made a request to a foreign King for figs, wine and Sophist

Bimbisara


Chandragupta Maurya


Dasaratha


Bindusara



8. Which of the following texts mentions Guna-Karm theory regarding Varna system

Atharvaveda


Chhandogya Upanishad


Bhagvadgita


Abhijnanasakuntala



9. Which one of the following dynasties is not mentioned in the Sangam Literature

Chola Pallava


Chera Pandya



10. Arrange the following stupas in chronological order
i. Bharhut ii. Amaravati
iii. Dhamek iv. Bodhgaya Select your correct answer from the codes given below


Codes

ii, iii, iv


ii, iv, iii


iv, ii, iii


iv, iii, ii



11. The mention of coin Karshapan occurs in the following inscription

Hathigumpha Inscription


Rummindei


Naneghat Inscription


Junagarh Inscription



12. Who among the following was an Alwar Saint

Appar Kulasekhar


Sambandar Sundarar






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2.

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i. ³Ö¸üÆãüŸÖ ii. †´Ö¸üÖ¾ÖŸÖß
iii. ¬Ö´ÖêÛú iv. ²ÖÖê¬ÖÝÖµÖÖ ¯ÖϤü¢Ö Ûæú™ü ÃÖê †¯Ö®Öê ÃÖÆüß ˆ¢Ö¸ü ÛúÖ "ÖµÖ®Ö Ûúßו֋


Ûæú™ü

ii, iii, iv


ii, iv, iii


iv, ii, iii


iv, iii, ii



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†¯¯Ö¸ü Ûãú»Ö¿ÖêÜÖ¸ü


ÃÖ´²Ö®¤ü¸ü ÃÖ㮤ü¸ü¸ü



13. Durjanpur Trithankar images were carved during the time of which ruler

Chandragupta I


Ramagupta


Skandagupta


Purugupta



14. Given below are two statements, one labelled as Assertion and the other labelled as Reason Assertion Chandragupta II married his daughter with Vakataka ruler Rudrasen II. Reason This relation could help him in uprooting the Sakas from Western India.
In the context of the above two statements, which one of the following is correct

Both and are true and is the correct explanation of


Both and are true but

is not the correct explanation of


is true, but is false.


is false, but is true.



15. Which one was a prominent centre of sculptural art during the Gupta period

Amaravati Mathura


Sanchi Gandhara



16. Where did Virasena, who accompanied Chandragupta II in his military expedition, excavate a cave in honour of Shiva

Eran Kausambi


Sanchi Udaigiri



17. Which one of the following places is known for rock-cut temple architecture

Kanchipuram


Mamallapuram


Thanjavur


Gongaikonda Cholapuram



18. Match List I with List II and select the correct answer from the codes given below the lists :List I List II (Deity (Names/termsPersons connected with number
a.
Shiva i. Ashtanga Yoga

b.
Patanjali ii. Ashtamurti

c.
Rishi iii. Ashtadhayayi

d.
Panini iv. Ashtavakra



Codes
a b c d

ii i iv iii


i ii iii iv


ii iii i iv


iv ii iii i



19. In which of the followinginscriptions Kalidas and Bharvi bothare referred together

Allahabad Pillar Inscription of Samudragupta


Mehroli Iron Pillar Inscriptionof Chandra


Junagarh Inscription of Skandagupta


Aihole Inscription of ChalukyaPulkesin II



20. The site representing the renownededucational centre Vikramashila Mahavihara is to be located in the region of

Bhagalpur Gaya


Rajagrih Vaishali



21. The most gigantic rock-cut Bahubali image is located in

Tamil Nadu


Andhra Pradesh


Karnataka


Kerala



22. The gajahasta posture is associated with

Shiva Vishnu


Buddha Ganesha



23. Which of the following inscriptionsinforms us the provision made for the treatment for men and animals by Asoka

Rock Edict XII


Rock Edict II


Rock Edict XIII


Rock Edict V



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17. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ Ã£ÖÖ®Ö ÛúÖê ¿Öî»ÖÖêŸÜÖÖŸÖ ´Ö×®¤ü¸ü ãÖÖ¯ÖŸµÖ Ûêú ×»Ö‹ •ÖÖŸÖÖ Æîü

