PAPER-III
HINDUSTANI MUSIC

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JA-016-17 1 P.T.O.

HINDUSTANI MUSIC
Paper III

Note This paper contains seventy five objective type questions of two marks each. All questions are compulsory.

1. belonged to which country

Germany Austria

China Britain

2. First 'Gandharva Maha Vidyalaya' was founded in the city

Karachi Mumbai

Lahore Delhi

3. Who was the son of Imdad Khan

Wazir Khan Inayat Khan

Imrat Khan Vilayat Khan

4. Which Raga does not have the Swara-Sangiti of

Malkauns Kedar

Bhimpalasi Hamir

5. Which Raga is obtained considering Komal Gandhar as Shadaj in the scale of Malkauns

Durga Bhupali

Gunkali Hansdhwani

6. Number of Thatas mentioned in Raga Tarangini are

10 18

12 22

7. Match the following and choose the correct code

List I List II

Abhogi Todi Thaat

Kamod Kalyan Thaat

Bilaskhani Todi Bhairavi Thaat

Gujari Todi Kafi Thaat

Codes











8. How many beats are there in in Chatursha Jati

6 12

8 4

9. is related to

Laya Raga

Taan Alankar

10. Which variety of Taans are prominently used in Raga Gaud-Sarang

Spat Taan Sarok Taan

Gitkari Taan Vakra Taan

11. R M P D belongs to which Raga

Sohini Purvi

Shree Puriyadhanashri

12. Who created Raga Sazgiri

Gopal Nayak Amir Khusrao

Swami Haridas Sharangdeva

13. Raga Miyan Malhar, Miyan Ki Todi, Darbari Kanhada indicates the creation of

Gopal Nayak Tansen

Baiju Bawra Amir Khusrao

14. Razakhani Gat is played in which Taal

Teental Ektal

Jhaptal Ada Chautala

15. Playing more than one melody at a time is known as

Counter point Harmony Slur

Rest Staccato

16. Which of the following artist is associated with Surbahar

N. Rajam Annapurna Devi

Zarin Daruwala Sharma Ranuka Saha

17. Which instrument is used for Drone

Sarangi Tanpura

Harmonium Violin

18. Who is the Sarangi Player

Ram Gopal Ram Sahay

Ram Narayan Radhe Shyam

19. What does 'Swayambhu Swaras' known in western music

Harmony Staff

Melody Harmonics

20. 'Kalidas Samman' is given by

Madhya Pradesh Government Uttar Pradesh Government

Delhi Government Maharashtra Government

21. Dhrupad singers are

Gundecha Bandhu Mishra Bandhu

Sabri Bandhu Singh Bandhu

22. Who is the author of "Introduction to the study of Indian Music"

O.C. Ganguli V. Raghavan

A.N. Fox Strangway E. Clements

23. What was the terminology for Swaras in Vedic period

Swara Yam

Sam Richa

24. Which instrument accompanies 'Haveli Sangeet'

Dholak Naal

Pakhawaj Khol

25. Choose the correct code

Assertion 'Treatment of Swara' is an important factor in Hindustani Music. Change of treatment consequently changes Raga.

Reason By acquiring knowledge in depth through books, any raga can be performed without obtaining practical training from Guru.

Codes

Both and both are correct.

Both and both are wrong.

is correct, but is wrong.

is wrong, but is correct.

