Exam Details

Subject dance
Paper paper 3
Exam / Course ugc net national eligibility test
Department
Organization university grants commission
Position
Exam Date 10, July, 2016
City, State ,


Question Paper

PAPER-III DANCE Signature and Name of Invigilator
1.
(Signature) OMR Sheet No. ............................................... (To be filled by the Candidate)

(Name)
Roll No.


2.
(Signature)


(Name)

J 6 5 1 6

Time 2 1/2 hours] [Maximum Marks 150
Number of Pages in this Booklet 32 Instructions for the Candidates
1.
Write your roll number in the space provided on the top ofthis page.

2.
This paper consists of seventy five multiple-choice type ofquestions.

3.
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After this verification is over, the Test Booklet Numbershould be entered on the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet.

4.
Each item has four alternative responses marked (3)and You have to darken the circle as indicated below onthe correct response against each item.



Example
where is the correct response.
5.
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If you write your Name, Roll Number, Phone Number or putany mark on any part of the OMR Sheet, except for the spaceallotted for the relevant entries, which may disclose youridentity, or use abusive language or employ any other unfairmeans, such as change of response by scratching or usingwhite fluid, you will render yourself liable to disqualification.

9.
You have to return the Original OMR Sheet to the invigilatorsat the end of the examination compulsorily and must notcarry it with you outside the Examination Hall. You are,however, allowed to carry original question booklet andduplicate copy of OMR Sheet on conclusion of examination.

10.
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11.
Use of any calculator or log table etc., is prohibited.

12.
There is no negative marks for incorrect answers.

13.
In case of any discrepancy in the English and Hindi versions,English version will be taken as final.


Number of Questions in this Booklet 75
¯Ö¸üßõÖÖÙ£ÖµÖÖë Ûêú ×»Ö‹ ×®Ö¤ìü¿Ö

1.
‡ÃÖ ¯Öéšü Ûêú ‰ú¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö ¯Ö¸ü †¯Ö®ÖÖ ¸üÖê»Ö ®Ö´²Ö¸ü ×»Ö×ÜÖ‹ …

2.
‡ÃÖ ¯ÖÏ¿®Ö-¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸ü ²ÖÆãü×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü …

3.
¯Ö¸üßõÖÖ ¯ÖÏÖ¸ü´³Ö ÆüÖê®Öê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ †Ö¯ÖÛúÖê ¤êü ¤üß •ÖÖµÖêÝÖß … ¯ÖÆü»Öê


¯ÖÖÑ"Ö ×´Ö®Ö™ü †Ö¯ÖÛúÖê ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê ŸÖ£ÖÖ ˆÃÖÛúß ×®Ö´®Ö×»Ö×ÜÖŸÖ
•ÖÖÑ"Ö Ûêú ×»Ö‹ פüµÖê •ÖÖµÖëÝÖê, וÖÃÖÛúß •ÖÖÑ"Ö †Ö¯ÖÛúÖê †¾Ö¿µÖ Ûú¸ü®Öß Æîü
¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÜÖÖê»Ö®Öê Ûêú ×»Ö‹ ¯Öã×ßÖÛúÖ ¯Ö¸ü »ÖÝÖß ÛúÖÝÖ•Ö Ûúß ÃÖß»Ö
ÛúÖê ±úÖ›Ìü »Öë … ÜÖã»Öß Æãü‡Ô µÖÖ ×²Ö®ÖÖ Ã™üßÛú¸ü-ÃÖᯙ Ûúß ¯Öã×ßÖÛúÖ
þÖßÛúÖ¸ü Ûú¸ëü …
Ûú¾Ö¸ü ¯Öéšü ¯Ö¸ü "û¯Öê ×®Ö¤ìü¿ÖÖ®ÖãÃÖÖ¸ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ Ûêú ¯Öéšü ŸÖ£ÖÖ
¯ÖÏ¿®ÖÖë Ûúß ÃÖÓܵÖÖ ÛúÖê †""ûß ŸÖ¸üÆü "ÖîÛú Ûú¸ü »Öë ×Ûú µÖê ¯Öæ¸êü
Æïü … ¤üÖêÂÖ¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ ×•Ö®Ö´Öë ¯Öéšü/¯ÖÏ¿®Ö Ûú´Ö ÆüÖë µÖÖ ¤ãü²ÖÖ¸üÖ †Ö
ÝÖµÖê ÆüÖë µÖÖ ÃÖß׸üµÖ»Ö ´Öë ÆüÖë †£ÖÖÔŸÖ ×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü Ûúß
¡Öã×™ü¯ÖæÞÖÔ ¯Öã×ßÖÛúÖ Ã¾ÖßÛúÖ¸ü Ûú¸ëü ŸÖ£ÖÖ ˆÃÖß ÃÖ´ÖµÖ ˆÃÖê
»ÖÖî™üÖÛú¸ü ˆÃÖÛêú ãÖÖ®Ö ¯Ö¸ü ¤æüÃÖ¸üß ÃÖÆüß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ »Öê »Öë …
‡ÃÖÛêú ×»Ö‹ †Ö¯ÖÛúÖê ¯ÖÖÑ"Ö ×´Ö®Ö™ü פüµÖê •ÖÖµÖëÝÖê … ˆÃÖÛêú ²ÖÖ¤ü
ŸÖÖê †Ö¯ÖÛúß ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¾ÖÖ¯ÖÃÖ »Öß •ÖÖµÖêÝÖß †Öî¸ü Æüß †Ö¯ÖÛúÖê
†×ŸÖ׸üŒŸÖ ÃÖ´ÖµÖ ×¤üµÖÖ •ÖÖµÖêÝÖÖ …
‡ÃÖ •ÖÖÑ"Ö Ûêú ²ÖÖ¤ü ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ÛúÖ ®ÖÓ²Ö¸ü OMR ¯Ö¡ÖÛú ¯Ö¸ü †Ó×ÛúŸÖ
Ûú¸ëü †Öî¸ü OMR ¯Ö¡ÖÛú ÛúÖ ®ÖÓ²Ö¸ü ‡ÃÖ ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖ ¯Ö¸ü †Ó×ÛúŸÖ Ûú¸ü
¤ëü …

4. ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ×»Ö‹ "ÖÖ¸ü ˆ¢Ö¸ü ×¾ÖÛú»¯Ö ŸÖ£ÖÖ ×¤üµÖê ÝÖµÖê Æïü … †Ö¯ÖÛúÖê ÃÖÆüß ˆ¢Ö¸ü Ûêú ¾Öé¢Ö ÛúÖê ¯Öê®Ö ÃÖê ³Ö¸üÛú¸ü ÛúÖ»ÖÖ Ûú¸ü®ÖÖ Æîü •ÖîÃÖÖ ×Ûú ®Öß"Öê פüÜÖÖµÖÖ ÝÖµÖÖ Æîü ˆ¤üÖÆü¸üÞÖ

•Ö²Ö×Ûúú(3) ÃÖÆüß ˆ¢Ö¸ü Æîü …

5. ¯ÖÏ¿®ÖÖë Ûêú ˆ¢Ö¸ü Ûêú¾Ö»Ö ¯ÖÏ¿®Ö ¯Öã×ßÖÛúÖ Ûêú †®¤ü¸ü פüµÖê ÝÖµÖê OMR ¯Ö¡ÖÛú ¯Ö¸üÆüß †Ó×ÛúŸÖ Ûú¸ü®Öê Æïü … µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü פüµÖê ÝÖµÖê ¾Öé¢Ö Ûêú †»ÖÖ¾ÖÖ ×ÛúÃÖß †®µÖ ãÖÖ®Ö ¯Ö¸ü ˆ¢Ö¸ü ×"ÖÅ®ÖÖÓ×ÛúŸÖ Ûú¸üŸÖê ŸÖÖê ˆÃÖÛúÖ ´Ö滵ÖÖÓÛú®Ö ®ÖÆüà ÆüÖêÝÖÖ …
6.
†®¤ü¸ü פüµÖê ÝÖµÖê ×®Ö¤ìü¿ÖÖë ÛúÖê ¬µÖÖ®Ö¯Öæ¾ÖÔÛú ¯ÖœÌëü …

7.
Ûú""ÖÖ ÛúÖ´Ö (Rough Work) ‡ÃÖ ¯Öã×ßÖÛúÖ Ûêú †×®ŸÖ´Ö ¯Öéšü ¯Ö¸ü Ûú¸ëü …

8.
µÖפü †Ö¯Ö OMR ¯Ö¡ÖÛú ¯Ö¸ü ×®ÖµÖŸÖ Ã£ÖÖ®Ö Ûêú †»ÖÖ¾ÖÖ †¯Ö®ÖÖ ¸üÖê»Ö®Ö´²Ö¸ü, ±úÖê®Ö ®Ö´²Ö¸ü µÖÖ ÛúÖê‡Ô ³Öß ‹êÃÖÖ ×"ÖÅ®Ö ×•ÖÃÖÃÖê †Ö¯ÖÛúß ¯ÖÆü"ÖÖ®Ö ÆüÖê ÃÖÛêú, †Ó×ÛúŸÖ Ûú¸üŸÖê Æïü †£Ö¾ÖÖ †³Ö¦ü ³ÖÖÂÖÖ ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê µÖÖ ÛúÖê‡Ô


