Exam Details

Subject indian culture
Paper paper 3
Exam / Course ugc net national eligibility test
Department
Organization university grants commission
Position
Exam Date December, 2010
City, State ,


Question Paper

PAPER-III

INDIAN CULTURE
Signature and Name of Invigilator
1.
(Signature)

(Name) Roll No.


2.
(Signature) (In figures as per admission card) (Name)




D 5 0 1 0

Roll (In words)
Time 2 1/2 hours] [Maximum Marks 200
Number of Pages in this Booklet 32 Number of Questions in this Booklet 19


Instructions for the Candidates

1.
Write your roll number in the space provided on the top of this page.

2.
Answer to short answer/essay type questions are to be given in the space provided below each question or after the questions in the Test Booklet itself.


No Additional Sheets are to be used.

3. At the commencement of examination, the question booklet will be given to you. In the first 5 minutes, you are requested to open the booklet and compulsorily examine it as below
To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept a booklet without sticker-seal and do not accept an open booklet.
Tally the number of pages and number of questions in the booklet with the information printed on the cover page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other discrepancy should be got replaced immediately by a correct booklet from the invigilator within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra time will be given.
4.
Read instructions given inside carefully.

5.
One page is attached for Rough Work at the end of the booklet before the Evaluation Sheet.

6.
If you write your name or put any mark on any part of the Answer Sheet, except for the space allotted for the relevant entries, which may disclose your identity, you will render yourself liable to disqualification.

7.
You have to return the test booklet to the invigilators at the end of the examination compulsorily and must not carry it with you outside the Examination Hall.

8.
Use only Blue/Black Ball point pen.

9.
Use of any calculator or log table etc., is prohibited.


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D-50-10 P.T.O.

INDIAN CULTURE
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PAPER III
III
Note This paper is of two hundred marks containing four sections. Candidates are required to attempt the questions contained in these sections according to the detailed instructions given therein.
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SECTION I


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1. "The sculptural art of Sanchi is much more advanced than Bharhut." Elucidate. cnn f cnl i cnn l t cniT 3mfcn iI" m cnnml
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The Mughals are known for developing fine arts and aesthetic genre in the forms of art. Discuss.
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Though Raja Rammohun Roy made a decisive break with Indian tradition, in the end it remained incomplete. Elaborate.
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2. Describe critically the village administration during the Chola period.
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OR

Write an essay on rural credit system with particular reference to Mahajans' relation with medieval Indian peasants.
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OR

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SECTION II
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Note This section contains three questions from each of the electives/specializations.

The candidate has to choose only one elective/specialization and answer all the three questions from it. Each question carries fifteen marks and is to be answered in about three hundred words. ×
15 45 Marks)
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3. Examine critically the main teachings of Jainism.
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4. Form an estimate of Ajanta painting.
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5. Enumerate briefly but critically the main urban centres of the Gupta period.
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3. Define the new techniques and features introduced by the Turks in the field of architecture.
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4. Discuss the contribution of Shaikh Nizamuddin Auliya to the growth of Chishti Silsilah.
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5. How inter-religious marriages between the Mughals and the Rajputs created composite culture
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3. Bring out the contribution of Dayanand Saraswati to the social and religious reform movement in India.
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4. Explain the basic objectives that went into the founding of Indian National Congress.
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5. Write a note on the Communal Award of 1932.
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SECTION III m
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10 90 Marks)
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6. Trace out the continuity of Indian Culture.
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7.
Explain the term 'Nirvana'.
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8.
What is the Dravida style of temple architecture


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9. How Sama was perceived by the Sufis and the conservative Ulema
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10. Describe Sultan Zain-ul-Abidin's contribution for the development of dance in
Kashmir.
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11. Define Tohid-i-Ilahi.
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12. The concepts of 'satyagraha' and 'non-violence' in political protests are the
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14. Write a note on any two major classical dances of India.
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SECTION IV
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passage. Each question should be answered in about thirty words.
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The mass upsurges of the 1930s were closely related to decisive economic changes. The world-wide Depression which set in from late 1929 affected India in two main ways through a very sharp fall in prices, particularly of agricultural commodities, and by bringing about a major crisis in the entire export-oriented colonial economy. The all-India general price-index (1873 203 in 1929, fell to 171 in 1930, 127 in 1931, 126 in 1932, 121 in 1933, and 119 in 1934; it rose slightly thereafter, but was still only 136 in 1937. Agricultural prices had started declining from 1926, in fact, but the collapse from 1930 in India was truly catastrophic. The all-India average of raw cotton prices (1873 133 in 1929, fell to 70 in 1931. In Bengal, the price of winter rice (1929 went down to 45.9 in 1932, while that of jute had slumped to 43.5 by 1934. In the United Provinces, wholesale prices (1901­05 100) fell from 218 in 1929 to 162 in 1930, 112 in 1931, and 103 in 1934 (C.J. Baker, Politics of South India 1920-37, p. 174; B.B. Chaudhuri. 'The Process of Depeasantisation in Bengal and Bihar 1885-1947', Indian Historical Review, July 1975, p. 117; G. Pandey, p. 160). Depression sharply enhanced the burdens of revenue, rent and interest payments, and the people worst affected were the relatively better off or 'middle' peasants with a surplus to sell (unlike the post-1918 inflation which had hurt the poorest sections hardest). What we know about the pattern of mobilization in the 1930s fits in well with this economic situation. The Congress a little later and in some regions, Left-inclined Kisan Sabhas) rallied peasant proprietors and tenant smallholders (rather than share-croppers or agricultural labourers) around issues like reduction of revenue, irrigation charges, and rent and debt burdens, return of alienated land, or the most radical slogan of this period abolition of zamindari. The movement spread much more widely over the countryside than in Non-Cooperation and set up relatively stable organizations, but lacked, in the main, the sporadic and elemental millenarian flavour of 1919-22. Congress support for even such specific Kisan demands was often inhibited by its landlord links, and, as Hardiman has shown, a tendency towards growing conservatism by rich peasants was manifesting itself by the mid-1930s in areas like Gujarat, making Vallabhbhai Patel, the hero of Bardoli, ultimately the greatest stalwart of the Congress Right.
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15. Explain the ways that the Economic Depression had affected India.
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16. How did Depression affect Bengal and United Province
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17. Which class of people in India were affected by the Depression
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18. Can you explain the link between the Depression and Congress political mobilization
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19. Bring out the complexity that the Congress had faced in mobilizing peasants in the context of Kisan Sabhas' activities.
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Space For Rough Work


FOR OFFICE USE ONLY
Marks Obtained
Question Number Marks Obtained
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19


Total Marks Obtained (in words) ...........................................
(in figures) ..........................................
Signature Name of the Coordinator ...................................
(Evaluation) Date .........................

D-50-10 32


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