Exam Details
Subject | dance | |
Paper | paper 3 | |
Exam / Course | ugc net national eligibility test | |
Department | ||
Organization | university grants commission | |
Position | ||
Exam Date | 10, July, 2016 | |
City, State | , |
Question Paper
PAPER-III DANCE Signature and Name of Invigilator
1.
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(Name)
Roll No.
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J 6 5 1 6
Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 32 Instructions for the Candidates
1.
Write your roll number in the space provided on the top ofthis page.
2.
This paper consists of seventy five multiple-choice type ofquestions.
3.
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Example
where is the correct response.
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You have to return the Original OMR Sheet to the invigilatorsat the end of the examination compulsorily and must notcarry it with you outside the Examination Hall. You are,however, allowed to carry original question booklet andduplicate copy of OMR Sheet on conclusion of examination.
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13.
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Number of Questions in this Booklet 75
¯Ö¸üßõÖÖÙ£ÖµÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö
1.
‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …
2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …
3.
¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖµÖêÝÖß … ¯ÖÆü»Öê
¯ÖÖÑ"Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü
¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ¯Öã×ßÖÛúÖ ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖß»Ö
ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖ
þÖßÛúÖ¸ü Ûú¸ëü …
Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ
¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êü
Æïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †Ö
ÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖ ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß
¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê
»ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü
ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÛúÖ ®ÖÓ²Ö¸ü OMR ¯Ö¡ÖÛú ¯Ö¸ü †Ó×ÛúŸÖ
Ûú¸ëü †Öî¸ü OMR ¯Ö¡ÖÛú ÛúÖ ®ÖÓ²Ö¸ü ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü
¤ëü …
4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê ÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü •ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(3) ÃÖÆüß ˆ¢Ö¸ü Æîü …
5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸üÆüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …
6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …
7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …
8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô
†
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ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ µÖÖ ÃÖ±êú¤ü õÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê
†
µÖÖêÝµÖ 'ÖÖê×ÂÖŸÖ ×ÛúµÖê •ÖÖ ÃÖÛúŸÖê Æïü …
9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ´Öæ»Ö OMR ¯Ö¡ÖÛú ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®ÖÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖŸÖ£ÖÖ OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …
10.
Ûêú¾Ö»Ö C.B.S.E. «üÖ¸üÖ ¯ÖϤüÖ®Ö ×ÛúµÖê ÝÖµÖê ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …
11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ
¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …
12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …
13.
µÖפü †ÓÝÖÏê•Öß µÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ
†Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …
1 P.T.O.
DANCE
PAPER III
Note This paper contains seventy five objective type questions of two marks each. All questions are compulsory.
1. Puskar is
Avanaddha Tata
Ghana Sushira
2. Pick the odd one out
Nupur Paijod
Payal Koktumbi
3. Match the List I with List II List I List II
a.
Aesthetics-Approaches, concepts and i. Doris Humphery
problems
b.
The Art of Making Dance ii. Manmohan Ghosh
c.
Mirror of Gestures iii. Kapila Vatsyayan
d.
Classical Indian Dance in Literature and iv. S.K. Saxena
the Arts
Codes
a b c d
i ii iii
i ii iii iv
iii ii i
(4)iii iv ii i
4. Assertion Folk dances have an underlying unity of man-nature relationship. Reason Folk dances are always choreographed for presentation in open space. Codes
is true and is false.
is false and is true.
Both and are true.
Both and are false.
5. Indicate the correct chronological sequence
Jean Baptist Lully, Charles Didelot, Marius Petipa, Diaghilev
Charles Didelot, Jean Baptist Lully, Marius Petipa, Diaghilev
Diaghilev, Jean Baptist Lully, Marius Petipa, Charles Didelot
Marius Petipa, Diaghilev, Charles Didelot, Jean Baptist Lully
Paper-III 2
®Ö韵Ö
¯ÖÏ¿®Ö¯Ö¡Ö III
®ÖÖê™ü ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸üü ²ÖÆüã-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æüï … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ¯ÖãÂÛú¸ü ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ŒµÖÖ Æîü
†¾Ö®Ö¨ü ŸÖŸÖ
ÃÖã¿Ö߸ü
2. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö ÛúÖê "Öã×®ÖµÖê
®Öã¯Öæ¸ü ¯ÖÖµÖ•ÖÖê›ü
¯ÖÖµÖ»Ö ÛúÖêÛúŸÖã´²Öß
3. ÃÖæ"Öß-I ÛúÖê ÃÖæ"Öß-II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
‹êãÖê×™üŒÃÖ-†¯ÖÏÖêê"Öê•Ö, ÛúÖÑÃÖꯙËüÃÖ ‹Þ›ü ¯ÖÏÖê²»Öê´ÃÖ i. ›üÖê׸üÃÖ Æü´±Ïúß
b.
¤ü †Ö™Ôü †Öò±ú ´ÖîØÛúÝÖ ›üÖ®ÃÖ ii. ´Ö®Ö´ÖÖêÆü®Ö
c.
×´Ö¸ü¸ü †Öò±ú •ÖêÃ"ÖÃÖÔ iii. ÛúׯֻÖÖ ¾Ö֟õÖÖµÖ®Ö
d.
Œ»ÖÖ×ÃÖÛú»Ö ‡Ó×›üµÖ®Ö ›üÖÓÃÖ ‡®Ö ×»Ö™ü¸êü"Ö¸ü ‹Þ›ü ¤ü †Ö™ÔËüÃÖ iv. ‹ÃÖ.Ûêú. ÃÖŒÃÖê®ÖÖ
Ûæú™ü
a b c d
i ii iii
i ii iii iv
iii ii i
(4) iii iv ii i
4. †×³ÖÛú£Ö®Ö »ÖÖêÛú ®ÖéŸµÖ ´Öë ¯Öã¹ýÂÖ-¯ÖÏÛéú×ŸÖ ÃÖÓ²ÖÓ¬Ö Ûúß †®ŸÖÙ®Ö×ÆüŸÖ ‹ÛúŸÖÖ Æîü … ŸÖÛÔú »ÖÖêÛú ®ÖéŸµÖ Ûúß ÛúÖê׸üµÖÖêÝÖÏÖ±úß Æü´Öê¿ÖÖ ÜÖã»Öê ãÖÖ®Ö ´Öë ¯ÖÏßÖãŸÖ ÆêüŸÖã Ûúß •ÖÖŸÖß Æîü … Ûæú™ü
ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …
ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …
†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
5. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖÆüß ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ¾µÖ¾Ö×Ã£ÖŸÖ Ûúßו֋
•µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, "ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö
"ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö
×›üµÖÖ×ÝÖ»Öê¾Ö, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, "ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü
´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö, "ÖÖ»ÃÖÔ ×›üµÖÖ›ü»ÖÖò™ü, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß
J-65-16 3 Paper-III
6. The Asamyukta hastas are
I. Kapota
II. Bhramara
III. Mrigashirsha
IV. Ardhachandra
Codes
All are correct.