®µÖ †®Öã×"ÖŸÖ ÃÖÖ¬Ö®Ö ÛúÖ ¯ÖϵÖÖêÝÖ Ûú¸üŸÖê •ÖîÃÖê ×Ûú †Ó×ÛúŸÖ ×ÛúµÖê ÝÖµÖê

ˆ¢Ö¸ü ÛúÖê ×´Ö™üÖ®ÖÖ µÖÖ ÃÖ±êú¤ü õÖÖÆüß ÃÖê ²Ö¤ü»Ö®ÖÖ ŸÖÖê ¯Ö¸üßõÖÖ Ûêú ×»ÖµÖê


µÖÖêÝµÖ 'ÖÖê×ÂÖŸÖ ×ÛúµÖê •ÖÖ ÃÖÛúŸÖê Æïü …




9. †Ö¯ÖÛúÖê ¯Ö¸üßõÖÖ ÃÖ´ÖÖ¯ŸÖ ÆüÖê®Öê ¯Ö¸ü ´Öæ»Ö OMR ¯Ö¡ÖÛú ×®Ö¸üßõÖÛú ´ÖÆüÖê¤üµÖ ÛúÖê »ÖÖî™üÖ®ÖÖ †Ö¾Ö¿µÖÛú Æîü †Öî¸ü ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ Ûêú ²ÖÖ¤ü ˆÃÖê †¯Ö®Öê ÃÖÖ£Ö ¯Ö¸üßõÖÖ ³Ö¾Ö®ÖÃÖê ²ÖÖÆü¸ü »ÖêÛú¸ü •ÖÖµÖë … ÆüÖ»ÖÖÓ×Ûú †Ö¯Ö ¯Ö¸üßõÖÖ ÃÖ´ÖÖׯŸÖ ¯Ö¸ü ´Öæ»Ö ¯ÖÏ¿®Ö-¯Öã×ßÖÛúÖŸÖ£ÖÖ OMR ¯Ö¡ÖÛú Ûúß ›ãü¯»ÖßÛêú™ü ¯ÖÏ×ŸÖ †¯Ö®Öê ÃÖÖ£Ö »Öê •ÖÖ ÃÖÛúŸÖê Æïü …
10.
Ûêú¾Ö»Ö C.B.S.E. «üÖ¸üÖ ¯ÖϤüÖ®Ö ×ÛúµÖê ÝÖµÖê ÛúÖ»Öê ²ÖÖ»Ö ¯¾ÖÖ‡Õ™ü ¯Öê®Ö ÛúÖ Æüß ‡ÃŸÖê´ÖÖ»Ö Ûú¸ëü …

11.
×ÛúÃÖß ³Öß ¯ÖÏÛúÖ¸ü ÛúÖ ÃÖÓÝÖÞÖÛú (Ûîú»ÖÛãú»Öê™ü¸ü) µÖÖ »ÖÖÝÖ ™êü²Ö»Ö †Öפü ÛúÖ

¯ÖϵÖÖêÝÖ ¾ÖÙ•ÖŸÖ Æîü …


12.
ÝÖ»ÖŸÖ ˆ¢Ö¸üÖë Ûêú ×»Ö‹ ÛúÖê‡Ô ®ÖÛúÖ¸üÖŸ´ÖÛú †ÓÛú ®ÖÆüà Æïü …

13.
µÖפü †ÓÝÖÏê•Öß µÖÖ ØÆü¤üß ×¾Ö¾Ö¸üÞÖ ´Öë ÛúÖê‡Ô ×¾ÖÃÖÓÝÖ×ŸÖ ÆüÖê, ŸÖÖê †ÓÝÖÏê•Öß ×¾Ö¾Ö¸üÞÖ


†Ó×ŸÖ´Ö ´ÖÖ®ÖÖ •ÖÖ‹ÝÖÖ …


1 P.T.O.

DANCE
PAPER III

Note This paper contains seventy five objective type questions of two marks each. All questions are compulsory.
1. Puskar is

Avanaddha Tata


Ghana Sushira


2. Pick the odd one out

Nupur Paijod


Payal Koktumbi


3. Match the List I with List II List I List II
a.
Aesthetics-Approaches, concepts and i. Doris Humphery
problems


b.
The Art of Making Dance ii. Manmohan Ghosh

c.
Mirror of Gestures iii. Kapila Vatsyayan

d.
Classical Indian Dance in Literature and iv. S.K. Saxena
the Arts



Codes
a b c d
i ii iii
i ii iii iv
iii ii i
(4)iii iv ii i

4. Assertion Folk dances have an underlying unity of man-nature relationship. Reason Folk dances are always choreographed for presentation in open space. Codes

is true and is false.


is false and is true.


Both and are true.


Both and are false.