ÛúÖÑ"Ö߯Öã¸ü´ÖË


´ÖÖ´Ö»»Ö¯Öã¸ü´ÖË


ŸÖÓ•ÖÖ¾Öã¸ü


ÝÖÓÝÖîÛúÖêÞ›ü "ÖÖê»Ö¯Öã¸ü´ÖË



18. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ †Öî¸ü ¯ÖϤü¢Ö Ûæú™ü ÃÖê ÃÖÆüß ˆ¢Ö¸ü ÛúÖ "ÖµÖ®Ö Ûúßו֋
ÃÖæ"Öß I ÃÖæ"Öß II (¤êü¾ÖŸÖÖ †Öî¸ü ¾µÖ׌ŸÖ) (†ÓÛú †Öšü ÃÖê ÃÖÓ²Ö§ü ®ÖÖ´Ö/¿ÖÛú)
a.
×¿Ö¾Ö i. †Â™üÖÓÝÖµÖÖêÝÖ

b.
¯ÖŸÖ˜•Ö×»Ö ii. †Â™ü´ÖæÙŸÖ

c.
Šú×ÂÖ iii. †Â™üÖ¬µÖÖµÖß

d.
¯ÖÖ×ÞÖ®Öß iv. †Â™üÖ¾ÖÛÎú


Ûæú™ü
a b c d

ii i iv iii


i ii iii iv


ii iii i iv


iv ii iii i




19. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ †×³Ö»ÖêÜÖ ´Öë ÛúÖ×»Ö¤üÖÃÖ
†Öî¸ü ³ÖÖ¸ü×¾Ö ÛúÖ ‹Ûú ÃÖÖ£Ö ˆ»»ÖêÜÖ Æãü†Ö Æîü

ÃÖ´Öã¦üÝÖã¯ŸÖ ÛúÖ ‡»ÖÖÆüÖ²ÖÖ¤ü ßִ³Ö †×³Ö»ÖêÜÖ


"Ö®¦ü ÛúÖ ´ÖêÆü¸üÖê»Öß »ÖÖîÆü ßִ³Ö †×³Ö»ÖêÜÖ


ÃÛú®¤üÝÖã¯ŸÖ ÛúÖ •Öæ®ÖÖÝÖœÌü †×³Ö»ÖêÜÖ


"ÖÖ»ÖãŒµÖ ¯Öã×»ÖÛêú׿֮ÖË ×«üŸÖßµÖ ÛúÖ ‹ÆüÖê»Ö


†×³Ö»ÖêÜÖ

20. ¯ÖÏ×ÃÖ¨ü ׿ÖõÖÖÛêú®¦ü ×¾ÖÛÎú´Ö׿ֻÖÖ ´ÖÆüÖ×¾ÖÆüÖ¸ü ÛúÖ Ã£ÖÖ®Ö-×®Ö¬ÖÖÔ¸üÞÖ ×ÛúÃÖ õÖê¡Ö ´Öë ÆüÖê®ÖÖ "ÖÖ×Æü‹

³ÖÖÝÖ»Ö¯Öã¸ü ÝÖµÖÖ


¸üÖ•ÖÝÖéÆü ¾Öî¿ÖÖ»Öß



21. ²ÖÖÆãü²Ö»Öß Ûúß ×¾Ö¿ÖÖ»ÖŸÖ´Ö ¿Öê»ÖÖêŸÜÖÖŸÖ ¯ÖÏןִÖÖ ÛúÆüÖÑ ×Ã£ÖŸÖ Æîü

ŸÖ×´Ö»Ö®ÖÖ›ãü ¯ÖϤêü¿Ö


Ûú®ÖÖÔ™üÛú Ûêú¸ü»Ö



22. ÝÖ•ÖÆüßִÖã¦üÖ ÃÖ´²Ö×®¬ÖŸÖ Æîü

×¿Ö¾Ö ÃÖê ×¾ÖÂÞÖã ÃÖê


²Öã¨ü ÃÖê ÝÖÞÖê¿Ö ÃÖê



23. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ †×³Ö»ÖêÜÖ ÃÖê †¿ÖÖêÛú Ûêú «üÖ¸üÖ ´Ö®ÖãµÖÖë †Öî¸ü ¯Ö¿Öã†Öë Ûúß ×"Ö×ÛúŸÃÖÖ Ûêú ÃÖ´²Ö®¬Ö ´Öë ×ÛúµÖê ÝÖµÖê ¯ÖÏÖ¾Ö¬ÖÖ®ÖÖë ÛúÖ ˆ»»ÖêÜÖ ×´Ö»ÖŸÖÖ Æîü