II, III IV are correct.
II III are correct.
Only I is correct.
7.
Match List I with List II
8.
Assertion The birth of institutional Guru Shishya Parampara was the result of colonial cultural imperialism. Institutions have been propagating music among the masses through performance, research and journals.
List I List II
a. Attakatha i. Geeta Govinda
b. Khandita ii. Forest God
c. Rookmar nach iii. Mahabharata
d. Lai iv. Paik
Codes
a b c d
ii iii i iv
iii i iv ii
iv iii ii i
i ii iii iv
Reason Sangeet Research Academy maintains Guru Sishya Parampara as each Guru here has a few disciples living with or around him who can devote their entire time and energies for learning.
Codes
and are both true.
is false is true.
and are both false.
is false and is true.
Paper-III 4
6. †ÃÖÓµÖãŒŸÖ ÆüÃŸÖ Æîü
I. Ûú¯ÖÖêŸÖ
II. ³ÖÏ´Ö¸ü
III. ´ÖéÝÖ¿ÖßÂÖÔ
IV. †¬ÖÔ "Ö®¦ü
Ûæú™ü
ÃÖ³Öß ÃÖÆüß Æïü …
II, III †Öî¸ü IV ÃÖÆüß Æïü …
II †Öî¸ü III ÃÖÆüß Æïü …
Ûêú¾Ö»Ö I ÃÖÆüß Æîüü …
7. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
†¼üÛú£ÖÖ i. ÝÖßŸÖ ÝÖÖê×¾Ö®¤ü
b.
ÜÖ×Þ›üŸÖÖ ii. ¾Ö®Ö ¤êü¾ÖŸÖÖ
c.
ºþÛú´Ö¸ü iii. ´ÖÆüÖ³ÖÖ¸üŸÖ
d.
»ÖÖ‡Ô iv. ¯ÖÖ‡Ûú
Ûæú™ü
a b c d
iii i iv
(2)iii i iv ii
iii ii i
ii iii iv
8. †×³ÖÛú£Ö®Ö ÃÖÖÓãÖÖ×®ÖÛú ÝÖã¹ý ׿Ö嵅 ¯Ö¸ü´¯Ö¸üÖ Ûúß ˆŸ¯Ö×¢Ö †Öî¯Ö×®Ö¾Öê׿ÖÛú ÃÖÖÓÃÛéúןÖÛú ÃÖÖ´ÖÖ•µÖ¾ÖÖ¤ü ÛúÖ ¯Ö׸üÞÖÖ´Ö £ÖÖ … ÃÖÓãÖÖ®Ö †Ö´Ö »ÖÖêÝÖÖë Ûêú ²Öß"Ö ÃÖÓÝÖßŸÖ ÛúÖ ¯ÖÏ"ÖÖ¸ü-¯ÖÏÃÖÖ¸ü Ûú»ÖÖ ¯ÖÏßÖãןÖ, ¿ÖÖê¬Ö ‹¾ÖÓ •Ö®ÖÔ»ÖÖë Ûêú ´ÖÖ¬µÖ´Ö ÃÖê Ûú¸üŸÖê ¸üÆêü Æïü …
ŸÖÛÔú ÃÖÓÝÖßŸÖ ×¸üÃÖ"ÖÔ †ÛúÖ¤ü´Öß ÝÖã¹ý-׿Ö嵅 ¯Ö¸ü´¯Ö¸üÖ ÛúÖê ²Ö®ÖÖµÖê ¸üÜÖŸÖÖ Æîü ŒµÖÖë×Ûú ¯ÖÏŸµÖêÛú ÝÖã¹ý Ûêú ÃÖÖ£Ö
†£Ö¾ÖÖ ˆ®ÖÛêú †ÖÃÖ¯ÖÖÃÖ ¸üÆü®Öê ¾ÖÖ»Öê Ûãú"û ׿Ö嵅 ÆüÖêŸÖê Æïü •ÖÖê †¯Ö®Öê ÃÖÓ¯ÖæÞÖÔ ÃÖ´ÖµÖ †Öî¸ü ‰ú•ÖÖÔ ÛúÖê ×¾ÖªÖ †•ÖÔ®Ö Ûêú ×»ÖµÖê ÃÖ´ÖÙ¯ÖŸÖ Ûú¸üŸÖê Æïü …
Ûæú™ü
ÃÖÆüß Æîü †Öî¸ü ³Öß ÃÖÆüß Æîüü …
ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …
ÝÖ»ÖŸÖ Æîü †Öî¸ü ³Öß ÝÖ»ÖŸÖ Æîüü …
ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …
9. Give the correct sequence from South to North
Kolattam, Tamasha, Dhamal, Yakshagan
Tamasha, Yakshagan, Kolattam, Dhamal
Yakshagan, Kolattam, Dhamal, Tamasha
Kolattam, Yakshagan, Tamasha, Dhamal
10. Mary Wigman was a modern dancer from
America France
Germany Russia
11. Assertion A same motif of dance may be sculpted, danced powerfully and splendidly and it can also be executed competently but lifelessly.
Reason Whenever the rules of creation are interpreted imaginatively and creatively, the creations assume new significance, while blind following of precepts result in dead convention.
Codes
Both and are true.
Both and false.
is true is false.
is false is true.
12. Identify the correct sequence according to seniority
C.V. Chandrasekhar, Alarmel Valli, Chitra Vishweswaran, Rukminidevi Arundel
Rukminidevi Arundel, C.V. Chandrasekhar, Chitra Vishweswaran, Alarmel Valli
Chitra Vishweswaran, C.V. Chandrasekhar, Alarmel Valli, Rukminidevi Arundel
Alarmel Valli, Chitra Vishweswaran, C.V. Chandrasekhar, Rukminidevi Arundel
13. Tijan bai is a famous Artist of
Nautanki Pandawani
Nacha Rahas
14. Identify the correct sequence according to the year of initiation
Taaj Mahotsav, Bhagyachandra Dance Festival, Ellora-Ajanta Festival, Kal-Ke-Kalakar
Kal-Ke-Kalakar, Bhagyachandra Dance Festival, Taj Mahotsav, Ellora-Ajanta Festival
Ellora-Ajanta Festival, Taj Mahotsav, Kal-Ke-Kalakar, Bhagyachandra Dance Festival
Bhagyachandra Dance Festival, Ellora-Ajanta Festival, Taj Mahotsav, Kal-Ke-Kalakar.
9. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖ ¤ü×õÖÞÖ ÃÖê ˆ¢Ö¸ü Ûúß †Öê¸ü ÛúÖ ÃÖÆüß ÛÎú´Ö ²ÖŸÖÖ‡‹
ÛúÖê»ÖÖ¼ü´Ö, ŸÖ´ÖÖ¿ÖÖ, µÖõÖÝÖÖ®Ö
ŸÖ´ÖÖ¿ÖÖ, µÖõÖÝÖÖ®Ö, ÛúÖê»ÖÖ¼ü´Ö, ¬Ö´ÖÖ»Ö
µÖõÖÝÖÖ®Ö, ÛúÖê»ÖÖ¼ü´Ö, ŸÖ´ÖÖ¿ÖÖ
ÛúÖê»ÖÖ¼ü´Ö, µÖõÖÝÖÖ®Ö, ŸÖ´ÖÖ¿ÖÖ, ¬Ö´ÖÖ»Ö
10. ´Öê¸üß ×¾ÖÝÖ´Öî®Ö ×ÛúÃÖ ¤êü¿Ö Ûúß †Ö¬Öã×®ÖÛú ®ÖŸÖÔÛúß £Öß
†´Öê׸üÛúÖ ±ÏúÖÓÃÖ
•Ö´ÖÔ®Öß ºþÃÖ
11. †×³ÖÛú£Ö®Ö ®ÖéŸµÖ Ûêú ˆÃÖß †×³Ö¯ÖÏÖµÖ ÛúÖê ×ÛúÃÖß ¯ÖÏןֳÖÖ ´Öë ´ÖæŸÖÔ ºþ¯Ö פüµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü, ¯ÖϳÖÖ¾Ö¿ÖÖ»Öß ŸÖ£ÖÖ ³Ö¾µÖ ŸÖ¸üßÛêú ÃÖê ˆÃÖ´Öë ®ÖéŸµÖ ¯ÖÏßÖãŸÖ ×ÛúµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü ‹¾ÖÓ ‡ÃÖê ¤üõÖŸÖÖ¯ÖæÞÖÔ ¯Ö¸ü®ŸÖã ×®Ö¯ÖÏÖÞÖ ºþ¯Ö ´Öë ×®Ö¯ÖÖפüŸÖ ×ÛúµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü …
ŸÖÛÔú •Ö²Ö ³Öß ÃÖé•Ö®Ö Ûêú ×®ÖµÖ´ÖÖë Ûúß Ûú»¯Ö®ÖÖŸ´ÖÛú ‹¾ÖÓ ÃÖé•Ö®ÖÖŸ´ÖÛú ºþ¯Ö ´Öë ¾µÖÖܵÖÖ Ûúß •ÖÖŸÖß Æîü, ¸ü"Ö®ÖÖ ´Öë ®ÖµÖß †×³Ö¾µÖÓ•ÖÛúŸÖÖ ÆüÖêŸÖß Æîü •Ö²Ö×Ûú †¾Ö¬ÖÖ¸üÞÖÖ†Öë Ûêú †®¬ÖÖ®ÖãÛú¸üÞÖ ÃÖê ¯Ö¸ü´¯Ö¸üÖ‹Ñ ×´Ö™ü®Öê »ÖÝÖŸÖß Æïü …
Ûæú™ü
†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
ÃÖÆüß Æîü, ÝÖ»ÖŸÖ Æîü …
ÝÖ»ÖŸÖ Æîü, ÃÖÆüß Æîü …
12. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÃÖÆüß ÛÎú´Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûúßו֋
ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, †»Ö´Öì»Ö ¾Ö»»Öß, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö
¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, †»Ö´Öì»Ö ¾Ö»»Öß
×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, †»Ö´Öì»Ö ¾Ö»»Öß, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö
†»Ö´Öì»Ö ¾Ö»»Öß, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö
13. ŸÖß•Ö®Ö ²ÖÖ‡Ô ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛúß ¯ÖÏ×ÃÖ¨ü Ûú»ÖÖÛúÖ¸ü Æîü
®ÖÖî™ÓüÛúß ¯ÖÓ›ü¾ÖÖ®Öß
®ÖÖ"Ö ¸üÆüÃÖ
14. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ˆ®ÖÛêú ¿Öãºþ ÆüÖê®Öê Ûêú ¾ÖÂÖÔ Ûêú ÛÎú´Ö Ûêú †®ÖãÃÖÖ¸ü ¾µÖ¾Ö×Ã£ÖŸÖ Ûúßו֋
ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü
Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö
‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö
³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü
J-65-16 7 Paper-III
15. Pick the odd one out
Lamentation Primitive Mysteries
Frontier The Incense
16. Identify the correct sequence according to Abhinaya Darpana
Udvahita, Alolita, Adhomukha, Kampita
Udvahita, Adhomukha, Alolita, Kampita
Kampita, Alolita, Udvahita, Adhomukha
Alolita, Kampita, Udvahita, Adhomukha
17. Assertion Kathakali and Kabuki are both spectacular extrovert theatrical forms. Reason Both have their origin in Kerala. Codes
is true is false.
is false is true.
Both and are true.
Both and are false.
18. Managing editor of 'Nartaki' is
Sudha Chandran Chitresh Das
Padmasubramanyam Anita Ratnam
19. Which among these is not a folk ornament
Hamel Bor
Hansali Bengapatia
20. Match List I with List II List I List- II
a.
Filipo Taglioni i. Dying Swan
b.
Carlotta Grisi ii. La Sylphide
c.
Anna Pavlova iii. Gisselle
d.