5. Indicate the correct chronological sequence

Jean Baptist Lully, Charles Didelot, Marius Petipa, Diaghilev


Charles Didelot, Jean Baptist Lully, Marius Petipa, Diaghilev


Diaghilev, Jean Baptist Lully, Marius Petipa, Charles Didelot


Marius Petipa, Diaghilev, Charles Didelot, Jean Baptist Lully



Paper-III 2
®Ö韵Ö
¯ÖÏ¿®Ö¯Ö¡Ö III

®ÖÖê™ü ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö"ÖÆü¢Ö¸üü ²ÖÆüã-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æüï … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …

1. ¯ÖãÂÛú¸ü ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ŒµÖÖ Æîü

†¾Ö®Ö¨ü ŸÖŸÖ


ÃÖã¿Ö߸ü



2. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö ÛúÖê "Öã×®ÖµÖê

®Öã¯Öæ¸ü ¯ÖÖµÖ•ÖÖê›ü


¯ÖÖµÖ»Ö ÛúÖêÛúŸÖã´²Öß


3. ÃÖæ"Öß-I ÛúÖê ÃÖæ"Öß-II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
‹êãÖê×™üŒÃÖ-†¯ÖÏÖêê"Öê•Ö, ÛúÖÑÃÖꯙËüÃÖ ‹Þ›ü ¯ÖÏÖê²»Öê´ÃÖ i. ›üÖê׸üÃÖ Æü´±Ïúß

b.
¤ü †Ö™Ôü †Öò±ú ´ÖîØÛúÝÖ ›üÖ®ÃÖ ii. ´Ö®Ö´ÖÖêÆü®Ö

c.
×´Ö¸ü¸ü †Öò±ú •ÖêÃ"ÖÃÖÔ iii. ÛúׯֻÖÖ ¾Ö֟õÖÖµÖ®Ö

d.
Œ»ÖÖ×ÃÖÛú»Ö ‡Ó×›üµÖ®Ö ›üÖÓÃÖ ‡®Ö ×»Ö™ü¸êü"Ö¸ü ‹Þ›ü ¤ü †Ö™ÔËüÃÖ iv. ‹ÃÖ.Ûêú. ÃÖŒÃÖê®ÖÖ


Ûæú™ü
a b c d
i ii iii
i ii iii iv
iii ii i
(4) iii iv ii i
4. †×³ÖÛú£Ö®Ö »ÖÖêÛú ®ÖéŸµÖ ´Öë ¯Öã¹ýÂÖ-¯ÖÏÛéú×ŸÖ ÃÖÓ²ÖÓ¬Ö Ûúß †®ŸÖÙ®Ö×ÆüŸÖ ‹ÛúŸÖÖ Æîü … ŸÖÛÔú »ÖÖêÛú ®ÖéŸµÖ Ûúß ÛúÖê׸üµÖÖêÝÖÏÖ±úß Æü´Öê¿ÖÖ ÜÖã»Öê ãÖÖ®Ö ´Öë ¯ÖÏßÖãŸÖ ÆêüŸÖã Ûúß •ÖÖŸÖß Æîü … Ûæú™ü

ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …


ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …


†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …



5. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ÃÖÆüß ÛúÖ»ÖÛÎú´ÖÖ®ÖãÃÖÖ¸ü ¾µÖ¾Ö×Ã£ÖŸÖ Ûúßו֋

•µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, "ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö


"ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö


×›üµÖÖ×ÝÖ»Öê¾Ö, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß, ´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, "ÖÖ»ÃÖÔ ›üÖµÖ›ü»ÖÖò™ü


´Öê׸üµÖÃÖ ¯Öê×™ü¯ÖÖ, ×›üµÖÖ×ÝÖ»Öê¾Ö, "ÖÖ»ÃÖÔ ×›üµÖÖ›ü»ÖÖò™ü, •µÖÖÓ ²ÖÖׯ™üÙü »Öã»Öß


J-65-16 3 Paper-III
6. The Asamyukta hastas are
I. Kapota
II. Bhramara
III. Mrigashirsha
IV. Ardhachandra
Codes

All are correct.


II, III IV are correct.


II III are correct.


Only I is correct.


7.
Match List I with List II

8.
Assertion The birth of institutional Guru Shishya Parampara was the result of colonial cultural imperialism. Institutions have been propagating music among the masses through performance, research and journals.


List I List II
a. Attakatha i. Geeta Govinda
b. Khandita ii. Forest God
c. Rookmar nach iii. Mahabharata
d. Lai iv. Paik
Codes
a b c d
ii iii i iv
iii i iv ii
iv iii ii i
i ii iii iv

Reason Sangeet Research Academy maintains Guru Sishya Parampara as each Guru here has a few disciples living with or around him who can devote their entire time and energies for learning.

Codes

and are both true.


is false is true.


and are both false.


is false and is true.