׿ֻÖÖ»ÖêÜÖ «üÖ¤ü¿Ö


׿ֻÖÖ»ÖêÜÖ ×«üŸÖßµÖ


׿ֻÖÖ»ÖêÜÖ ¡ÖµÖÖê¤ü¿Ö


׿ֻÖÖ»ÖêÜÖ ¯ÖÓ"Ö´Ö



24. Which of the following Chandella temple was originally a Vishnu temple but later converted to a different deity

Lakshaman temple


Chaturbhuj temple


Chitragupta temple


Devi Jagdambi temple



25. Natraj bronze images were cast during the period of

Chandellas


Cholas


Pallavas


Rashtrakutas



26. Which of the following temples Natya Mandap and Bhog Mandap are the architectural parts

Chola temple


Chalukya temple


Orissan temple


Parmar temple



27. In which of the following temples Gopuram is the architectural part

Chandella temple


Chola temple


Parmar temple


Pratihar temple



28. Match List I with List II and select the correct answer using the codes given below List I List II (Author) (Work)
a.
Bilhana i. Ramcharita

b.
Sandhyakar ii. Vikramanka Nandi deva charita

c.
Vakpati iii. Balaramayana

d.
Rajshekhar iv. Gaudavaho


Codes
a b c d

ii i iv iii


i ii iii iv


ii i iii iv


iii ii i iv



29. Who profounded the theory that Brahma is true Jagat is false

Ramanuja


Sankaracharya


Vallabhacharya


Nibarakacharya



30. Kayotsarga posture is associated with the image of

Vishnu Buddha


Tirthankar Shiva



31. Which among the following works is not the work of Amir Khusaro

Qiran-us-Sádain


Nuh Sipehar


Miftah-ul-Fatuh


Khair-ul-Majlis



32. Match the List I with List II and select the correct answer from the codes given below the list List I List II (Author) (Work)
a.
Abdulla i. Qamit-ul-Malik Isami Tawarikh

b.
Yahya bin ii. Fatuh-us-Ahmed Salatin

c.
Abdullah iii. Tarikh-i-Mubarakshahi

d.
Sheikh iv. Tarikh-i-Abdul Daodi Hassan



Codes
a b c d

ii iii iv i


i iv iii ii


iv iii ii i


ii iii i iv



33. Which tradition of music flourished during the period of Akbar and has contributed significantly to Indian Classical Music

Ast chhap


Tilak chhap


Kirtan chhap


Gun chhap



24. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ "Ö®¤êü»Ö ´Ö×®¤ü¸ü ÛúÖê •ÖÖê ´Öæ»ÖŸÖ: ×¾ÖÂÞÖã´ÖÓפü¸ü £ÖÖ †®µÖ ¤êü¾Öß ¤êü¾ÖŸÖÖ Ûêú ÃÖÖ£Ö ¯Ö׸ü¾ÖÙŸÖŸÖ ×ÛúµÖÖ ÝÖµÖÖ

»Öõ´ÖÞÖ ´ÖÓפü¸ü


"ÖŸÖã³ÖãÔ•Ö ´ÖÓפü¸ü


×"Ö¡ÖÝÖã¯ŸÖ ´ÖÓפü¸ü


¤êü¾Öß •ÖÝÖ¤ü´²Öß ´ÖÓפü¸ü



25. ®Ö™ü¸üÖ•Ö Ûúß ÛúÖÓÃµÖ ¯ÖÏןִÖÖ†Öë ÛúÖ ×®Ö´ÖÖÔÞÖ ×ÛúÃÖÛêú ÃÖ´ÖµÖ ´Öë Æãü†Ö

"Ö®¤êü»Ö "ÖÖê»Ö


¯Ö»»Ö¾Ö ¸üÖ™ÒüÛæú™ü



26. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÆüÖÑ Ûêú ´Ö×®¤ü¸üÖë ´Öë ®ÖÖ™ËüµÖ ´ÖÓ›ü¯Ö
†Öî¸ü ³ÖÖêÝÖ ´ÖÓ›ü¯Ö ´ÖÓפü¸ü ¾ÖÖßÖã †ÓÝÖ Æïü