Virginia Zucchi iv. Esmeralda
Codes
a b c d
ii iii iv
(2) iii i iv ii
(3) iv ii i iii
(4) ii iii i iv
Paper-III 8
15. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö "Öã×®ÖµÖê
»Öê´Öê®™êü¿Ö®Ö ׯÖÏ×´Ö×™ü¾Ö ×´Ö×ÙÒü•Ö
±ÏúÖ×®™üµÖ¸ü ¤ü ‡®ÃÖëÃÖ
16. †×³Ö®ÖµÖ ¤ü¯ÖÔÞÖ Ûêú †®ÖãÃÖÖ¸ü ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûêú ÃÖÆüß ÛÎú´Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûúßו֋
†»ÖÖê×»ÖŸÖ, †¬ÖÖê´ÖãÜÖ, Ûú×´¯ÖŸÖ
†¬ÖÖê´ÖãÜÖ, †»ÖÖê×»ÖŸÖ, Ûú×´¯ÖŸÖ
Ûú×´¯ÖŸÖ, †»ÖÖê×»ÖŸÖ, †¬ÖÖê´ÖãÜÖ
†»ÖÖê×»ÖŸÖ, Ûú×´¯ÖŸÖ, †¬ÖÖê´ÖãÜÖ
17. †×³ÖÛú£Ö®Ö ÛúŸ£ÖÛú»Öß †Öî¸ü ÛúÖ²ÖãÛúß ¤üÖê®ÖÖë ¥ü¿µÖÖŸ´ÖÛú ²Ö×Æü´ÖãÔÜÖß ®ÖÖ™ËüµÖ þֺþ¯Ö Æïü … ŸÖÛÔú ¤üÖê®ÖÖë ÛúÖ ˆ¤ËüÝÖ´Ö Ã£ÖÖ®Ö Ûêú¸ü»Ö Æîü … Ûæú™ü
ÃÖÆüß Æîü, ÝÖ»ÖŸÖ Æîü …
ÝÖ»ÖŸÖ Æîü, ÃÖÆüß Æîü …
†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
18. Ûúß ¯ÖϲÖÓ¬Ö ÃÖ´¯ÖÖ¤üÛú Æïü
ÃÖã¬ÖÖ "Ö®¦üÞÖ ×"Ö¡Öê¿Ö¤üÖÃÖ
¯Ö¤Ëü´ÖÖ ÃÖã²ÖδÖÞµÖ´Ö †×®ÖŸÖÖ ¸üŸ®Ö´Ö
19. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö »ÖÖêÛú †Ö³ÖæÂÖÞÖ ®ÖÆüà Æîü
Æü´Öê»Ö ²ÖÖê¸ü
ÆÓüÃÖ»Öß ²ÖëÝÖ¯Ö×™üµÖÖ
20. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
×±ú×»Ö¯¯ÖÖê ŸÖ×ݻֆÖê®Öß i. ›üÖ‡ÓÝÖ Ã¾ÖÖ®Ö
b.
ÛúÖ¸ü»ÖÖê™Ëü™üÖ ×ÝÖÏÃÖß ii. »ÖÖ ×ÃÖ»±úÖ‡›ü
c.
†®®ÖÖ ¯ÖÖ¾Ö»ÖÖê¾ÖÖ iii. ×ÝÖ•ÖÌê»Ö
d.
¾ÖÙ•Ö×®ÖµÖÖ •ÖÖê×""Ö iv. ‹Ã´Öê¸üÖ»›üÖ
Ûæú™ü
a b c d
ii iii iv
(2) iii i iv ii
(3) iv ii i iii
(4) ii iii i iv
J-65-16 9 Paper-III
21. 'Sawaal-Jawab' is popular in
Kathakali Bharatnatyam
Kathak Chhau
22. Pick the odd one out
Kaji Nazrul Islam Harivansh Rai Bachchan
Kaifi Azmi Sadhana Bose
23. Assertion Mattavarani was an extended acting area. Reason Mattavaranis were situated on the either sides of Rangapith. Codes
is true is false.
Both are false.
is true is false.
Both are true.
24. Identify the correct sequence according to Kathakali presentation
Melappadam, Todayam, Purappadu, Vadha
Todayam, Purappadu, Vadha, Melappadam
Purappadu, Todayam, Melappadam, Vadha
Vadha, Purappadu, Melappadam, Todayam
25. The production 'Samanya Kshati' had creation of two great personalities. They are
Rabindranath Tagore and Uday Shankar
Nazrul Islam and Mrinalini Sarabhai
Nirala and Sambhu Maharaj
Subramanya Bharti and Vyajayantimala Bali
26. Identify the correct sequence
Matsya, Vamana, Rama, Kalki
Kalki, Rama, Vamana, Matsya
Rama, Vamana, Kalki, Matsya
Vamana, Matsya, Rama, Kalki
27. Nakhum-Churah is
Head dress of Krishna Anklet of Radha
Hair ornament of Rukmini Rings of Sakhis
Paper-III 10
21. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ´Öë »ÖÖêÛúׯÖ쵅 Æîü
Ûú£ÖÛú»Öß ³Ö¸üŸÖ®ÖÖ™ËüµÖ´Ö
ÛúŸ£ÖÛú "ûÖˆ
22. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö ÛúÖê "Öã×®ÖµÖê
ÛúÖ•Öß ®Ö•Öºþ»Ö ‡Ã»ÖÖ´Ö Æü׸ü¾ÖÓ¿Ö ¸üÖµÖ
Ûîú±úß †Ö•ÖÌ´Öß ÃÖÖ¬Ö®ÖÖ ²ÖÖêÃÖ
23. †×³ÖÛú£Ö®Ö ´Ö¢Ö¾ÖÖ¸üÞÖß ´ÖÓ"Ö®Ö õÖê¡Ö ÛúÖ ×¾ÖßÖéŸÖ ×¾ÖßÖÖ¸ü £ÖÖ … ŸÖÛÔú ´Ö¢Ö¾ÖÖ¸üÞÖß ¸ÓüÝÖ¯Ößšü Ûêú ¤üÖê®ÖÖë ŸÖ¸ü±ú ÆüÖêŸÖê £Öê … Ûæú™ü
ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …
†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …
24. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê Ûú£ÖÛú»Öß Ûêú ¯ÖÏßÖãŸÖß ÛÎú´Ö Ûêú †®ÖãÃÖÖ¸ü ×»Ö×ÜÖ‹
´Öê»Ö¯¯Ö¤ü´Ö, ŸÖÖê›üÖµÖ´Ö, ¯Öã¸ü¯¯Ö¤ãü, ¾Ö¬Ö
ŸÖÖê›üÖµÖ´Ö, ¯Öã¸ü¯¯Ö¤ãü, ´Öê»Ö¯¯Ö¤ü´Ö
¯Öã¸ü¯¯Ö¤ãü, ŸÖÖê›üÖµÖ´Ö, ´Öê»Ö¯¯Ö¤ü´Ö, ¾Ö¬Ö
¯Öã¸ü¯¯Ö¤ãü, ´Öê»Ö¯¯Ö¤ü´Ö, ŸÖÖê›üÖµÖ´Ö
25.
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)
(Name)
Roll No.
2.
(Signature)
(Name)
J 6 5 1 6
Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 32 Instructions for the Candidates
1.
Write your roll number in the space provided on the top ofthis page.
2.
This paper consists of seventy five multiple-choice type ofquestions.
3.