Paper-III 4


6. †ÃÖÓµÖãŒŸÖ ÆüÃŸÖ Æîü
I. Ûú¯ÖÖêŸÖ
II. ³ÖÏ´Ö¸ü
III. ´ÖéÝÖ¿ÖßÂÖÔ
IV. †¬ÖÔ "Ö®¦ü

Ûæú™ü

ÃÖ³Öß ÃÖÆüß Æïü …


II, III †Öî¸ü IV ÃÖÆüß Æïü …


II †Öî¸ü III ÃÖÆüß Æïü …


Ûêú¾Ö»Ö I ÃÖÆüß Æîüü …


7. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
†¼üÛú£ÖÖ i. ÝÖßŸÖ ÝÖÖê×¾Ö®¤ü

b.
ÜÖ×Þ›üŸÖÖ ii. ¾Ö®Ö ¤êü¾ÖŸÖÖ

c.
ºþÛú´Ö¸ü iii. ´ÖÆüÖ³ÖÖ¸üŸÖ

d.
»ÖÖ‡Ô iv. ¯ÖÖ‡Ûú


Ûæú™ü
a b c d
iii i iv
(2)iii i iv ii
iii ii i
ii iii iv
8. †×³ÖÛú£Ö®Ö ÃÖÖÓãÖÖ×®ÖÛú ÝÖã¹ý ׿Ö嵅 ¯Ö¸ü´¯Ö¸üÖ Ûúß ˆŸ¯Ö×¢Ö †Öî¯Ö×®Ö¾Öê׿ÖÛú ÃÖÖÓÃÛéúןÖÛú ÃÖÖ´ÖÖ•µÖ¾ÖÖ¤ü ÛúÖ ¯Ö׸üÞÖÖ´Ö £ÖÖ … ÃÖÓãÖÖ®Ö †Ö´Ö »ÖÖêÝÖÖë Ûêú ²Öß"Ö ÃÖÓÝÖßŸÖ ÛúÖ ¯ÖÏ"ÖÖ¸ü-¯ÖÏÃÖÖ¸ü Ûú»ÖÖ ¯ÖÏßÖãןÖ, ¿ÖÖê¬Ö ‹¾ÖÓ •Ö®ÖÔ»ÖÖë Ûêú ´ÖÖ¬µÖ´Ö ÃÖê Ûú¸üŸÖê ¸üÆêü Æïü …
ŸÖÛÔú ÃÖÓÝÖßŸÖ ×¸üÃÖ"ÖÔ †ÛúÖ¤ü´Öß ÝÖã¹ý-׿Ö嵅 ¯Ö¸ü´¯Ö¸üÖ ÛúÖê ²Ö®ÖÖµÖê ¸üÜÖŸÖÖ Æîü ŒµÖÖë×Ûú ¯ÖÏŸµÖêÛú ÝÖã¹ý Ûêú ÃÖÖ£Ö
†£Ö¾ÖÖ ˆ®ÖÛêú †ÖÃÖ¯ÖÖÃÖ ¸üÆü®Öê ¾ÖÖ»Öê Ûãú"û ׿Ö嵅 ÆüÖêŸÖê Æïü •ÖÖê †¯Ö®Öê ÃÖÓ¯ÖæÞÖÔ ÃÖ´ÖµÖ †Öî¸ü ‰ú•ÖÖÔ ÛúÖê ×¾ÖªÖ †•ÖÔ®Ö Ûêú ×»ÖµÖê ÃÖ´ÖÙ¯ÖŸÖ Ûú¸üŸÖê Æïü …

Ûæú™ü

ÃÖÆüß Æîü †Öî¸ü ³Öß ÃÖÆüß Æîüü …


ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …


ÝÖ»ÖŸÖ Æîü †Öî¸ü ³Öß ÝÖ»ÖŸÖ Æîüü …


ÝÖ»ÖŸÖ Æîü †Öî¸ü ÃÖÆüß Æîü …


9. Give the correct sequence from South to North

Kolattam, Tamasha, Dhamal, Yakshagan


Tamasha, Yakshagan, Kolattam, Dhamal


Yakshagan, Kolattam, Dhamal, Tamasha


Kolattam, Yakshagan, Tamasha, Dhamal


10. Mary Wigman was a modern dancer from

America France


Germany Russia


11. Assertion A same motif of dance may be sculpted, danced powerfully and splendidly and it can also be executed competently but lifelessly.
Reason Whenever the rules of creation are interpreted imaginatively and creatively, the creations assume new significance, while blind following of precepts result in dead convention.
Codes

Both and are true.


Both and false.


is true is false.


is false is true.


12. Identify the correct sequence according to seniority

C.V. Chandrasekhar, Alarmel Valli, Chitra Vishweswaran, Rukminidevi Arundel


Rukminidevi Arundel, C.V. Chandrasekhar, Chitra Vishweswaran, Alarmel Valli


Chitra Vishweswaran, C.V. Chandrasekhar, Alarmel Valli, Rukminidevi Arundel


Alarmel Valli, Chitra Vishweswaran, C.V. Chandrasekhar, Rukminidevi Arundel


13. Tijan bai is a famous Artist of

Nautanki Pandawani


Nacha Rahas


14. Identify the correct sequence according to the year of initiation

Taaj Mahotsav, Bhagyachandra Dance Festival, Ellora-Ajanta Festival, Kal-Ke-Kalakar


Kal-Ke-Kalakar, Bhagyachandra Dance Festival, Taj Mahotsav, Ellora-Ajanta Festival


Ellora-Ajanta Festival, Taj Mahotsav, Kal-Ke-Kalakar, Bhagyachandra Dance Festival


Bhagyachandra Dance Festival, Ellora-Ajanta Festival, Taj Mahotsav, Kal-Ke-Kalakar.




9. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖ ¤ü×õÖÞÖ ÃÖê ˆ¢Ö¸ü Ûúß †Öê¸ü ÛúÖ ÃÖÆüß ÛÎú´Ö ²ÖŸÖÖ‡‹

ÛúÖê»ÖÖ¼ü´Ö, ŸÖ´ÖÖ¿ÖÖ, µÖõÖÝÖÖ®Ö


ŸÖ´ÖÖ¿ÖÖ, µÖõÖÝÖÖ®Ö, ÛúÖê»ÖÖ¼ü´Ö, ¬Ö´ÖÖ»Ö


µÖõÖÝÖÖ®Ö, ÛúÖê»ÖÖ¼ü´Ö, ŸÖ´ÖÖ¿ÖÖ


ÛúÖê»ÖÖ¼ü´Ö, µÖõÖÝÖÖ®Ö, ŸÖ´ÖÖ¿ÖÖ, ¬Ö´ÖÖ»Ö


10. ´Öê¸üß ×¾ÖÝÖ´Öî®Ö ×ÛúÃÖ ¤êü¿Ö Ûúß †Ö¬Öã×®ÖÛú ®ÖŸÖÔÛúß £Öß

†´Öê׸üÛúÖ ±ÏúÖÓÃÖ


•Ö´ÖÔ®Öß ºþÃÖ


11. †×³ÖÛú£Ö®Ö ®ÖéŸµÖ Ûêú ˆÃÖß †×³Ö¯ÖÏÖµÖ ÛúÖê ×ÛúÃÖß ¯ÖÏןֳÖÖ ´Öë ´ÖæŸÖÔ ºþ¯Ö פüµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü, ¯ÖϳÖÖ¾Ö¿ÖÖ»Öß ŸÖ£ÖÖ ³Ö¾µÖ ŸÖ¸üßÛêú ÃÖê ˆÃÖ´Öë ®ÖéŸµÖ ¯ÖÏßÖãŸÖ ×ÛúµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü ‹¾ÖÓ ‡ÃÖê ¤üõÖŸÖÖ¯ÖæÞÖÔ ¯Ö¸ü®ŸÖã ×®Ö¯ÖÏÖÞÖ ºþ¯Ö ´Öë ×®Ö¯ÖÖפüŸÖ ×ÛúµÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü …
ŸÖÛÔú •Ö²Ö ³Öß ÃÖé•Ö®Ö Ûêú ×®ÖµÖ´ÖÖë Ûúß Ûú»¯Ö®ÖÖŸ´ÖÛú ‹¾ÖÓ ÃÖé•Ö®ÖÖŸ´ÖÛú ºþ¯Ö ´Öë ¾µÖÖܵÖÖ Ûúß •ÖÖŸÖß Æîü, ¸ü"Ö®ÖÖ ´Öë ®ÖµÖß †×³Ö¾µÖÓ•ÖÛúŸÖÖ ÆüÖêŸÖß Æîü •Ö²Ö×Ûú †¾Ö¬ÖÖ¸üÞÖÖ†Öë Ûêú †®¬ÖÖ®ÖãÛú¸üÞÖ ÃÖê ¯Ö¸ü´¯Ö¸üÖ‹Ñ ×´Ö™ü®Öê »ÖÝÖŸÖß Æïü …
Ûæú™ü

†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …


†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …


ÃÖÆüß Æîü, ÝÖ»ÖŸÖ Æîü …


ÝÖ»ÖŸÖ Æîü, ÃÖÆüß Æîü …


12. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÃÖÆüß ÛÎú´Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûúßו֋

ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, †»Ö´Öì»Ö ¾Ö»»Öß, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö


¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, †»Ö´Öì»Ö ¾Ö»»Öß


×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, †»Ö´Öì»Ö ¾Ö»»Öß, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö


†»Ö´Öì»Ö ¾Ö»»Öß, ×"Ö¡ÖÖ ×¾Ö¿¾Öêþָü®Ö, ÃÖß.¾Öß. "ÖÓ¦ü¿ÖêÜÖ¸ü, ¹ý׌´ÖÞÖß ¤êü¾Öß †¹ýÞÖ›êü»Ö


13. ŸÖß•Ö®Ö ²ÖÖ‡Ô ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛúß ¯ÖÏ×ÃÖ¨ü Ûú»ÖÖÛúÖ¸ü Æîü