26. Rajasthani Folk Instrument 'Algoja' falls under which category

Sushir Vadya Tantri Vadya

Ghan Vadya Avnadha Vadya

27. Match the following and choose the correct code

List I List II

Dominant I. Vikrit Swara

Mediant II. Pancham Bhava Samvadi

Subdominant III. Anuvadi

Modified Note IV. Madhyam Bhava Samvadi

Codes



II III IV I

I IV III II

IV I II III

III II IV I

28. According to Natya Shastra, 'Dhruvas' of and Raudra-rasa are recommended to be sung in which

Madhya Laya Vilambit Laya

Ati Vilambit Laya Drut Laya

29. of a is mentioned by which musicologist

Matang Nanyadeo

Jagdekamalla Bharat

30. Select the 'Murchhanas', related to 'Madhyam-Gram'

I. Harinashwa

II. Margi

III. Rajni

I and III I and II

II and III II and III

31. What is the number of 'Shudha' and 'Vikrit' swaras according to Sharangdeo

7 Shudha, 12 Vikrit 7 Shudha, 5 Vikrit

7 Shudha, 11 Vikrit 7 Shudha, 18 Vikrit

32. Which other name is used for 'Jeevswara' or Ansha-Swara

Anuvadi Swara Uddatta Swara

Vadi Swara Sanchari Swara

33. 89 interval is equivalent to

51.1 Sevart 45.8 Sevart

28.1 Sevart 61.1 Sevart

34. Narayan Moreshwar Khare was the disciple of

Bhaskar Bua Raja Bhaiya Poochwale

V.N. Bhatkhande V.D. Paluskar

35. Who is the author of Bharat-Bhashyam

Nanyadeo Parshwadeo

Abhinav Gupta Kohal

36. 'Raja-Ragini' classification has been mentioned in which of the following texts

I. Sangeet Makrand

II. Sangeet Darpan

III. Raj Tarangini

IV. Natya Shastra

II, III and IV III and IV

II, III and IV II and III

37. Match the following 'Shruti-Swara-Sthanas' according to Ahobal and Choose the correct code

List I ist II

Purva Ga I. 20

Teevratar Re II. 9

Poorva Ni III. 22

Teevratar Dha IV. 7

Codes



II IV I III

I III II IV

IV II I III

II I III IV

38. Pt. Ahobal has placed 'Shuddha and 'Shudha on the wire of Veena at

30^n 20^n 32^n 27^n

31^n 24^n 32^n 22^n

39. Raga Devgiri-Bilawal is the combination of

Yaman and Bilawal Khamaj and Bilawal

Shudha Kalyan and Bilawal Devgiri and Bilawal

40. Match the following and choose the correct code

List I List II

Sa Re Ma Pa Ma- Pa I. Megh Malhar

Dha Ni Pa Dha Ni Sa, Ni Dha Pa Dha Ma Ga II. Madmat Sarang

ReMa ReMa ReMa Ma Re-Sa III. Khamaj

NiSa Sa Re Ma Pa Ma, Re Ma Re Sa IV. Kafi

Codes



II I IV III

III II I IV

IV III I II

I IV III II

41. 'Re Ma phrase is used in which of the following ragas

I. Gunkri II. Jogia

III. Bairagi Bhairav IV. Jaunpuri

II, III and IV II and III

II, III and IV II and IV

42. Arrange the following texts in chronological order

I. Raga Vibodh

II. Abhinav Bharti

III. Sangeet Ratnakar

II, III III, II, I

II, III, I III, II

43. 'Shudha Swara Saptak', placed on 10, 14, 18 and 21 Shruties denotes which period

Vedic period Medieval period

Ancient period Modern period

44. 'Re Dha Komal' and Teevra Swaras are the characteristics of

Chhayalag raga Parmela Praveshak raga

Shudha raga Sandhi prakash raga

45. Choose the correct code

Assertion Karnatak Music doesn't include the concept of 'Time theory' of ragas.

Reason Ragdari system doesn't prevail in Karnatak Music.

Codes

and both are correct.

and both are wrong.

is correct, but is wrong.

is wrong, but is correct.