At the commencement of examination, the question bookletwill be given to you. In the first 5 minutes, you are requestedto open the booklet and compulsorily examine it as below
To have access to the Question Booklet, tear off thepaper seal on the edge of this cover page. Do not accepta booklet without sticker-seal and do not accept an openbooklet.
Tally the number of pages and number of questionsin the booklet with the information printed on thecover page. Faulty booklets due to pages/questionsmissing or duplicate or not in serial order or anyother discrepancy should be got replaced immediatelyby a correct booklet from the invigilator within theperiod of 5 minutes. Afterwards, neither the QuestionBooklet will be replaced nor any extra time will begiven.
After this verification is over, the Test Booklet Numbershould be entered on the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet.
4.
Each item has four alternative responses marked (3)and You have to darken the circle as indicated below onthe correct response against each item.
Example
where is the correct response.
5.
Your responses to the items are to be indicated in the OMR Sheet given inside the Booklet only. If you mark yourresponse at any place other than in the circle in the OMRSheet, it will not be evaluated.
6.
Read instructions given inside carefully.
7.
Rough Work is to be done in the end of this booklet.
8.
If you write your Name, Roll Number, Phone Number or putany mark on any part of the OMR Sheet, except for the spaceallotted for the relevant entries, which may disclose youridentity, or use abusive language or employ any other unfairmeans, such as change of response by scratching or usingwhite fluid, you will render yourself liable to disqualification.
9.
You have to return the Original OMR Sheet to the invigilatorsat the end of the examination compulsorily and must notcarry it with you outside the Examination Hall. You are,however, allowed to carry original question booklet andduplicate copy of OMR Sheet on conclusion of examination.
10.
Use only Black Ball point pen provided by C.B.S.E.
11.
Use of any calculator or log table etc., is prohibited.
12.
There is no negative marks for incorrect answers.
13.
In case of any discrepancy in the English and Hindi versions,English version will be taken as final.
Number of Questions in this Booklet 75
¯Ö¸üßõÖÖÙ£ÖµÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö
1.
‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …
2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …
3.
¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖµÖêÝÖß … ¯ÖÆü»Öê
¯ÖÖÑ"Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü
¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ¯Öã×ßÖÛúÖ ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖß»Ö
ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖ
þÖßÛúÖ¸ü Ûú¸ëü …
Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ
¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êü
Æïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †Ö
ÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖ ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß
¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê
»ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü
ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÛúÖ ®ÖÓ²Ö¸ü OMR ¯Ö¡ÖÛú ¯Ö¸ü †Ó×ÛúŸÖ
Ûú¸ëü †Öî¸ü OMR ¯Ö¡ÖÛú ÛúÖ ®ÖÓ²Ö¸ü ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü
¤ëü …
4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê ÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü •ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü ˆ¤üÖÆü¸üÞÖ
•Ö²Ö×Ûúú(3) ÃÖÆüß ˆ¢Ö¸ü Æîü …
5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸üÆüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …
6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …
7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …
8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô
†
®µÖ †®Öã×"ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê •ÖîÃÖê ×Ûú †Ó×ÛúŸÖ ×ÛúµÖê ÝÖµÖê
ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ µÖÖ ÃÖ±êú¤ü õÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê
†
µÖÖêÝµÖ 'ÖÖê×ÂÖŸÖ ×ÛúµÖê •ÖÖ ÃÖÛúŸÖê Æïü …
9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ´Öæ»Ö OMR ¯Ö¡ÖÛú ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®ÖÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖŸÖ£ÖÖ OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …
10.
Ûêú¾Ö»Ö C.B.S.E. «üÖ¸üÖ ¯ÖϤüÖ®Ö ×ÛúµÖê ÝÖµÖê ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …
11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ
¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …
12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …
13.
µÖפü †ÓÝÖÏê•Öß µÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ
†Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …
1 P.T.O.
DANCE
PAPER III
Note This paper contains seventy five objective type questions of two marks each. All questions are compulsory.
1. Puskar is
Avanaddha Tata
Ghana Sushira
2. Pick the odd one out
Nupur Paijod
Payal Koktumbi
3. Match the List I with List II List I List II
a.
Aesthetics-Approaches, concepts and i. Doris Humphery
problems
b.
The Art of Making Dance ii. Manmohan Ghosh
c.
Mirror of Gestures iii. Kapila Vatsyayan
d.
Classical Indian Dance in Literature and iv. S.K. Saxena
the Arts
Codes
a b c d
i ii iii
i ii iii iv
iii ii i
(4)iii iv ii i
4. Assertion Folk dances have an underlying unity of man-nature relationship. Reason Folk dances are always choreographed for presentation in open space. Codes
is true and is false.
is false and is true.
Both and are true.
Both and are false.
5. Indicate the correct chronological sequence
Jean Baptist Lully, Charles Didelot, Marius Petipa, Diaghilev
Charles Didelot, Jean Baptist Lully, Marius Petipa, Diaghilev
Diaghilev, Jean Baptist Lully, Marius Petipa, Charles Didelot
Marius Petipa, Diaghilev, Charles Didelot, Jean Baptist Lully
Paper-III 2
®Ö韵Ö
¯ÖÏ¿®Ö¯Ö¡Ö III
®ÖÖê™ü ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸üü ²ÖÆüã-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æüï … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1. ¯ÖãÂÛú¸ü ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ŒµÖÖ Æîü
†¾Ö®Ö¨ü ŸÖŸÖ
ÃÖã¿Ö߸ü
2. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö ÛúÖê "Öã×®ÖµÖê
®Öã¯Öæ¸ü ¯ÖÖµÖ•ÖÖê›ü
¯ÖÖµÖ»Ö ÛúÖêÛúŸÖã´²Öß
3. ÃÖæ"Öß-I ÛúÖê ÃÖæ"Öß-II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
‹êãÖê×™üŒÃÖ-†¯ÖÏÖêê"Öê•Ö, ÛúÖÑÃÖꯙËüÃÖ ‹Þ›ü ¯ÖÏÖê²»Öê´ÃÖ i. ›üÖê׸üÃÖ Æü´±Ïúß
b.
¤ü †Ö™Ôü †Öò±ú ´ÖîØÛúÝÖ ›üÖ®ÃÖ ii. ´Ö®Ö´ÖÖêÆü®Ö
c.
×´Ö¸ü¸ü †Öò±ú •ÖêÃ"ÖÃÖÔ iii. ÛúׯֻÖÖ ¾Ö֟õÖÖµÖ®Ö
d.