®ÖÖî™ÓüÛúß ¯ÖÓ›ü¾ÖÖ®Öß


®ÖÖ"Ö ¸üÆüÃÖ


14. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê ˆ®ÖÛêú ¿Öãºþ ÆüÖê®Öê Ûêú ¾ÖÂÖÔ Ûêú ÛÎú´Ö Ûêú †®ÖãÃÖÖ¸ü ¾µÖ¾Ö×Ã£ÖŸÖ Ûúßו֋

ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü


Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö


‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü, ³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö


³ÖÖݵÖ"ÖÓ¦ü ®ÖéŸµÖ ˆŸÃÖ¾Ö, ‹»ÖÖê¸üÖ †•Ö®ŸÖÖ ˆŸÃÖ¾Ö, ŸÖÖ•Ö ´ÖÆüÖêŸÃÖ¾Ö, Ûú»Ö Ûêú Ûú»ÖÖÛúÖ¸ü


J-65-16 7 Paper-III
15. Pick the odd one out

Lamentation Primitive Mysteries


Frontier The Incense


16. Identify the correct sequence according to Abhinaya Darpana

Udvahita, Alolita, Adhomukha, Kampita


Udvahita, Adhomukha, Alolita, Kampita


Kampita, Alolita, Udvahita, Adhomukha


Alolita, Kampita, Udvahita, Adhomukha


17. Assertion Kathakali and Kabuki are both spectacular extrovert theatrical forms. Reason Both have their origin in Kerala. Codes

is true is false.


is false is true.


Both and are true.


Both and are false.


18. Managing editor of 'Nartaki' is

Sudha Chandran Chitresh Das


Padmasubramanyam Anita Ratnam


19. Which among these is not a folk ornament

Hamel Bor


Hansali Bengapatia


20. Match List I with List II List I List- II
a.
Filipo Taglioni i. Dying Swan

b.
Carlotta Grisi ii. La Sylphide

c.
Anna Pavlova iii. Gisselle

d.
Virginia Zucchi iv. Esmeralda


Codes
a b c d
ii iii iv
(2) iii i iv ii
(3) iv ii i iii
(4) ii iii i iv
Paper-III 8

15. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö "Öã×®ÖµÖê

»Öê´Öê®™êü¿Ö®Ö ׯÖÏ×´Ö×™ü¾Ö ×´Ö×ÙÒü•Ö


±ÏúÖ×®™üµÖ¸ü ¤ü ‡®ÃÖëÃÖ



16. †×³Ö®ÖµÖ ¤ü¯ÖÔÞÖ Ûêú †®ÖãÃÖÖ¸ü ×®Ö´®Ö×»Ö×ÜÖŸÖ Ûêú ÃÖÆüß ÛÎú´Ö Ûúß ¯ÖÆü"ÖÖ®Ö Ûúßו֋

†»ÖÖê×»ÖŸÖ, †¬ÖÖê´ÖãÜÖ, Ûú×´¯ÖŸÖ


†¬ÖÖê´ÖãÜÖ, †»ÖÖê×»ÖŸÖ, Ûú×´¯ÖŸÖ


Ûú×´¯ÖŸÖ, †»ÖÖê×»ÖŸÖ, †¬ÖÖê´ÖãÜÖ


†»ÖÖê×»ÖŸÖ, Ûú×´¯ÖŸÖ, †¬ÖÖê´ÖãÜÖ


17. †×³ÖÛú£Ö®Ö ÛúŸ£ÖÛú»Öß †Öî¸ü ÛúÖ²ÖãÛúß ¤üÖê®ÖÖë ¥ü¿µÖÖŸ´ÖÛú ²Ö×Æü´ÖãÔÜÖß ®ÖÖ™ËüµÖ þֺþ¯Ö Æïü … ŸÖÛÔú ¤üÖê®ÖÖë ÛúÖ ˆ¤ËüÝÖ´Ö Ã£ÖÖ®Ö Ûêú¸ü»Ö Æîü … Ûæú™ü

ÃÖÆüß Æîü, ÝÖ»ÖŸÖ Æîü …


ÝÖ»ÖŸÖ Æîü, ÃÖÆüß Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …


†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …



18. Ûúß ¯ÖϲÖÓ¬Ö ÃÖ´¯ÖÖ¤üÛú Æïü

ÃÖã¬ÖÖ "Ö®¦üÞÖ ×"Ö¡Öê¿Ö¤üÖÃÖ


¯Ö¤Ëü´ÖÖ ÃÖã²ÖδÖÞµÖ´Ö †×®ÖŸÖÖ ¸üŸ®Ö´Ö



19. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö »ÖÖêÛú †Ö³ÖæÂÖÞÖ ®ÖÆüà Æîü