"ÖÖê»Ö ´ÖÓפü¸ü


"ÖÖ»ÖãŒµÖ ´ÖÓפü¸ü


ˆ›ÌüßÃÖÖ Ûêú ´ÖÓפü¸ü


¯Ö¸ü´ÖÖ¸ü ´ÖÓפü¸ü



27. ×ÛúÃÖ ×®Ö´®Ö×»Ö×ÜÖŸÖ ´ÖÓפü¸ü ´Öë ÝÖÖê¯Ö¸ü´ÖË ´ÖÓפü¸ü ¾ÖÖßÖã ÛúÖ †ÓÝÖ Æîü

"Ö®¤êü»Ö ´ÖÓפü¸ü


"ÖÖê»Ö ´ÖÓפü¸ü


¯Ö¸ü´ÖÖ¸ü ´ÖÓפü¸ü


¯ÖÏןÖÆüÖ¸ü ´ÖÓפü¸ü



28. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ †Öî¸ü ¯ÖϤü¢Ö Ûæú™ü ÃÖê ÃÖÆüß ˆ¢Ö¸ü ÛúÖ "ÖµÖ®Ö Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II (»ÖêÜÖÛú) (ÛéúןÖ)
a.
ײֻÆüÞÖ i. ¸üÖ´Ö"Ö׸üŸÖ

b.
ÃÖ®¬µÖÖÛú¸ü ®Ö®¤üß ii. ×¾ÖÛÎú´ÖÖÓÛú ¤êü¾Ö"Ö׸üŸÖ

c.
¾ÖÖŒ¯Ö×ŸÖ iii. ²ÖÖ»Ö ¸üÖ´ÖÖµÖÞÖ

d.
¸üÖ•Ö¿ÖêÜÖ¸ü iv. ÝÖÖî›ü¾ÖÆüÖê


Ûæú™ü
a b c d

ii i iv iii


i ii iii iv


ii i iii iv


iii ii i iv



29. ×ÛúÃÖ®Öê ‡ÃÖ ×ÃÖ¨üÖ®ŸÖ ÛúÖ ¯ÖÏן֯ÖÖ¤ü®Ö ×ÛúµÖÖ Æîü ×Ûú ²ÖÎÉ ÃÖŸµÖ Æîü †Öî¸ü •ÖÝÖŸÖ ×´Ö£µÖÖ Æîü

¸üÖ´ÖÖ®Öã•Ö


¿ÖÓÛú¸üÖ"ÖÖµÖÔ


¾Ö»»Ö³ÖÖ"ÖÖµÖÔ


×®Ö´²ÖÖÛúÖÔ"ÖÖµÖÔ



30. ÛúÖµÖÖêŸÖËÃÖÝÖÔ ´Öã¦üÖ ×ÛúÃÖÛúß ´ÖæÙŸÖ ÃÖê ÃÖ´²Ö×®¬ÖŸÖ Æîü

×¾ÖÂÞÖã ²Öã¨ü


ŸÖߣÖÕÛú¸ü ׿־Ö



31. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖß Ûéú×ŸÖ †´Ö߸ü ÜÖãÃÖ¸üÖê Ûúß ®ÖÆüà Æîü

×ÛÌú¸üÖ®Ö-ˆÃÖ-ÃÖ¤üÖ‡®Ö


®ÖæÆü ×ÃÖ¯ÖêÆü¸ü


×´ÖÌ°ŸÖÖ-ˆ»Ö-±úŸÖãÆü


ÜÖÌî¸ü-ˆ»Ö-´Ö•Ö×»ÖÃÖ



32. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ †Öî¸ü ¯ÖϤü¢Ö Ûæú™ü ÃÖê ÃÖÆüß ˆ¢Ö¸ü ÛúÖ "ÖµÖ®Ö Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II (»ÖêÜÖÛú)
a.
†²¤ãü»»ÖÖ ´Ö×»ÖÛú i. ÛÌú×´ÖŸÖ-ˆ»Ö-ŸÖ¾ÖÖ¸üßÜÖ

‡ÔÃÖÖ´Öß

b.
µÖÖ×ÆüµÖÖ×²Ö®Ö ii. ±úŸÖãÆü-ˆÃÖ-ÃÖ»ÖÖŸÖß®Ö

†Æü´Ö¤ü

c.
†²¤ãü»»ÖÖ iii. ŸÖÖ¸üßÜÖÌ-‹­´Öã²ÖÖ¸üÛÌú¿ÖÖÆüß

d.
¿ÖêÜÖÌ †²¤ãü»Ö iv. ŸÖÖ¸üßÜÖÍ-‹-¤üÖ‰ú¤üß ÆüÃÖ®Ö


Ûæú™ü
a b c d

ii iii iv i


i iv iii ii


iv iii ii i


ii iii i iv



33. ÃÖÓÝÖßŸÖ Ûúß ×ÛúÃÖ ¯Ö¸ü´¯Ö¸üÖ ÛúÖ †Ûú²Ö