Œ»ÖÖ×ÃÖÛú»Ö ‡Ó×›üµÖ®Ö ›üÖÓÃÖ ‡®Ö ×»Ö™ü¸êü"Ö¸ü ‹Þ›ü ¤ü †Ö™ÔËüÃÖ iv. ‹ÃÖ.Ûêú. ÃÖŒÃÖê®ÖÖ
Ûæú™ü
a b c d
i ii iii
i ii iii iv
iii ii i
(4) iii iv ii i
4. †×³ÖÛú£Ö®Ö »ÖÖêÛú ®ÖéŸµÖ ´Öë ¯Öã¹ýÂÖ-¯ÖÏÛéú×ŸÖ ÃÖÓ²ÖÓ¬Ö Ûúß †®ŸÖÙ®Ö×ÆüŸÖ ‹ÛúŸÖÖ Æîü … ŸÖÛÔú »ÖÖêÛú ®ÖéŸµÖ Ûúß ÛúÖê׸üµÖÖêÝÖÏÖ±úß Æü´Öê¿ÖÖ ÜÖã»Öê ãÖÖ®Ö ´Öë ¯ÖÏßÖãŸÖ ÆêüŸÖã Ûúß •ÖÖŸÖß Æîü … Ûæú™ü
ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …
ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …
†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
5. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖÆüß ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ¾µÖ¾Ö×Ã£ÖŸÖ Ûúßו֋
•µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, "ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö
"ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö
×›üµÖÖ×ÝÖ»Öê¾Ö, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, "ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü
´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö, "ÖÖ»ÃÖÔ ×›üµÖÖ›ü»ÖÖò™ü, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß
J-65-16 3 Paper-III
6. The Asamyukta hastas are
I. Kapota
II. Bhramara
III. Mrigashirsha
IV. Ardhachandra
Codes
All are correct.
II, III IV are correct.
II III are correct.
Only I is correct.
7.
Match List I with List II
8.
Assertion The birth of institutional Guru Shishya Parampara was the result of colonial cultural imperialism. Institutions have been propagating music among the masses through performance, research and journals.
List I List II
a. Attakatha i. Geeta Govinda
b. Khandita ii. Forest God
c. Rookmar nach iii. Mahabharata
d. Lai iv. Paik
Codes
a b c d
ii iii i iv
iii i iv ii
iv iii ii i
i ii iii iv
Reason Sangeet Research Academy maintains Guru Sishya Parampara as each Guru here has a few disciples living with or around him who can devote their entire time and energies for learning.
Codes
and are both true.
is false is true.
and are both false.
is false and is true.
Paper-III 4
6. †ÃÖÓµÖãŒŸÖ ÆüÃŸÖ Æîü
I. Ûú¯ÖÖêŸÖ
II. ³ÖÏ´Ö¸ü
III. ´ÖéÝÖ¿ÖßÂÖÔ
IV. †¬ÖÔ "Ö®¦ü
Ûæú™ü
ÃÖ³Öß ÃÖÆüß Æïü …
II, III †Öî¸ü IV ÃÖÆüß Æïü …
II †Öî¸ü III ÃÖÆüß Æïü …
Ûêú¾Ö»Ö I ÃÖÆüß Æîüü …
7. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
†¼üÛú£ÖÖ i. ÝÖßŸÖ ÝÖÖê×¾Ö®¤ü
b.
ÜÖ×Þ›üŸÖÖ ii. ¾Ö®Ö ¤êü¾ÖŸÖÖ
c.
ºþÛú´Ö¸ü iii. ´ÖÆüÖ³ÖÖ¸üŸÖ
d.
»ÖÖ‡Ô iv. ¯ÖÖ‡Ûú
Ûæú™ü
a b c d
iii i iv
(2)iii i iv ii
iii ii i
ii iii iv
8. †×³ÖÛú£Ö®Ö ÃÖÖÓãÖÖ×®ÖÛú ÝÖã¹ý ׿Ö嵅 ¯Ö¸ü´¯Ö¸üÖ Ûúß ˆŸ¯Ö×¢Ö †Öî¯Ö×®Ö¾Öê׿ÖÛú ÃÖÖÓÃÛéúןÖÛú ÃÖÖ´ÖÖ•µÖ¾ÖÖ¤ü ÛúÖ ¯Ö׸üÞÖÖ´Ö £ÖÖ … ÃÖÓãÖÖ®Ö †Ö´Ö »ÖÖêÝÖÖë Ûêú ²Öß"Ö ÃÖÓÝÖßŸÖ ÛúÖ ¯ÖÏ"ÖÖ¸ü-¯ÖÏÃÖÖ¸ü Ûú»ÖÖ ¯ÖÏßÖãןÖ, ¿ÖÖê¬Ö ‹¾ÖÓ •Ö®ÖÔ»ÖÖë Ûêú ´ÖÖ¬µÖ´Ö ÃÖê Ûú¸üŸÖê ¸üÆêü Æïü …
ŸÖÛÔú ÃÖÓÝÖßŸÖ ×¸üÃÖ"ÖÔ †ÛúÖ¤ü´Öß ÝÖã¹ý-׿Ö嵅 ¯Ö¸ü´¯Ö¸üÖ ÛúÖê ²Ö®ÖÖµÖê ¸üÜÖŸÖÖ Æîü ŒµÖÖë×Ûú ¯ÖÏŸµÖêÛú ÝÖã¹ý Ûêú ÃÖÖ£Ö
†£Ö¾ÖÖ ˆ®ÖÛêú †ÖÃÖ¯ÖÖÃÖ ¸üÆü®Öê ¾ÖÖ»Öê Ûãú"û ׿Ö嵅 ÆüÖêŸÖê Æïü •ÖÖê †¯Ö®Öê ÃÖÓ¯ÖæÞÖÔ ÃÖ´ÖµÖ †Öî¸ü ‰ú•ÖÖÔ ÛúÖê ×¾ÖªÖ †•ÖÔ®Ö Ûêú ×»ÖµÖê ÃÖ´ÖÙ¯ÖŸÖ Ûú¸üŸÖê Æïü …
Ûæú™ü
ÃÖÆüß Æîü †Öî¸ü ³Öß ÃÖÆüß Æîüü …
ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …
ÝÖ»ÖŸÖ Æîü †Öî¸ü ³Öß ÝÖ»ÖŸÖ Æîüü …
ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …
9. Give the correct sequence from South to North
Kolattam, Tamasha, Dhamal, Yakshagan
Tamasha, Yakshagan, Kolattam, Dhamal
Yakshagan, Kolattam, Dhamal, Tamasha
Kolattam, Yakshagan, Tamasha, Dhamal
10. Mary Wigman was a modern dancer from
America France
Germany Russia
11. Assertion A same motif of dance may be sculpted, danced powerfully and splendidly and it can also be executed competently but lifelessly.