Æü´Öê»Ö ²ÖÖê¸ü


ÆÓüÃÖ»Öß ²ÖëÝÖ¯Ö×™üµÖÖ


20. ÃÖæ"Öß I ÛúÖê ÃÖæ"Öß II ÃÖê ÃÖã´Öê×»ÖŸÖ Ûúßו֋ ÃÖæ"Öß I ÃÖæ"Öß II
a.
×±ú×»Ö¯¯ÖÖê ŸÖ×ݻֆÖê®Öß i. ›üÖ‡ÓÝÖ Ã¾ÖÖ®Ö

b.
ÛúÖ¸ü»ÖÖê™Ëü™üÖ ×ÝÖÏÃÖß ii. »ÖÖ ×ÃÖ»±úÖ‡›ü

c.
†®®ÖÖ ¯ÖÖ¾Ö»ÖÖê¾ÖÖ iii. ×ÝÖ•ÖÌê»Ö

d.
¾ÖÙ•Ö×®ÖµÖÖ •ÖÖê×""Ö iv. ‹Ã´Öê¸üÖ»›üÖ


Ûæú™ü
a b c d
ii iii iv
(2) iii i iv ii
(3) iv ii i iii
(4) ii iii i iv
J-65-16 9 Paper-III
21. 'Sawaal-Jawab' is popular in

Kathakali Bharatnatyam


Kathak Chhau


22. Pick the odd one out

Kaji Nazrul Islam Harivansh Rai Bachchan


Kaifi Azmi Sadhana Bose


23. Assertion Mattavarani was an extended acting area. Reason Mattavaranis were situated on the either sides of Rangapith. Codes

is true is false.


Both are false.


is true is false.


Both are true.


24. Identify the correct sequence according to Kathakali presentation

Melappadam, Todayam, Purappadu, Vadha


Todayam, Purappadu, Vadha, Melappadam


Purappadu, Todayam, Melappadam, Vadha


Vadha, Purappadu, Melappadam, Todayam


25. The production 'Samanya Kshati' had creation of two great personalities. They are

Rabindranath Tagore and Uday Shankar


Nazrul Islam and Mrinalini Sarabhai


Nirala and Sambhu Maharaj


Subramanya Bharti and Vyajayantimala Bali


26. Identify the correct sequence

Matsya, Vamana, Rama, Kalki


Kalki, Rama, Vamana, Matsya


Rama, Vamana, Kalki, Matsya


Vamana, Matsya, Rama, Kalki


27. Nakhum-Churah is

Head dress of Krishna Anklet of Radha


Hair ornament of Rukmini Rings of Sakhis


Paper-III 10
21. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ´Öë »ÖÖêÛúׯÖ쵅 Æîü

Ûú£ÖÛú»Öß ³Ö¸üŸÖ®ÖÖ™ËüµÖ´Ö


ÛúŸ£ÖÛú "ûÖˆ


22. ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×¾ÖÂÖ´Ö ÛúÖê "Öã×®ÖµÖê

ÛúÖ•Öß ®Ö•Öºþ»Ö ‡Ã»ÖÖ´Ö Æü׸ü¾ÖÓ¿Ö ¸üÖµÖ


Ûîú±úß †Ö•ÖÌ´Öß ÃÖÖ¬Ö®ÖÖ ²ÖÖêÃÖ


23. †×³ÖÛú£Ö®Ö ´Ö¢Ö¾ÖÖ¸üÞÖß ´ÖÓ"Ö®Ö õÖê¡Ö ÛúÖ ×¾ÖßÖéŸÖ ×¾ÖßÖÖ¸ü £ÖÖ … ŸÖÛÔú ´Ö¢Ö¾ÖÖ¸üÞÖß ¸ÓüÝÖ¯Ößšü Ûêú ¤üÖê®ÖÖë ŸÖ¸ü±ú ÆüÖêŸÖê £Öê … Ûæú™ü

ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÝÖ»ÖŸÖ Æïü …


ÃÖÆüß Æîü †Öî¸ü ÝÖ»ÖŸÖ Æîü …


†Öî¸ü ¤üÖê®ÖÖë ÃÖÆüß Æïü …


24. ×®Ö´®Ö×»Ö×ÜÖŸÖ ÛúÖê Ûú£ÖÛú»Öß Ûêú ¯ÖÏßÖãŸÖß ÛÎú´Ö Ûêú †®ÖãÃÖÖ¸ü ×»Ö×ÜÖ‹

´Öê»Ö¯¯Ö¤ü´Ö, ŸÖÖê›üÖµÖ´Ö, ¯Öã¸ü¯¯Ö¤ãü, ¾Ö¬Ö


ŸÖÖê›üÖµÖ´Ö, ¯Öã¸ü¯¯Ö¤ãü, ´Öê»Ö¯¯Ö¤ü´Ö


¯Öã¸ü¯¯Ö¤ãü, ŸÖÖê›üÖµÖ´Ö, ´Öê»Ö¯¯Ö¤ü´Ö, ¾Ö¬Ö


¯Öã¸ü¯¯Ö¤ãü, ´Öê»Ö¯¯Ö¤ü´Ö, ŸÖÖê›üÖµÖ´Ö


25.


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