46. Which out of the following has written Annotation on Natyashastra

Beejgupta Vishnugupta

Dattilam Abhinavgupta

47. 'Shuddha Madhyam' is placed on which 'Shruti' according to the Ancient Musicologists

13th 14th

12th 15th

48. 'Chitra Veena' was played by

Plucktrum Bow

Reed Fingers

49. Select the pair of raga containing similar notes

Ahir Bhairav Nat Bhairav

Shudha Sarang Vrindvani Sarang

Marva Puriya

Bilaskhani Todi Todi

50. Combination of and 'Avrohi' Varna is known as

Abhogi Varna Sanchari Varna

Dhatu Varna Arohi-Avrohi Varna

51. Which one is equivalent to Bilawal Thata of the following

Major Scale Minor scale

Gandhar Grama Madhyam Grama

52. Which raga does not belong to Kafi Thata

Bageshri Patdeep

Jaijawanti Bhimpalasi

53. Which is the correct sequence of the following in the chronological order

Sangit Parijat, Sangit Chintamani, Bharatiya Sangit Vadya, Brihaddeshi

Bharatiya Sangit Vadya, Sangit Parijat, Sangit Chintamani, Brihaddeshi

Brihaddeshi, Sangit Parijat, Sangit Chintamani, Bharatiya Sangit Vadya

Sangit Parijat, Brihaddeshi, Bharatiya Sangit Vadya, Sangit Chintamani

54. Who is the author of the book 'The Story of Indian Music'

M. R. Goutam O. Goswami

Swami Prajnanananda Kapila Vatsayan

55. Which one is known as 'Adhvadarshak Swara' of the following

S P

M N

56. Alia-Fattu associated with which gharana

Kirana Patiala

Agra Jaipur

57. Nirmal Shah was known as

Sarod player Beenkar

Sarangi player Tabla player

58. What is the meaning of Dhadi

Kind of Taal Community representing music

Kind of Geeti Folk song

59. Which one of the following interval is according to Sadja-Madhyam Bhava .

R P M S

R D G N

60. Choose the correct code

Assertion Evolution of Sitar may be seen in Tritantri Veena.

Reason Tritantri Veena had seven strings. Codes

Both and are correct.

Both and are wrong.

is correct, but is wrong.

is wrong, but is correct.

61. What is the frequency of Suddha Rishabh according to Bhatkhande

270 218

320 450

62. Raja Bhaiya Poochwale belongs to which gharana

Agra Kirana

Patiala Gwalior

63. Real name of Suresh Babu Mane is

Abdul Haq Abdul Rahman

Abdul Wahid Abdul Karim

64. Choose the correct code of the following

Assertion Ustad Amir Khan is a great representative of Patiala Gharana.

Reason Amir Khan used to learn from Ustad Wahid Khan.

Codes

Both and are correct.

Both and are wrong.

is true, but is false.

is false, but is true.

65. In which court, Faiyaz Khan received the award 'Aftab-e-Mousiqi'

Baroda Mysore

Gwalior Rampur

66. How many Angas were there in Prabandha Gaan

4 5

6 7

67. How many Grama Ragas are mentioned by Matanga in his book 'Brihaddeshi'

7 16

32 9

68. Who was the Guru of Begum Akhtar out of the following

Abdul Wahid Khan Abdul Karim Khan

Ata Hussain Khan Bade Ghulam Ali Khan

69. Which one is the example of Anabhyasmulak Alpatva

Re in descending order in Bihag Dha in Asceending order in Bihag

Ga in Durga Re in Ascending order in Kedar

70. Who was credited with as inventor of 'Chutkala Khayal'

Amir Khusro Mansingh Tomar

Sultan Hussain Sharqi Vidyaranya

71. Maihar Band is related to

Wazir Khan Hafiz Ali Khan

Balaram Pathak Alauddin Khan

72. Choose the odd one

Shikhar Brhma

Pratihar Ganesh

73. Which one is the Jati of Prabandha out of the following

Tisra Khanda

Dipani Sankirna

74. The following phrase belongs to which raga

R M G M R S

Hamir Kamod

Suddha Sarang Shyam Kalyan

75. Inayat Hussain Khan of Sahaswan Gharana was a disciple of

Hassu Khan Natthan Peer Bux

Vilayat Hussain Khan Mehbub Khan