Reason Whenever the rules of creation are interpreted imaginatively and creatively, the creations assume new significance, while blind following of precepts result in dead convention.
Codes
Both and are true.
Both and false.
is true is false.
is false is true.
12. Identify the correct sequence according to seniority
C.V. Chandrasekhar, Alarmel Valli, Chitra Vishweswaran, Rukminidevi Arundel
Rukminidevi Arundel, C.V. Chandrasekhar, Chitra Vishweswaran, Alarmel Valli
Chitra Vishweswaran, C.V. Chandrasekhar, Alarmel Valli, Rukminidevi Arundel
Alarmel Valli, Chitra Vishweswaran, C.V. Chandrasekhar, Rukminidevi Arundel
13. Tijan bai is a famous Artist of
Nautanki Pandawani
Nacha Rahas
14. Identify the correct sequence according to the year of initiation
Taaj Mahotsav, Bhagyachandra Dance Festival, Ellora-Ajanta Festival, Kal-Ke-Kalakar
Kal-Ke-Kalakar, Bhagyachandra Dance Festival, Taj Mahotsav, Ellora-Ajanta Festival
Ellora-Ajanta Festival, Taj Mahotsav, Kal-Ke-Kalakar, Bhagyachandra Dance Festival
Bhagyachandra Dance Festival, Ellora-Ajanta Festival, Taj Mahotsav, Kal-Ke-Kalakar.
9. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖ ¤ü×õÖÞÖ ÃÖê ˆ¢Ö¸ü Ûúß †Öê¸ü ÛúÖ ÃÖÆüß ÛÎú´Ö ²ÖŸÖÖ‡‹
ÛúÖê»ÖÖ¼ü´Ö, ŸÖ´ÖÖ¿ÖÖ, µÖõÖÝÖÖ®Ö
ŸÖ´ÖÖ¿ÖÖ, µÖõÖÝÖÖ®Ö, ÛúÖê»ÖÖ¼ü´Ö, ¬Ö´ÖÖ»Ö
µÖõÖÝÖÖ®Ö, ÛúÖê»ÖÖ¼ü´Ö, ŸÖ´ÖÖ¿ÖÖ
ÛúÖê»ÖÖ¼ü´Ö, µÖõÖÝÖÖ®Ö, ŸÖ´ÖÖ¿ÖÖ, ¬Ö´ÖÖ»Ö
10. ´Öê¸üß ×¾ÖÝÖ´Öî®Ö ×ÛúÃÖ ¤êü¿Ö Ûúß †Ö¬Öã×®ÖÛú ®ÖŸÖÔÛúß £Öß
†´Öê׸üÛúÖ ±ÏúÖÓÃÖ
•Ö´ÖÔ®Öß ºþÃÖ
11. †×³ÖÛú£Ö®Ö ®ÖéŸµÖ Ûêú ˆÃÖß †×³Ö¯ÖÏÖµÖ ÛúÖê ×ÛúÃÖß ¯ÖÏןֳÖÖ ´Öë ´ÖæŸÖÔ ºþ¯Ö פüµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü, ¯ÖϳÖÖ¾Ö¿ÖÖ»Öß ŸÖ£ÖÖ ³Ö¾µÖ ŸÖ¸üßÛêú ÃÖê ˆÃÖ´Öë ®ÖéŸµÖ ¯ÖÏßÖãŸÖ ×ÛúµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü ‹¾ÖÓ ‡ÃÖê ¤üõÖŸÖÖ¯ÖæÞÖÔ ¯Ö¸ü®ŸÖã ×®Ö¯ÖÏÖÞÖ ºþ¯Ö ´Öë ×®Ö¯ÖÖפüŸÖ ×ÛúµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü …
ŸÖÛÔú •Ö²Ö ³Öß ÃÖé•Ö®Ö Ûêú ×®ÖµÖ´ÖÖë Ûúß Ûú»¯Ö®ÖÖŸ´ÖÛú ‹¾ÖÓ ÃÖé•Ö®ÖÖŸ´ÖÛú ºþ¯Ö ´Öë ¾µÖÖܵÖÖ Ûúß •ÖÖŸÖß Æîü, ¸ü"Ö®ÖÖ ´Öë ®ÖµÖß †×³Ö¾µÖÓ•ÖÛúŸÖÖ ÆüÖêŸÖß Æîü •Ö²Ö×Ûú †¾Ö¬ÖÖ¸üÞÖÖ†Öë Ûêú †®¬ÖÖ®ÖãÛú¸üÞÖ ÃÖê ¯Ö¸ü´¯Ö¸üÖ‹Ñ ×´Ö™ü®Öê »ÖÝÖŸÖß Æïü …
Ûæú™ü
†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
ÃÖÆüß Æîü, ÝÖ»ÖŸÖ Æîü …
ÝÖ»ÖŸÖ Æîü, ÃÖÆüß Æîü …
12. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÃÖÆüß ÛÎú´Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûúßו֋
ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, †»Ö´Öì»Ö ¾Ö»»Öß, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö
¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, †»Ö´Öì»Ö ¾Ö»»Öß
×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, †»Ö´Öì»Ö ¾Ö»»Öß, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö
†»Ö´Öì»Ö ¾Ö»»Öß, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö
13. ŸÖß•Ö®Ö ²ÖÖ‡Ô ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛúß ¯ÖÏ×ÃÖ¨ü Ûú»ÖÖÛúÖ¸ü Æîü
®ÖÖî™ÓüÛúß ¯ÖÓ›ü¾ÖÖ®Öß
®ÖÖ"Ö ¸üÆüÃÖ
14. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ˆ®ÖÛêú ¿Öãºþ ÆüÖê®Öê Ûêú ¾ÖÂÖÔ Ûêú ÛÎú´Ö Ûêú †®ÖãÃÖÖ¸ü ¾µÖ¾Ö×Ã£ÖŸÖ Ûúßו֋
ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü
Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö
‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö
³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü
J-65-16 7 Paper-III
15. Pick the odd one out
Lamentation Primitive Mysteries
Frontier The Incense
16. Identify the correct sequence according to Abhinaya Darpana
Udvahita, Alolita, Adhomukha, Kampita
Udvahita, Adhomukha, Alolita, Kampita
Kampita, Alolita, Udvahita, Adhomukha
Alolita, Kampita, Udvahita, Adhomukha
17. Assertion Kathakali and Kabuki are both spectacular extrovert theatrical forms. Reason Both have their origin in Kerala. Codes
is true is false.
is false is true.
Both and are true.
Both and are false.
18. Managing editor of 'Nartaki' is
Sudha Chandran Chitresh Das
Padmasubramanyam Anita Ratnam
19. Which among these is not a folk ornament
Hamel Bor
Hansali Bengapatia
20. Match List I with List II List I List- II
a.
Filipo Taglioni i. Dying Swan
b.
Carlotta Grisi ii. La Sylphide
c.
Anna Pavlova iii. Gisselle
d.
Virginia Zucchi iv. Esmeralda
Codes
a b c d
ii iii iv
(2) iii i iv ii
(3) iv ii i iii
(4) ii iii i iv
Paper-III 8
15. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö "Öã×®ÖµÖê
»Öê´Öê®™êü¿Ö®Ö ׯÖÏ×´Ö×™ü¾Ö ×´Ö×ÙÒü•Ö
±ÏúÖ×®™üµÖ¸ü ¤ü ‡®ÃÖëÃÖ
16. †×³Ö®ÖµÖ ¤ü¯ÖÔÞÖ Ûêú †®ÖãÃÖÖ¸ü ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûêú ÃÖÆüß ÛÎú´Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûúßו֋
†»ÖÖê×»ÖŸÖ, †¬ÖÖê´ÖãÜÖ, Ûú×´¯ÖŸÖ
†¬ÖÖê´ÖãÜÖ, †»ÖÖê×»ÖŸÖ, Ûú×´¯ÖŸÖ
Ûú×´¯ÖŸÖ, †»ÖÖê×»ÖŸÖ, †¬ÖÖê´ÖãÜÖ
†»ÖÖê×»ÖŸÖ, Ûú×´¯ÖŸÖ, †¬ÖÖê´ÖãÜÖ
17. †×³ÖÛú£Ö®Ö ÛúŸ£ÖÛú»Öß †Öî¸ü ÛúÖ²ÖãÛúß ¤üÖê®ÖÖë ¥ü¿µÖÖŸ´ÖÛú ²Ö×Æü´ÖãÔÜÖß ®ÖÖ™ËüµÖ þֺþ¯Ö Æïü … ŸÖÛÔú ¤üÖê®ÖÖë ÛúÖ ˆ¤ËüÝÖ´Ö Ã£ÖÖ®Ö Ûêú¸ü»Ö Æîü … Ûæú™ü
ÃÖÆüß Æîü, ÝÖ»ÖŸÖ Æîü …
ÝÖ»ÖŸÖ Æîü, ÃÖÆüß Æîü …
†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
18. Ûúß ¯ÖϲÖÓ¬Ö ÃÖ´¯ÖÖ¤üÛú Æïü
ÃÖã¬ÖÖ "Ö®¦üÞÖ ×"Ö¡Öê¿Ö¤üÖÃÖ
¯Ö¤Ëü´ÖÖ ÃÖã²ÖδÖÞµÖ´Ö †×®ÖŸÖÖ ¸üŸ®Ö´Ö
19. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö »ÖÖêÛú †Ö³ÖæÂÖÞÖ ®ÖÆüà Æîü
Æü´Öê»Ö ²ÖÖê¸ü
ÆÓüÃÖ»Öß ²ÖëÝÖ¯Ö×™üµÖÖ
20. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
×±ú×»Ö¯¯ÖÖê ŸÖ×ݻֆÖê®Öß i. ›üÖ‡ÓÝÖ Ã¾ÖÖ®Ö
b.
ÛúÖ¸ü»ÖÖê™Ëü™üÖ ×ÝÖÏÃÖß ii. »ÖÖ ×ÃÖ»±úÖ‡›ü
c.
†®®ÖÖ ¯ÖÖ¾Ö»ÖÖê¾ÖÖ iii. ×ÝÖ•ÖÌê»Ö
d.
¾ÖÙ•Ö×®ÖµÖÖ •ÖÖê×""Ö iv. ‹Ã´Öê¸üÖ»›üÖ
Ûæú™ü
a b c d
ii iii iv
(2) iii i iv ii
(3) iv ii i iii
(4) ii iii i iv
J-65-16 9 Paper-III
21. 'Sawaal-Jawab' is popular in
Kathakali Bharatnatyam
Kathak Chhau
22. Pick the odd one out
Kaji Nazrul Islam Harivansh Rai Bachchan
Kaifi Azmi Sadhana Bose
23. Assertion Mattavarani was an extended acting area. Reason Mattavaranis were situated on the either sides of Rangapith. Codes
is true is false.
Both are false.
is true is false.
Both are true.
24. Identify the correct sequence according to Kathakali presentation
Melappadam, Todayam, Purappadu, Vadha
Todayam, Purappadu, Vadha, Melappadam
Purappadu, Todayam, Melappadam, Vadha
Vadha, Purappadu, Melappadam, Todayam
25. The production 'Samanya Kshati' had creation of two great personalities. They are
Rabindranath Tagore and Uday Shankar
Nazrul Islam and Mrinalini Sarabhai
Nirala and Sambhu Maharaj
Subramanya Bharti and Vyajayantimala Bali
26. Identify the correct sequence
Matsya, Vamana, Rama, Kalki
Kalki, Rama, Vamana, Matsya
Rama, Vamana, Kalki, Matsya
Vamana, Matsya, Rama, Kalki
27. Nakhum-Churah is
Head dress of Krishna Anklet of Radha
Hair ornament of Rukmini Rings of Sakhis
Paper-III 10
21. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ´Öë »ÖÖêÛúׯÖ쵅 Æîü
Ûú£ÖÛú»Öß ³Ö¸üŸÖ®ÖÖ™ËüµÖ´Ö
ÛúŸ£ÖÛú "ûÖˆ
22. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö ÛúÖê "Öã×®ÖµÖê
ÛúÖ•Öß ®Ö•Öºþ»Ö ‡Ã»ÖÖ´Ö Æü׸ü¾ÖÓ¿Ö ¸üÖµÖ
Ûîú±úß †Ö•ÖÌ´Öß ÃÖÖ¬Ö®ÖÖ ²ÖÖêÃÖ
23. †×³ÖÛú£Ö®Ö ´Ö¢Ö¾ÖÖ¸üÞÖß ´ÖÓ"Ö®Ö õÖê¡Ö ÛúÖ ×¾ÖßÖéŸÖ ×¾ÖßÖÖ¸ü £ÖÖ … ŸÖÛÔú ´Ö¢Ö¾ÖÖ¸üÞÖß ¸ÓüÝÖ¯Ößšü Ûêú ¤üÖê®ÖÖë ŸÖ¸ü±ú ÆüÖêŸÖê £Öê … Ûæú™ü
ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …
†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …
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